Sundance Responses
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“I Will Work Through Some Issues I’m Having While Dreaming”: Reversal | Director J.M. Cravioto
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? As a director, there are stages when it comes to what your fears are while making a film. In Reversal I experienced the same fears I had previously dealt with in prior features. I think fear can be easily defined as insecurity and every person — in this case every director — experiences it in a different manner. Yet, we all share a common denominator in that we’re all […]
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“My First Feature Film was Shot in Seven Days”: Glassland | Director Gerard Barrett
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Fear is an interesting word. I wouldn’t say I had to overcome any fear in the whole process of bringing Glassland to life, but I guess what I had to overcome was going into a “traditional” production – the unknown to me. Pilgrim Hill, my first feature film, was shot in seven days with a three-person crew and one actor. It was intense, intimate and all consuming. I wrote, […]
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“I Have a Fear of Long Hours”: Hellions | Director Bruce McDonald
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? I have a fear of Long Hours. The crew gets angry, bored, sick and tired. They don’t see any friends, lovers, families, or pets. People feel ground down and taken advantage of. The set becomes isolated from life. And the film suffers for it. To overcome this on Hellions we did all we could to prevent Long Hours from occurring. We prepped like motherfuckers. Sharpened the script. Pushed for […]
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“The Film Just Won’t Be Good Enough”: Brooklyn | Director John Crowley
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? At first the familiar gnawing fear that the film just won’t be good enough. But nothing ever is, so I negotiated my way past that one. But then arose a far more specific concern in this instance – that the finished film would not do justice to the experiences of the countless thousands of emigrants that crossed the Atlantic to find a new life in the US. Brooklyn is […]
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“I Worked Diligently and Kept At It”: Cronies | Producer/Editor/Writer/Director Michael J. Larnell
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? The biggest fear I had to conquer while making this project was the decision to take on many roles for the film. I am the producer, editor, writer and director for Cronies. The most difficult part was the pre-production jobs of producer and director. There were many items needed to be completed for both producer and director, but most of the time went to the producer role. There were […]
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“My Confidence was in the Dumps”: Bob and the Trees | Writer/Director Diego Ongaro
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? My biggest fear happened with the writing of the script. It came down to lacking confidence. It was very hard to come up with a good story that has enough life in it — real life in it — but also a strong narrative. With my wife and co-writer, Courtney Maum, we kept going back and forth. She’s a novelist so she was pushing for a more scripted story, […]
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“I Might Actually Be Documenting Larry’s Passing”: Larry Kramer in Love & Anger | Producer/Director Jean Carlomusto
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? The biggest fear I had while making the film was that I might actually be documenting Larry’s passing. Just as we started the final push on the documentary, Larry became critically ill and ended up in intensive care. The grave nature of his illness brought back terrible memories of witnessing my friends die of AIDS in the 1980’s and 90’s. Also, my father had recently died. Being part of […]
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“My First Feature Film Since My Children were Born”: How to Dance in Ohio | Director Alexandra Shiva
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? How to Dance in Ohio is my first feature film since my children were born, so I originally set out to make it in NYC where I live with my family. Then my research led me to Columbus, Ohio and to this incredible community and story that I could not possibly pass up telling. I would say that the largest sacrifice I made in the making of this film […]
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“You Can Make Films with No Money, No Support, No Talent”: Chorus | Director Francois Delisle
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? What’s the fear of not ending up with the film you really wanted to make compared with the fear of losing your freedom to express yourself? Chorus was made instinctively, with no constraints and with a great deal of freedom. Freedom that was built up and acquired over years, over many films and through good times and bad. I’ve often made mistakes, I’ve surrounded myself with the wrong people, […]
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“There is Good Fear and Bad Fear”: The Hallow | Director Corin Hardy
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Fear presented itself in so many guises throughout the making of my film, to me and I’m sure to everyone on the crew — mainly, I believe, as a result of pressure and communication and miscommunication. I guess I realised that to help everyone, myself included, to conquer “the fear” and instead concentrate on doing the best, most efficient work (and hopefully enjoy it along the way), I had to […]
