In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? For me Goat is a narrative investigation of masculinity. This isn’t a secret, but it certainly is an […]
After appearing on our 25 New Faces list in 2012, director, writer, producer and actor Jim Cummings has popped into the page of Filmmaker from time to time, offering advise on making and marketing short films and what filmmakers can learn from South Park. Cummings, who is a producer of two of the past year’s best independents (Krisha and The Grief of Others), has an intriguingly hard-to-pin down filmmaking personality. So, when he suggested that Filmmaker partner with him on a series of videos documenting the journey of his new short, Thunder Road, to Sundance, we quickly agreed. Of course, […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? My “hidden” motivation. You could say that I’ve tried to make a political film, hidden within a […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I don’t think there is a secret story. The main plot, and the subplots and the themes […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Our core concern in making Resilience was to popularize the dangers of chronic stress on the developing child. […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? This is a not a film that I planned to make. When I started this film, I […]
Each year Filmmaker asks all the incoming feature directors at Sundance one question. This year, our question regards the secret story behind each film. (To see past years’ questions and responses, click here.) This year’s question: In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? After I had spent a long time labouring over a couple of other scripts, I decided to […]
As always, Sundance is chock full of anticipated films, many by friends, colleagues and filmmakers we track here at the magazine. Below are 12 films I’m really hoping to see while I’m in Park City. Swiss Army Man. Consider The Daniels’s (Daniel Kwan and Daniel Schweine) arresting and surreal string of music videos and short films their very long tease for a debut feature that promises to be one of the Dramatic Competition’s most anarchic entries. The film stars Daniel Radcliffe and Paul Dano and, explaining the title, Schweine told Filmmaker last summer, when The Daniels made our 25 New […]
Features premiering at the 2016 Sundance Film Festival tend to receive the most media attention and press coverage, but there are a number of short works making their debut this week that deserve equal or greater consumer attention. Documentary filmmakers trying their hand at narrative work, established producers getting behind the lens for the first time: many of the shorts in this year’s Sundance lineup feature filmmakers stepping outside of their comfort zone to expand their careers and diversify their storytelling output. The short form is an ideal place to try new things, of course, and it’s encouraging to see filmmakers of […]