Filmmaker‘s Fall Issue, with Laura Poitras Cover Shot by Jacob Appelbaum, Online Now

Activist, hacker and computer security researcher Jacob Appelbaum, a subject in Laura Poitras’s riveting and important CITIZENFOUR, shot Filmmaker‘s Fall issue cover — an eerie portrait of Poitras at home in Berlin, filmed on discontinued Kodak Color Infrared (EIR) film. Here, via email, is Appelbaum on the photograph: I have been shooting with Kodak Color Infrared (EIR) film for the better part of a decade thanks to a kind introduction to the medium by Canadian artist Kate Young. Sadly shortly after discovery of the film, I learned that it was discontinued by Kodak. The film was given an extra lease…  Read more

Filmmaker Announces Curated Indiegogo Partner Page

With our friends at Indiegogo Filmmaker has just launched a new partner page on the crowdfunding site. Featuring our curated selection of film (and possibly other) projects you should be taking a look at, the page will be updated frequently with new picks. If you have an Indiegogo project you’d like us to consider, you can email me at scott AT filmmakermagazine.com, and please put the words “Indiegogo Project” in the subject line. Currently up on the site are three projects we’ve supported, one of which just launched. That film is Jake Mahaffy’s Free in Deed, currently in post. Published…  Read more

Introverts, James Joyce, the Islamic State, Unlikeable Characters and Stalkers: Sunday Links

Here, for your Sunday reading pleasure, are a number of artices and videos I took note of this week. Novelist Helen DeWitt retreats to a family-owned cabin in the woods to make an important writing deadline. She winds up, as she describes in the London Review of Books, being stalked: One neighbour says if she saw him by the road at night she would run him down. Others tell me to get a gun and shoot on sight. Look at it this way: if there were a high risk of attack I wouldn’t be staying in a cottage in 11…  Read more

What’s in the Summer Issue of Filmmaker?

What’s in the summer issue of Filmmaker? Well, first of all, our 2014 25 New Faces, but you already knew that. (If you didn’t, click here and find out who they are.) But there’s a lot more to be found in our print edition. On the cover is Rick Linklater’s chrono-masterpiece, Boyhood. My interview is 5,000 words or so, and maybe the best things about it are just the rhythms of Linklater’s voice and the little bits of filmmaking — and life — wisdom he departs along the way. Our Managing Editor, Vadim Rizov, has been obsessively checking out all…  Read more

R.I.P. James Garner

Good is the man who inspires the words “persuasively ambivalent” in a New York Times obituary. Actor James Garner died last night in his California home of natural causes. Long before I’d discover as a suburban teenager Elmore Leonard or Altman’s The Long Goodbye there was Jim Rockford, the Malibu p.i. with his trailer home on the beach, troublemaking ex-con pal, on-again, off-again lawyer girlfriend. It seemed like a way to live. From the Times: “Maverick” had been in part a send-up of the conventional western drama, and “The Rockford Files” similarly made fun of the standard television detective, the…  Read more

The Rumpus Launches Manual Typewriter iPad App, Typing Writer

I grew up on a manual typewriter, the same one my mom used to write articles for Life Magazine in the ’50s and ’60s. It was a small portable in a beat-up canvas case, and you had to hit the keys hard. Later, my dad outfitted his basement home office with an IBM Selectric. I loved that typewriter. It was a brick, a giant slab of molded something, and once you gave the keys a little push the thing would explode. The violence of it was kind of thrilling. Still, I don’t fetishize old-school typewriters, manual or electric. I can’t…  Read more

Paid Friends, Empathy, Inequality, True Detective, Garry Winogrand and the Impossible Stairwell: Sunday Morning Links

Here’s some of what I’ve been reading this week for your Sunday perusing pleasure. At Vulture, producer Gavin Polone has developed into an excellent essayist. Here he is discussing the emotional complexities of a particularly Hollywood-type of relationship, the paid friendship: While I’m sure that paid friends exist in many walks of life, I doubt they are as common anywhere else as they are in the entertainment industry. I’ve encountered many big-deal stars and directors with an entourage of assistants and development executives who have crossed the business-­personal line. Some were friends before they were employees. Others drifted the other…  Read more

A Japanese Sideways, Virginia Woolf, Beth Gibbons Sings Black Sabbath and Denis Johnson’s Artful Sentences: Sunday Morning Links

For your Sunday morning, here’s some of what I’ve been reading this past week. At the Rumpus, filmmaker (and 25 New Face) Astra Taylor is interviewed about her book The People’s Platform: Taking Back Power and Culture in the Digital Age, which I can’t wait to read. An excerpt: Also, after Examined Life was finished I found myself thinking about the way creative opportunities and distribution channels were shifting. Should I be showing my films in theaters or just think about getting them out online? There were other issues, too. For example, instead of being asked to write an article,…  Read more

Why We Are Discontinuing our Apple Newsstand Edition

After almost two years of experimenting with an iPad-only edition in Apple’s Newsstand, we have decided to discontinue this version of Filmmaker. The reason? Relatively few of you are reading it compared to our print magazine and website, and the cost of its production runs us a substantial loss. And that’s money we’ve decided would be better spent on additional editorial content as well as new digital properties serving a platform-agnostic audience. (Meaning, something that can be read by you Android and Kindle readers too.) With this announcement we want to make clear that all Filmmaker content is still available…  Read more

Welcoming Vadim Rizov as Managing Editor

I’d like to welcome to our Filmmaker staff our new Managing Editor, Vadim Rizov. After an exhaustive job search — thanks to the over 200 of you who applied — we hired Vadim, who previously covered the True/False Film Festival for us. Many of you know Vadim’s bylines from Sight and Sound, Little White Lies and Indiewire, not to mention his posts last year at The Dissolve. Vadim also posts his reviews at Letterboxd and other stuff at his personal blog, Infinite Philistinism. Vadim’s a very smart writer whose interest in culture extends beyond independent film to music and literature.…  Read more