Winter 2019
Subscribers
You Can Go Home Again: Alfonso Cuarón On Sound, Vision and Memory In Roma
Features
Subscribers
I See a Darkness: Karyn Kusama on Making Nicole Kidman Wild in Destroyer
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The Present Moment: Sam Green on His Kronos Quartet Hybrid Film A Thousand Thoughts
There’s a sequence early in A Thousand Thoughts, Sam Green and Joe Bini’s “live documentary” about the Bay Area musicians, the Kronos Quartet, that may seem familiar to anyone who has watched a music biopic. Scored to the ticking of a metronome, it’s a “rise to fame” montage of newspaper headlines, all taken from the years in which Kronos were becoming new music superstars. On top of each article, the bold-faced type indulges in the same wordplay, a riff on the Greek meaning of the group’s moniker: Kronos’s “time is now,” one headline reads; the group has hit “the big […]
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Subscribers “Everything’s Corrupted by Politics”: Paweł Pawlikowski on the Not-Quite Biographical Cold War
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Subscribers “I Learned From the First Film Exactly What He Wants”: Jon Davey, Frederick Wiseman’s Longtime DP, Speaks
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Other articles
- Sundance Hits and Misses: How MoviePass, Politics and Streaming Boosted the Indie Theatrical Box Office of 2018
- Expanding Horizons: How Film Schools Are Adjusting to a More Diverse Future
- Victims of the Dance: Gaspar Noé Breaks Down a Scene from Climax
- All the Work Without the Workers: Appreciating Sleep Dealer On Its Tenth Anniversary
- Abandoned Goods: Artists and Filmmakers Jillian Mayer and Zia Anger Talk about Anger’s Film/Performance My First Film and the Meanings of Failure and Success
- Are Film Festivals Struggling?
- Growing Up Roeg: Glenn Kenny Remembers Getting Into the Films of the Late Nicolas Roeg
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Filmmaker‘s Look at the Below-the-Line Stars of Some of the Awards Season’s Best Films
Movies aren’t just willed into existence, however much Alfred Hitchcock might have wanted them to be. We love to talk about visionary directors, but we often fail to properly acknowledge the artists, craftspeople and technicians who make their works possible. Luckily, many of these individuals — the below-the-line talent, as they’re sometimes called — receive some recognition during awards season, particularly from the guilds and, ultimately, the Oscars. And those who look at the late-year awards rush only through the lens of who’s going to win the big prizes — picture, director, performance, etc. — risk missing out on some […]
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Disclosed: Producers and Therapists on Dealing with the Stress of a Demanding Profession
There’s a simple definition of producing that mostly has to do with developing and financing a production, overseeing the shoot, protecting a vision. But scratch a little deeper, and producers will open up with more personal responses. Producing is about love, for example — loving the movie, above all, and continuing to love it over the years and decades of its existence. Producing is about support — being everyone’s advocate, from the director to the actor to the crew. Producing is about protecting a vision, yes, but also assuaging the fears of partners who worry that that vision is too […]
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Your Film is Too Long: 11 Tips on How To Get Your Film to Its Correct Runtime
I know, it’s maddening. People watch 10-hour series that take five hours to get good, but your 101-minute comedy is too long. Michael Bay makes three-hour Transformers movies, but your 95-minute drama is too long. Critics love seven hours of Sátántangó, but your 18-minute short is too long. Sorry, but it’s probably true. I learned this the hard way on my first feature film, Jake. After our initial 118-minute cut, we proudly got it down to 104 minutes. We couldn’t cut a frame more! We locked picture and sent out our perfectly formed film to festivals. Final runtime? 88 minutes. […]
