When my creative partner Takeshi Fukunaga summarily told me he wanted to shoot his first feature film, Out of My Hand, in the country of Liberia, I was skeptical. He and I run a Brooklyn-based production company, TELEVISION, and neither of us was particularly well-versed in Africa, let alone in the mysterious and contradistinct country of Liberia, whose two successive civil wars (the last of which ended only ten years ago) were preposterously vicious in size and scope. At the time, Takeshi had been inspired by a yet-to-completed documentary film by the late Ryo Murakami, his brother-in-law, who’d visited the […]
A few more details have emerged over at Deadline regarding the on-set negligence that led to 2nd AC Sarah Jones’ death in Doctortown, GA. Midnight Rider was the third feature to be shot in the Savannah area by director Randall Miller and his Unclaimed Freight production company, and it appears that this tragic instance of reckless conduct was no isolated incident. During filming of 2012’s CBGB, Miller and his crew reportedly dropped a grand piano down a homeowner’s staircase without permission, and went the entire shoot without a safety bulletin. They illegally removed a stop sign, blacked out another, and didn’t bother […]
The tragic death of Sarah Jones, a second assistant camerawoman who was struck by a train while shooting the Gregg Allman biopic Midnight Rider last Thursday, has sparked a necessary conversation over the issue of on-set safety. On the first day of production in Jessup, Georgia, the company was shooting a dream sequence with a hospital bed placed over the active train tracks. According to Variety, star William Hurt and director Randall Miller tried but were unable to remove the bed from the tracks as a train approached. Jones was then struck by a piece of flying debris and knocked into the […]
Award-winning producer/directors Josh and Jason Diamond, aka The Diamond Brothers, reviewed the Blackmagic Production Camera 4K yesterday at an event hosted by Adorama Rental Company in downtown Manhattan. The co-directors of 2012 documentary Bring on the Mountain and executive producers of features including Light and the Sufferer, starring Paul Dano, and Exploding Girl, starring Zoe Kazan, talked about some of the pros and cons of using the Production Camera 4K, which is available now for preorder for the reduced price of $2,995. Josh and Jason, who recently completed a 13-part series for FILA and a launch spot for Sony’s PS4, […]
Dead Dad, out now on VOD through FilmBuff, is quite a debut, a mature and entertaining first feature from writer/director Ken J. Adachi. Financed mainly via Kickstarter and from the director’s own pocket, it was shot in 15 days on a Canon 5D Mark II and with a crew of eight or nine people, all volunteers. The film tells the story of three estranged siblings who meet at their father’s funeral and are forced to spend time together while working out what to do with his remains. Filmmaker spoke with Adachi and his co-writer Kyle Arrington (who also plays Russell […]
Patrick Wang, who made our 25 New Faces list in 2012 with the release of his debut film, In The Family, is gearing up to shoot his sophomore picture, The Grief of Others, based on the novel by Leah Hager Cohen. Starring Rachel Dratch, Wendy Moniz and Trevor St. John, the film examines the grieving process of a couple who lose their child 57 hours after his birth. In accordance with the the production process, Wang and author David Chien will maintain a regularly updated multimedia and interactive iBook entitled, “Post Script: The Making of the Film, The Grief of Others.” With […]
This is not production designer Bart Mangrum’s first movie at the Sundance Film Festival. He designed Septien (2011, directed by Michael Tully) and I Used To Be Darker (2013, directed by Matt Porterfield), and was both an on-set dresser and extra in Stoker (2012, directed by Chan-wook Park). But this is the first time Mangrum has been at Sundance as the production designer of two feature films screening in the same category. Mangrum was born and raised in Nashville, Tennessee, and still lives there. His father ignited his enthusiasm for art by teaching him how to draw during church around […]
Tonight at midnight film investors and producers will be faced with a familiar uncertainty. Section 181, the portion of the American Jobs Creation Act of 2004 incentivizing U.S.-based film production, is set to expire, and independent filmmakers will lose a powerful tool in their fundraising arsenal. Section 181 encourages film investment by allowing investors to write off the complete cost of a qualified film in the first year. (Normally, this write-off is amortized, occurring in future years as a film demonstrates that it is money-losing. If and when profits then occur, they are treated as ordinary income by investors.) Scheduled […]
In part two of our interview with brothers Michael and Shawn Rasmussen, the writers and directors of Dark Feed, they talk about the lessons learned during the production and post-production of a low-budget movie. Filmmaker: How large was the crew for the Dark Feed shoot, and how many days of shooting were there? Michael: There was Shawn and I, and we had two sound people – one to hold the boom and one to work the recorder – and a d.p. to also run camera. We had people come in and do other jobs like set building, but on a […]
On small budget productions, coming up with locations can be a challenge – especially if you need something a bit unusual. An upcoming music video for the band Run 8 Rider required that a single location represent three different time periods to tell its story. Using a borrowed house as the location, director Sean Meehan turned to production designer Riley Fearon to supervise the transformation of the location. In this interview Riley talks about the challenges of working on a small budget, how he approaches production design, and how he came to the field. Filmmaker: For this project what have […]