The Editor's Blog

Contemplations and digressions from Filmmaker's Editor-in-Chief by Scott Macaulay

  • Filmmaker is Seeking a Managing Editor

    Filmmaker is seeking a Managing Editor. This full-time, New York-based position oversees the production of Filmmaker‘s print issue and provides administrative and managerial support to the operations of our daily website. Our ideal candidate will have strong writing skills, superior administrative and copyediting abilities as well as a sincere interest in the world of independent film. Nick Dawson, who has been our fantastic Managing Editor for the last two years, is leaving to pursue an exciting new opportunity, which I will let him tell you about shortly. (Congrats, Nick!) If you think you or someone you know would be interested,…  Read more

    On Feb 12, 2014
    By on Feb 12, 2014Columns
  • Filmmaker’s Top Ten Posts of January, 2014

    Here are our most-read posts of January, 2014. 1. Why Your Film Needs a Good Gaffer: How Lighting Changes a Face. This hypnotic video featuring a pretty model whose face morphs from seductive to menacing to funny based on the lights that hit it went viral. It’s a great watch that prompted a lengthy dialogue about the relationship between D.P and gaffer on our Facebook page. 2. The Women of Sundance 2014. There has been a lot written about the underrepresentation of women directors, but I think filmmaker Danielle Lurie knocked it out of the park with this 5,000-word piece…  Read more

    On Jan 31, 2014
    By on Jan 31, 2014Columns
  • Iggy Pop, Jim Jarmusch, Sleep and Script Development

    Originally discovered by E.V. Grieve and reposted by Gothamist, this short video of Iggy Pop touring the East Village in 1993 contains an interesting nugget of script development wisdom. I was watching the video this morning purely nostalgically — checking out my neighborhood 20 years ago — when I came across, at around the 10-minute mark, a short bit about the shooting of Jim Jarmusch’s Coffee and Cigarettes. Pop says his segment with Tom Waits — a one-day, 16-hour shoot — was his best shooting experience ever. When the interviewer asks if the shoot was improvised, Pop says there was…  Read more

    On Jan 5, 2014
    By on Jan 5, 2014Columns
  • Filmmaker‘s Top 20 Posts of 2013

    This list of 2013 top posts is broken in two — the first contains the top ten posts here at Filmmaker published during this calendar year. The second are the top ten older posts, the ones that keep on bubbling to the top of our Google Analytics. (A true 2013 top ten would be a mixture of these two lists.) So, to close out the year, here is what you read most at our site. 10. 13 Steps to Directing Famous Actors on a Microbudget Film. Director and Slamdance co-founder Dan Mirvish has two articles on this year’s list. In…  Read more

    On Dec 30, 2013
    By on Dec 30, 2013Columns
  • Filmmaker‘s Top 10 Posts of December, 2013

    Our top ten posts of 2013 will follow, but, before we get to that, here are Filmmaker‘s top posts of December, 2013. 10. Film vs. Digital: The Canon 5D and 7E. Sarah Salovaara’s post of a video A-B’ing two Canon still cameras as a way of comparing film and digital was next on the list. 9. Christine Vachon in Wroclaw. Another November post is in the #9 slot — a synopsis by Ashley Green of producer Christine Vachon’s talk about the producing business at the American Film Festival in Wroclaw, Poland. 8. How Many Films Does the Average Low-Budget Filmmaker…  Read more

    On Dec 28, 2013
    By on Dec 28, 2013Columns
  • Happy Holidays to All!

    Wishing all of our readers a very happy holiday season!

    On Dec 25, 2013
    By on Dec 25, 2013Columns
  • Announcing the Filmmaker 2013 Holiday Sale

    Filmmaker‘s popular once-a-year holiday sale is now live, with 40% discounts on subscriptions to our print, digital and iPad editions, as well as bonus gifts — some of our favorite books and DVDS of the year — given away to randomly selected new and returning subscribers. Our regular subscription, which includes the quarterly print and digital editions plus our iPad edition — is discounted from $18 to $10. If you’d just like to buy our flip-book style digital edition, which includes all back issues to 2007 and allows for PDF downloading, that’s only $6 during the sale. And, if you’d…  Read more

    On Dec 11, 2013
    By on Dec 11, 2013Columns
  • Filmmaker‘s Top 10 Posts of November, 2013

    Here, via Google Analytics, are Filmmaker‘s top ten posts of November, 2013. 1. Number one, by a long shot, is a post that both fascinated and struck fear in filmmakers everywhere: Kaleem Aftab’s “Introducing 8K: The Final Frontier?” Reporting from the Tokyo International Film Festival, where Japanese broadcaster NHK commissioned filmmakers to make shorts in 8K, Aftab sat down with the channel’s engineers to hear plans for introducing the high-resolution images to sporting events as well as cinema. 2. Reporting from Poland’s American Film Festival in Wroclaw, Ashley Clark wrote our second highest-trafficked post of the month, an account of…  Read more

    On Nov 30, 2013
    By on Nov 30, 2013Columns
  • What’s in the New Fall Edition of Filmmaker (And Why You Should Pick It Up)

    Filmmaker‘s Fall issue is now live, arriving on newsstands, in mailboxes and online, both as a digital issue and in Apple’s Newsstand. (The iPad edition can be bought here) and you can subscribe here. I like this issue. It’s got an old-school Filmmaker flavor to it, in a way. By that I mean it’s got an eclectic mix of articles, each with its own voice, covering topics ranging from practical filmmaking concerns to theory. Our Line Items section, consisting of long-form articles, is particularly robust, which I think is appropriate. These days when you buy an individual copy of a…  Read more

    On Oct 31, 2013
    By on Oct 31, 2013Columns
  • Welcoming Contributing Web Editor Sarah Salovaara

    This week we are happy to welcome Sarah Salovaara to our Filmmaker team as our new Contributing Web Editor. Filmmaker readers will recognize Sarah’s byline as she has contributed previously to the site as a freelancer, but with this new position she’ll be contributing each week on a wide range of topics spanning film production, financing, new media and criticism. Most recently in a series of thoughtful and well-read articles, she spoke with the founder and participants of Dogfish Accelerator, looked past the media circus of Blue is the Warmest Color and spoke with director, actor and No Budge founder…  Read more

    On Oct 28, 2013
    By on Oct 28, 2013Columns
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