Back to One
A podcast about acting -- just the work. by Peter Rinaldi
-
Back to One, Episode 55: Lake Bell
She’s wonderful in comedies like Man Up and dramas like No Escape, but Lake Bell shines brightest in material she writes and directs herself, like her indie hit In A World. Now the mega-talented multi-hyphenate has joined forces with Liz Meriwether (New Girl) on the ABC sit-com Bless This Mess. We talk about the benefits and challenges of writing, directing and starring in a network show; knowing when to land the joke slightly off the landing pad; and doing it all as a mom. Back To One can be found wherever you get your podcasts, including iTunes, Google Play, and… Read more
-
Back to One Special Episode: Mike Leigh
For one year now on this podcast, I have talked to dozens and dozens of actors about their approach to the craft of acting. There are few living non-actor directors whose thoughts on this subject I feel would be worthy for this archive. Mike Leigh is on the top of that list. Listening to actors talk about their working experiences has made me think of an analogy. They are like fish people, showing up on a set expecting some water to work in but mostly finding dry land everywhere, and, for the most part, having to supply the water themselves.… Read more
-
Back to One, Episode 53: Michael K. Williams
The actor Michael K. Williams died yesterday at the age of 54. We are revisiting here his 2019 interview with Peter Rinaldi, in which he spoke about many things, including his first time auditioning for The Wire and the role of Omar. R.I.P. Michael K. Williams. — Editor He brought to life one of the most iconic TV characters this century, Omar Little on the acclaimed series The Wire. Then Michael K. Williams went on to work with some of the great directors of our day (Steve McQueen, Paul Thomas Anderson, Ava DuVernay, Todd Solondz) and turned in powerful work… Read more
-
Back to One, Episode 52: Caitlin FitzGerald
I first took note of Caitlin FitzGerald in one of the great showcases of incredible acting in recent indie film — Sophia Takal’s Always Shine. You might know her from Masters of Sex where she played Libby Masters, or the third season of the cult hit series Unreal. Her latest film, just released on DVD and Blu Ray, is The Man Who Killed Hitler and Then The Bigfoot. In this half hour she generously opens up about the epiphanies and frustrations she’s experienced as a working actor in this business, how good directors help her process, and how she deals… Read more
-
Back To One, Episode 51: Lorraine Toussaint
She’s perhaps best known for playing one of modern television’s baddest villains, “Vee” on Orange Is The New Black. And now with NBC’s The Village premiering last week, both Fast Color and the new season of Into The Badlands premiering this week, plus Julie Taymor’s The Glorias wrapping this month, all featuring the incredible Lorraine Toussaint, we might as well call this period “The Lorrainaissance.” In this half hour she takes a break from the hubbub and takes us deep into her process, her “almost schizo” embodiment of characters, what she needs on set, and what it means to live… Read more
-
Back to One, Episode 50: Michael Mando
Michael Mando is best known for his captivating portrayal of “Nacho” Varga on the hit AMC series Better Call Saul. You might also know him from Orphan Black, Spider-man: Homecoming, or Far Cry 3. In his latest film, The Hummingbird Project, he plays the chief engineer of a massive high frequency trading operation opposite Jesse Eisenberg and Alexander Skarsgård. In this half hour he talks about his interest in the metaphysical aspects of the craft, his beginnings as a hungry but happy acting student, and how he doesn’t let fame get to his head but he’s open to the changes… Read more
-
Back to One, Episode 49: Thomas Sadoski
I’ve wanted to sit down with Thomas Sadoski since the inception of Back To One. I had a “who is that guy?” experience while seeing him in Neil Labute’s play Reasons to Be Pretty and was positively delighted by his portrayal of the quick-witted Don Keefer in The Newsroom. He’s now part of an incredible ensemble of actors in Life In Pieces, one of the few network comedies worthy of your time. He talks about where he’s at one day before the first official performance of Suzan-Lori Park’s new play White Noise, which he stars in at the Public Theater… Read more
-
Back To One, Episode 48: Chiwetel Ejiofor
His portrayal of Lola, the drag queen in Kinky Boots, put Chiwetel Ejiofor on the map, then his astonishing performance in 12 Years A Slave made him a household name. Roles in The Martian, Doctor Strange, and the under-appreciated Z for Zachariah followed. Now he has written, directed and stars in The Boy Who Harnessed The Wind, which is in select theaters and on Netflix. He talks about the art of wearing many hats, directing the extremely gifted young Maxwell Simba in his first film role, and the effort he took to not shortchange his own character. Back To One… Read more
-
Back to One, Episode 47: Shea Whigham
Shea Whigham could easily be in the running for the hardest working actor in show business. In just this past year, he was in First Man, Beirut, Vice, and brilliantly played Thomas Carrasco, the Department of Defense bureaucrat tasked to investigate Julia Roberts’ character, in the series Homecoming. He’s worked with Martin Scorsese, Werner Herzog, David O. Russell, Terrence Malick, and is probably best known for playing corrupt mob brother Eli Thompson on Boardwalk Empire. In this half hour he talks extensively about his preparation process, what he’s learned from the greats, and much more. The constant room noise you… Read more
-
Back to One, Episode 46: Ariel Kavoussi
I first took note of Ariel Kavoussi’s singular comedic talent in Onur Tukel’s Applesauce and then Catfight, where she hilariously played Ann Heche’s assistant and stole every scene she was in. She performed a similar theft this past year on the Netflix series Maniac, opposite Emma Stone. She also writes and directs her own work. Her new short film The Poet and The Professor was called a “truly absurdist, provocative, and contemporary feminist film” by Indiewire. We talk about the origins of her approach to comedy, how she works the audition rooms she suddenly finds herself in, and her relationship… Read more
