Sundance
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Sundance Shorts Winners Announced
Tonight the winners of the short film awards for the Sundance Film Festival were announced. The Grand Jury Prize went to Polish director Grzegorz Zariczny’s The Whistle, while two directors known for their feature-length work — Damien Chazelle and Michael Almereyda — also picked up awards. The full list of winners is below: The Short Film Grand Jury Prize was awarded to: The Whistle / Poland (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. […]
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The Other Side of Sundance
I’m not in the Sundance rhythm yet. I’m still trying to work out out how to fit in enough writing, food and sleep into my jam-packed schedule. Before arriving, I’d decided I wouldn’t go to too many parties, but on a whim I RSVP’d to a “celebrity poker tournament,” which was to be held at the Everest Mansion, a big house up in the mountains above Park City. My rationale was that I would get to experience “the other side” of Sundance, and could maybe relax and play a little poker. The list of confirmed guests included some famous names, […]
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Big Sur | Director Michael Polish
[PREMIERE SCREENING: Wednesday, Jan. 23, 9:45pm — Eccles Theatre, Park City] I believe with every independent movie the sacrifice is always time versus money. We never have enough of either. However, you find creative solutions when faced with these constraints. As for Big Sur, the location itself sacrificed our crew on a daily basis. It’s basically cliffs, canyons and sea shore. It’s heaven, so there’s some death involved…well, let’s say redemption. Overall it was a religious experience and the author of our bible was Jack Kerouac – a testament to survival.” Sundance Responses 2013
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A Young Producer’s Sundance Photo Diary, Day Four
Day Four. Things began to slow down as it felt like a lot of Sundance goers boarded flights back to their real lives and work. It was a bit more manageable to walk down Main Street and restaurants didn’t all have 45-minute waits – though I still couldn’t get a free coffee at the Sundance Channel HQ. Sadly, it was a slower day for movies, but I was able to catch up with a lot of filmmakers and friends at the IFP’s Sundance party, which was a total success. Only one more day in Park City! I’ll be sad to […]
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A.C.O.D. | Director Stu Zicherman
[PREMIERE SCREENING: Wednesday, Jan. 23, 6:30pm — Eccles Theatre] In order to get A.C.O.D. made, I sacrificed a year of television work. I usually write at least one network or cable pilot per year, which is the one stream of income I can always rely on. But with A.C.O.D. close to getting made, I took a gamble and passed on pilot season in hopes of getting a green light. Then pilot season came and went without the film getting off the ground. Just as I began a phase of real self-loathing over my newfound unemployment, my producer called to say […]
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Very Good Girls | Director Naomi Foner
[PREMIERE SCREENING: Tuesday, Jan. 22, 6:15pm — Eccles Theatre, Park City] Time is not on my side. I came late to directing, although I’ve been writing screenplays for most of my life, so I am in a hurry. In my case, it was, grandma directs a movie. And that meant literally, limiting the time I got to spend with my favorite people on earth, my grand daughter Ramona, and her new sister, Gloria who arrived weeks before we began to shoot. That was a big trade off, but I am hoping that they will get to see this film, and […]
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Family and Sacrifice in A River Changes Course
The challenges I’ve encountered in making this film – my struggles to support myself financially, the physical hardships of filming in extremely hot and humid conditions, getting sick in the middle of production, and the strain of being away from loved ones for extended periods of time – were all difficult. But I never considered any of the challenges as acts of sacrifice. At worst, they were inconveniences. At best, they were experiences that emboldened and strengthened me. On the other hand, the sacrifices made daily by Sari, Khieu, and Sav Samourn for their families are of a depth and nature […]
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Five Questions with Pit Stop Director Yen Tan
It’s been five years since Yen Tan’s mournful, romantic drama debut Ciao, and the Texas-based filmmaker now returns with Pit Stop. If the early buzz surrounding the film is any indication, Pit Stop shares the emotional intimacy of its predecessor, this time tracking the relationship of two gay men in a blue collar small Texas town. The film premieres today in the Sundance Film Festival’s NEXT section. Filmmaker: Where did the inspiration for Pit Stop come from? Can you speak a bit about Gabe and Ernesto’s characters, and how you developed each? Tan: Pit Stop came about during my road trips between the […]
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Five Questions with The Rambler Director Calvin Lee Reeder
Over the past half-decade, Calvin Reeder has carved out a filmmaking niche all his own. His debut feature, The Oregonian (which premiered at Sundance two years ago), as well as his much-praised early short films, are a strange mix of psychological horror, high-minded surrealism, camp, and a soundtrack and filmic texture that hint at both nostalgia and discomfort. His second feature, The Rambler, is an adaptation of his 2008 short film of the same name, and follows a man (Dermot Mulroney) recently released from jail who embarks on a journey to reconnect with his long-lost brother. It premieres today in […]
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A Young Producer’s Sundance Photo Diary, Day Three
Day Three was a bit of whirlwind and I’ll admit I wasn’t as quick on my camera skills as I should have been. But, then again, it’s sort of awkward to photograph “meetings” that take place on shuttles in between a screening and a dinner, and while running from event to event. But I have two more days to perfect the casual “can-I-take-your-photo” question when running into industry friends and acquaintances on Main Street. Still reporting sunny skies for Day Three, a bit more hostility over seat saving in Eccles, but generally the energy remains high.
