6576 Results for “production”
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Waking Up After a Wild Ride: Z Behl Reflects on the Foggy Haze of IFP Week
Awakening from a foggy haze, a wet dream of sorts, filled with opportunities more immense than I could daydream, I find myself writing follow-up emails that can only signify Film Week is over. Over 160 filmmakers, curated into a database cross-referenced by production companies, sales companies and distributors, as well as every other industry intersection imaginable, the Project Forum is a four-day event where filmmakers meet interested parties (kind of like a dating service) and parlay over films in every stage of production. A word of advice: bring your producer! Without Carlos Zozaya I would have been lost! What was […]
by Z Behl on Sep 30, 2017 -
“The Movie Industry Doesn’t Have Any Etiquette, Just Fear”: Director Nathan Silver on Thirst Street and Making Eight Features in Eight Years
Nathan Silver has made eight films in eight years. That doesn’t include other shorts he’s written or executive produced. For anyone not in the business of film, that might seem standard. For anyone who is, it’s wildly impressive, especially taking into consideration the inclusion of pre-production time, when a script is written, money is raised and all the frustrating puzzle pieces of building a team have to fall into place. Silver’s latest film, Thirst Street, centers on Gina (Lindsay Burdge), an American flight attendant who becomes entwined in a toxic obsession. After landing in Paris, she falls for Jerome (Damien […]
by Meredith Alloway on Sep 28, 2017 -
Greenslate’s John Finn Talks Rebranding and How Technology Can Revolutionize the Payroll Industry
John Finn, founder and CEO of Greenslate, remembers the good old days — and they weren’t that good. In 1995, when he first got into the independent film industry, he was a freelance production accountant, loaning himself out to productions where every penny counted. The standard practices of production accounting were daunting back then: there were seas of paperwork, year-end production company tax filings were strenuous efforts and, on set, accountants would spend entire days running around just trying to get signatures on start paperwork from producers and crew members. “I realized there was a need for financial acumen,” Finn recalls. […]
by Matt Prigge on Sep 27, 2017 -
Challenging Five Untruths about Women in the Film Business at IFP Week’s Persona Project Panel
It’s been a wild summer for the film industry — and for anyone who has fucked with females. At IFP Week, I was happy to see Filmmaker contributor Taylor Hess touch, ever so delicately, on some of the issues around discrimination and mistreatment that have been plaguing us all. She hosted a panel version of her Persona Project column, which celebrates up-and-coming women in film. On the panel were Sara Kiener, head of distribution strategies at Cinereach; Taylor Shung, co-producer, A Woman, a Part; Aijah Keith, manager of acquisitions & production at IFC; and Dana Vladimir, head of communications and […]
by Meredith Alloway on Sep 24, 2017 -
Five Questions for Stronger Director David Gordon Green
David Gordon Green finds it difficult to focus on one type of project at any given time, and as a result, frustrates his agents in working out how to market him. But the Arkansas-born, South Carolina-based writer/ director, whose diverse filmography includes early aughts independent standouts like All The Real Girls and George Washington as well as mainstream hits like Pineapple Express, is okay with that — so long as he is aggressively working on projects that he is both passionate about and that challenge him. Opening today in theaters is his modestly-budgeted drama Stronger, which depicts the true story […]
by Tiffany Pritchard on Sep 22, 2017 -
“Find a Small, Possibly Unsexy Job You Can Do Well”: At IFP Week, Directors and Producers on Getting Started in Indie Film
So you’ve made a film. Congrats, but you’re not out of the woodwork yet. You may never be. The four filmmakers and one producer who appeared on the IFP Week panel called “On Working (and Staying) in Indie Film Today” had vastly different stories to tell about how they turned movie-making into an actual job. The biggest name on the panel was Gillian Robespierre. Having directed and co-written the indie hits Obvious Child and this summer’s Landline, she has more stability than most in her field, having parlayed those successes into TV work on top of a future making her […]
by Matt Prigge on Sep 21, 2017 -
Directors Josh and Benny Safdie and Cinematographer Sean Price Williams Talk Shooting Good Time in NYC on 35mm at IFP Week
Directors Josh and Benny Safdie and cinematographer Sean Price Williams go way back. Their latest collaboration, the crime thriller Good Time, is the trio’s fourth joint effort. They’re not only used to each other; they’ve also been through some real shit. The Safdies love to work rough and tumble, filming most of their movies — including Daddy Longlegs and Heaven Knows What, both shot by Williams – on the streets and apartments of New York, feeding off and bottling up the city’s uniquely chaotic energy. For Good Time, they even dragged a big name, Robert Pattinson, along for the ride. To get […]
by Matt Prigge on Sep 20, 2017 -
“Create Something That Is Undeniable”: Director Dee Rees Talks Mudbound And Life After Pariah at IFP Week
The highpoint of Dee Rees’ IFP Week appearance was a complete surprise. There to discuss her latest feature, the Sundance fave Mudbound (hitting theaters and Netflix on Nov. 17) with Buzzfeed film critic Alison Willmore, the Pariah filmmaker waxed nostalgic over one of the films that most inspired her to take up the craft: Sugar Cane Alley, Euzhan Palcy’s 1983 César-winner about life in a small village in Martinique during the 1930s. Rees’ mother had it on VHS when she was a kid, and she would watch it over and over again. “That was before I understood what a director did,” […]
by Matt Prigge on Sep 19, 2017 -
Panelists at TIFF Talk Distribution, Data Analytics, Documentary and New Audience-First Marketing
Diversity was a hotly debated topic within the “Dialogues: At the Table” panel. Gil Robertson, CEO of the African American Critics Association, probed the panelists to explain why people of diverse backgrounds are still struggling to get their films made. The outspoken, decisive Franklin Leonard, who runs online network The Black List, which connects writers and their scripts with agents, producers and financiers, shrugged his shoulders: “The numbers don’t lie. Look at the success of films such as Titanic and Avatar. [They] made it clear many years ago that women could sell films. And this year we have the success […]
by Tiffany Pritchard on Sep 18, 2017 -
“Find Your Tribe”: Moonlight Director Barry Jenkins and Producer Adele Romanski Give Advice at IFP Week
Barry Jenkins and Adele Romanski know what IFP Week is like. They know what it’s like to pitch a passion project. They even know what it’s like when time — in Jenkin’s case, several years — elapses between features. When the writer/director and producer, respectively, of Moonlight swung by this year’s Filmmaker Talks day at IFP Week, it was a kind of victory lap. After all, their last film together took home three Oscars, including Best Picture, on top of a towering pile of other accolades. But they used their talk with moderator Scott Macaulay, Filmmaker‘s Editor-in-Chief, to remember when life was […]
by Matt Prigge on Sep 18, 2017
