6570 Results for “production”
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Five Questions for The Cold Lands Writer/Director Tom Gilroy
In The Cold Lands, Tom Gilroy’s intelligent and evocative new film, a resourceful teen is left to contend with a set of existential questions after he leaves home and tries to tough it out in the woods. Atticus (Silas Yelich) and his mother Nicole (Lili Taylor) live an ascetic lifestyle—though he’s interested in hip-hop and video games, Nicole’s doing her best to keep pop culture and materialistic influences at bay. Together, they roam around Upstate New York in a Subaru station wagon, looking for salvageable items left by the roadside and taking long walks during which they explore the rich […]
by Kevin Canfield on Mar 14, 2014 -
The Women of SXSW: Evaporating Borders Director Iva Radivojevic
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of interviews highlighting women directors at SXSW. In this interview, she talks with the director of the hybrid documentary, Evaporating Borders, Iva Radivojevic. Filmmaker: Why this movie? Why did you decide to do it? Radivojevic: It was one of those ideas that keeps churning in your stomach for years and years and finally finds a way to come out. The film is also personal and has to do with who I am and my experience (although […]
by Danielle Lurie on Mar 13, 2014 -
The Women of SXSW: Fort Tilden Writer/Director/Editor Sarah-Violet Bliss
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of interviews highlighting women directors at SXSW. In this interview, she talks with Sarah-Violet Bliss, who co-wrote and co-directed the SXSW Grand Jury Prize-winning narrative feature Fort Tilden with Charles Rogers. Filmmaker: Why this movie? Why did you decide to do it? Bliss: I was excited to tell a story in response to the popular topic of discussion these days frequently labeled “millennial malaise.” I have many thoughts on this matter in hand that are enormously fun […]
by Danielle Lurie on Mar 12, 2014 -
Producer Jason Blum @SXSW: “If I Had to Make Kicking and Screaming Today, I’d Make It for $50,000…”
“If I had to make [Noah Baumbach’s 1995 pic] Kicking and Screaming today, I’d make it for $50,000, not $1 million,” said producer Jason Blum (The Purge, Insidious, Whiplash) at his SXSW keynote address on Sunday. In a conversation with the Los Angeles Times’ John Horn, Blum blended his own producer origin story with practical advice for filmmakers seeking to emulate his rise to top of Hollywood’s low-budget horror hierarchy. “Don’t wait for the industry to go forward,” he told the crowd, explaining that his own career was accelerated when he learned from a past error: passing on The Blair […]
by Scott Macaulay on Mar 12, 2014 -
The Women of SXSW: Crystal Writer/Director Chell Stephen
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the writer/director of the narrative short, Crystal, Chell Stephen. Filmmaker: Why this movie? Why did you decide to do it? Stephen: An image of the character Crystal came into my head a few years ago, and I could see her so clearly. After directing music videos in New York for a few years as a part of filmmaking collective Think/Feel, I knew […]
by Danielle Lurie on Mar 12, 2014 -
How to Crowdsource a Film: Chris Jones on the Omnibus Movie, 50 Kisses
The Internet and digital filmmaking tools have opened up new possibilities of crowdsourcing material–Life in a Day, Declaration of Interdependence, One Day on Earth, even the interactive Star Wars Uncut–and given new life to the omnibus/anthology film format. The latest project to adopt the form is 50 Kisses, a film created by the London-based Chris Jones and hundreds of collaborators from around the world. The film, which includes 50 scenes built around a Valentine’s Day and a kiss, premiered on February 13–the day before Valentine’s–at the Genesis Cinema in London’s East End. Further distribution is now rolling out. Jones, a filmmaker […]
by Randy Astle on Mar 11, 2014 -
The Women of SXSW: The Winding Stream Director Beth Harrington
Following her “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the documentary The Winding Stream, Beth Harrington. The film premieres Saturday, March 15 at 7 PM at the Ritz Theater on Sixth St. Filmmaker: Why this movie? Why did you decide to do it? Harrington: I’m a filmmaker and a musician, and about ten years ago I made a film about women rockabilly singers called Welcome to the Club. It did well, […]
by Danielle Lurie on Mar 11, 2014 -
Lena Dunham’s Strong SXSW Keynote Indirectly Highlights Competition’s Homogeny
Shortly after 11 o’clock this morning, Lena Dunham offered the Austin Convention Center’s Vimeo Theater a holistic timeline of her rise from hostess-who-lived-with-her-parents to independent cinema’s most overanalyzed success story. Fresh from SNL and somehow running on fumes with the utmost effervescence (she claimed to have written her speech at 3 am), Dunham recounted her days as an aspiring filmmaker with candor and self-effacement. Even if, on the set of Tiny Furniture precursor “Delusional Downtown Divas,” she was “struggling how to turn on the camera,” it’s clear her preternatural drive has always been intact. A tireless maker and unabashed experimenter, Dunham consistently stressed the importance of […]
by Sarah Salovaara on Mar 10, 2014 -
The Women of SXSW: We’ll Never Have Paris Producer Katie Mustard
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with Katie Mustard, a producer of Jocelyn Towne and Simon Helberg’s Narrative Spotlight feature, We’ll Never Have Paris. Filmmaker: Why this movie? Why did you decide to do it? Mustard: The story and the people is the short answer. For me, these are two best things you can look for when deciding on a project. We’ll Never Have Paris is a hilarious, clumsy […]
by Danielle Lurie on Mar 10, 2014 -
The Women of SXSW: Butterfly Girl Director Cary Bell
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email em>Butterfly Girl, which screens today, March 10. Filmmaker: Why this movie? Why did you decide to do it? Bell: Jess, our editor/producer, and I have been working on projects together off and on since college. I think when you click with someone creatively, in the way that we do, it’s such a blessing. We also have similar working styles, ethics, and visions, so when we were both […]
by Danielle Lurie on Mar 10, 2014
