• Adobe Premiere Pro CC By Jamie Stuart
• Sony Vegas By Larry W. Peter
• Too Much of a Good Thing? By Shaun Seneviratne
• The Watergate Theory of Screenwriting By Larry Gross
• How to Find a Producer By Scott Macaulay
• Theatrical’s Not Dead; It Just Smells Like It By Tom Putnam and Brenna Sanchez
• Burn Self-Distribution Resource List By Tom Putnam and Brenna Sanchez
• 21st Century Writer’s Room By Lance Weiler

• A Fresh Look at Apple’s Final Cut Pro X

  Hard to believe, but FCP X is well over two years old and already into its ninth iteration. Its popular multicam tool arrived with version three in January of last year. In the past 12 months alone, no less than four new versions have been released, bringing dual viewers, a unified import window, support for native REDCODE RAW, MXF, Sony XAVC (up to 4K) and optional Rec. 709 display of ARRI ALEXA ProRes captured in Log C. Recent improvements also include a handy freeze-frame tool, chapter markers for QuickTimes and DVDs, better audio channel editing tools, and FCPXML 1.2 to […]

  By David Leitner
• Subscribers Avid Media Composer
  This is premium content. To read the rest, please log in. If you are not currently a member, please purchase a digital or print subscription to Filmmaker or join The Gotham.
  By Todd Holmes
• Autodesk Smoke 2013 – Super NLE?

  Once life was simple. NLEs were NLEs. They did offline editing of conspicuously compressed picture with unmixed audio tracks and limited titling. Maybe it started with the MiniDV revolution 15 years ago, but over time low-end NLEs competed with high-end NLEs in tools and feature sets, becoming today’s desktop online systems and sealing the fate of many midlevel post facilities. Along the way several NLEs became suites of applications called “studios.” Back in 2005, for instance, Final Cut Studio arrived as FCP bundled with DVD Studio Pro, Motion, LiveType, SoundTrack Pro, Cinema Tools and Compressor. Two years later, Color, for […]

  By David Leitner

Also: Primal Direction Bad Metrics Space Invaders Bright Ideas Out of the Ashes All Clear Toronto International Film Festival 2013 Toronto International Film Festival 2013 Venice International Film Festival 2013 Super 8 Load & Play Jared Leto Editor’s Letter