6562 Results for “production”
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Five Questions with Remedy Writer/Director Cheyenne Picardo
Opening the 10th anniversary edition of CineKink NYC tonight is writer/director (and “habitual submissive”) Cheyenne Picardo’s Remedy, a look at the business side of BDSM through the eyes of a character crafted from Picardo’s personal experience Filmmaker spoke with the accidental director – who originally set out to be a critic – about converting a barn into a NYC dungeon, casting non-kinksters, and why Steve Martin’s The Jerk is more influential than Godard. Filmmaker: I noticed this quote from you in the press notes, “I’m hoping to demystify professional BDSM in a way that’s personal and accessible by showing it […]
by Lauren Wissot on Feb 27, 2013 -
Animating 1000 Parts: Creating the Short Day Shift
Ian Timothy, 18, is about to graduate high school — applying to art schools hoping to study animation — but he already has several years of animation experience under his belt. He created his first stop motion at 12 using a DV camera, and quickly discovered he liked doing it so much that it became “pretty much a full-time thing.” Timothy won a Silver Telly Award for animation in 2013, has created animation for music videos, and is currently working on an animation for Adult Swim for the Cartoon Network. In the following interview Timothy talks about the short Day […]
by Michael Murie on Feb 27, 2013 -
Saving Lincoln Director Salvador Litvak on CineCollage
The last nine months or so have seen the release of a number of films about Abraham Lincoln, the latest of which is the indie Saving Lincoln, currently in theaters. The movie is a unique visual experience as a result of its groundbreaking use of archival photographs and green screen. You can see in the video above how much of the movie’s world was created, while below Saving Lincoln‘s director, Salvador Litvak, shares how he came up with the film’s innovative process, CineCollage. My new film, Saving Lincoln, was made within photographs of the American Civil War. Combining elements of theater and […]
by Nick Dawson on Feb 26, 2013 -
Christine Turner on Homegoings
Just in the nick of time for Black History Month, and debuting at the 2013 Documentary Fortnight: MoMA’s International Festival of Nonfiction Film, is Christine Turner’s Homegoings, a poetically crafted exploration of the history of African-American funeral traditions. Told via the Harlem neighborhood’s legendary funeral director Isaiah Owens – who found his calling as a small child, burying all deceased animals he stumbled across in his South Carolina surroundings – the doc manages to be poignant, inspirational, and unexpectedly uplifting. In other words, as one subject says about black burials themselves, a “sad good time.” Filmmaker spoke with the doc’s […]
by Lauren Wissot on Feb 26, 2013 -
Second-Time Director: Jane Weinstock and The Moment
“Complexity” is a word that Jane Weinstock likes to use when describing her ideal movie, and it’s certainly an attribute that could be applied to her own work. “I crave it as an audience member. I think people are contradictory, and I like that kind of psychological realism,” she says. The same word is an apt description for her own pathway into the director’s chair, especially for her most recent film, The Moment. It was a fulfilling journey for the filmmaker, but one she also calls “a really long struggle.” Weinstock has had a varied career, having gotten her start […]
by Kishori Rajan on Feb 26, 2013 -
Making HENRi: A Low-Budget Sci-fi Short Film Odyssey
A little over three years ago, I decided I wanted to make a sci-fi short film about a robot trying to become human. My idea was to combine live action with miniatures and rod-puppetry – despite having no previous experience with special effects. Initial reactions from family, friends, and collaborators were of the “Are you insane?” variety – perhaps rightfully so. It was at that point I knew I had to make the film. What followed was an odd combination of luck, coincidence, and disaster – three ingredients that are rarely talked about, yet I’m convinced are completely inseparable from […]
by Eli Sasich on Feb 25, 2013 -
Silver Linings Dominates Spirit Awards
In what may be an indicator of the direction tonight’s Oscars will take, David O. Russell’s Silver Linings Playbook dominated the proceedings at yesterday’s Independent Spirit Awards. The film, which was Filmmaker‘s cover movie for the magazine’s Fall 2012 issue, won big in the major categories, taking Best Feature, Best Director, Best Screenplay and Best Actress (for Jennifer Lawrence). The awards show was ultimately a rather curious affair. Best First Feature was won by Stephen Chbosky’s The Perks of Being a Wallflower, which is actually Chbosky’s second film as director. Derek Connolly, screenwriter of Safety Not Guaranteed, won Best First Screenplay and then proceeded to give an […]
by Nick Dawson on Feb 24, 2013 -
Snitch’s Ric Roman Waugh: From Stuntman to Writer/Director
There is no one set way to progress to the role of writer/director, but now — when all it takes to make your own movie is having a DSLR and a Kickstarter account — the story of Ric Roman Waugh’s rise stands out. The son of an old school Hollywood stuntman, Waugh took a path similar to those directors who emerged in Tinseltown’s golden age: learn a craft (writer, editor, production designer, etc.), and then move up through the ranks until you’ve earned the right to have your name on the back of that canvas chair. Waugh followed in his father’s […]
by Nick Dawson on Feb 22, 2013 -
The Oscars Honors Imagineer Systems’ Mocha
This Sunday is the Oscars, and as is tradition, the really interesting awards – for scientific and technical achievements – were made at an event on February 9. This year Imagineer Systems was presented with an award for their product Mocha, and its underlying Planar Tracking technology. The company was recognized for their “proven record of contributing significant value to the post-production process of making motion pictures.” As a planar tracker – rather than a point tracker – Mocha is able to motion track problematic things such as out of focus footage. Motion blur breaks point trackers, but in Mocha you […]
by Michael Murie on Feb 22, 2013 -
Genre at the 2013 Oscars: Live Action Short Death of a Shadow
The Oscars are not generally considered a crucial event for genre lovers; the inclusion of such films is often limited, and often ghettoized, relegated to technical awards only. This year there are several films in requisite categories like Makeup and Hairstyling, and Visual Effects (whose nominees include The Hobbit: An Unexpected Journey, The Avengers, Snow White and the Huntsman, and Prometheus). Another good category where one can snoop out genre fare is in Best Animated Film, and 2013 doesn’t disappoint, with the lovingly crafted and decidedly Gothic take on suburbia in ParaNorman and Tim Burton’s tale of a boy and […]
by Farihah Zaman on Feb 22, 2013
