As IFP’s Independent Film Week has officially come to an end, I’m reminded again of how amazing it is to do what I do, with the people I get to do it with. With the close of this year’s program, this marks my first “hat trick” — three years in a row! Five years ago I was sitting behind a desk, staring at a blank Excel spreadsheet, working for an insurance giant. Fast-forward five years, I’ve graduated film school, became a husband, father and a filmmaker. And in the last 72 hours, I just had more than two dozen meetings […]
by Reinaldo Marcus Green on Sep 24, 2016Filmmakers, industry and IFP staff are breathing an accomplished sigh of relief today as IFP Film Week came to a close last night. The bulk of the week was centered around meetings between filmmakers and industry with IFP playing matchmaker. As Deputy Director of IFP Amy Dotson said, “It’s a first date.” I’d been on a lot of first dates, and recently rode one all the way to an actual wedding. So I felt prepared. Throughout the week filmmakers were given a chance to pitch their project to potential financiers, production partners, networks, agents and film festivals. Some filmmakers returned […]
by Conor Fetting-Smith on Sep 24, 2016Read Part One of Isabel Sandoval’s IFP Film Week Diary, “The Female Gaze, Anyone?”, here. Forget Project Greenlight. If anyone wants to do a reality series based on the No Borders pitch meetings, it would be a more grizzled Swingers meets The Hunger Games — but with lookbooks subbing for bows and arrows. The thing is, I’m sure somebody actually used that logline for their own project. The proceedings have a jovially survivalist element to them. While my No Borders project Lingua Franca is my third feature, it’s my first U.S. production so Film Week doubles as Indie Film Financing […]
by Isabel Sandoval on Sep 23, 2016Jake Perlin opened the IFP Film Week panel on shooting 16mm or Super16mm by saying that, as Artistic and Programming Director at Metrograph Cinema, he wants to see films in the way filmmakers want to make them: true to their vision. When it came time to shoot her second feature, director Eliza Hittman went back and forth as to what to what format to shoot on. When she was in grad school, she shot three short films on 16mm and fell in love with the format’s look as well as the shooting process. She learned to shoot in an organized […]
by Audrey Ewell on Sep 21, 2016At the “Working with the Right Agent” panel at IFP Film Week, one thing we heard a lot of is that it’s a business of relationships and connections. Peter Trinh (International and Independent Film Agent, ICM) says that for big agencies, it’s impossible to look at everything that gets sent to them, so he pays a lot of attention to what the people he trusts recommend. Since his pile of scripts would be literally impossible to read in its entirety, he’s much more likely to read the ones he’s heard good things about. And to that point, he says it’s […]
by Audrey Ewell on Sep 21, 2016Like many of you, we’ve spent years making our film, 306 Hollywood. (Years!) And most of that time, it felt like we were crafting our project underground, without much notice, as if it was a film just for us. But now, here we are. IFP Film Week is upon us and finally we are bringing the film out into the world. Over the course of the week we will meet with over two dozen members of the film industry including sales agents, distributors, producers, and funders. Obviously we have big hopes. But everyone knows the problem with big hopes… It’s […]
by Elan Bogarin on Sep 21, 2016It’s 9:20 pm on Friday, September 16th. I’m on the tarmac of Burbank’s Bob Hope Airport, just two Z-Quill and one red-eye flight away from my first IFP Film Week. My luggage occupies the last available overhead space. Inside are two stacks of business cards for myself and my producer Lindsey Villarreal, a raincoat (I’d heard it rains outside of L.A.), and a gay pride cape (costume for a homo-hip-hop performance on Wednesday night). Before I know it, it’s take-off time for me and my short-form episodic series Butch & Nellie Take the Rap Game. I first became involved with […]
by Conor Fetting-Smith on Sep 19, 2016One focus of this year’s IFP Film Week is on the future of cinema in the form of Virtual Reality. A little background for those new to it: There are currently two ways of creating immersive worlds. The first wave and most common is spherical video, where you strap a bunch of cameras all together in an outward-facing circle. This approach has the familiarity of using cameras, but the viewer can’t physically move through the space — they’re akin to a locked-off tripod with a 360 swivel head, planted in one spot as characters and the world moves around them. […]
by Audrey Ewell on Sep 19, 2016On Monday September 19th, IFP will host a panel entitled “The Face of Comedy: Platforms That Look for (and Bring) the Funny.” Moderated by comedian and filmmaker Todd Bieber, the panel has a refreshingly diverse array of speakers including executives Marc Lieberman and Winnie Kemp, and the comedic duo behind the Gotham-winning web series Shugs & Fats, Nadia P. Manzoor and Radhika Vaz. In broad terms, the panel will be about the intersection of comedy and digital platforms, from the perspectives of both the content creators and the executives who curate them. Bieber has known Lieberman for close to ten […]
by Kishori Rajan on Sep 18, 2016This will be my second time participating in IFP Film Week. Last year, I attended with my first film, Hooligan Sparrow, which was in post-production and later premiered at Sundance in January. Before IFP Film Week Last year, I knew nothing about the film industry (and I’m still learning now). Many of the people and companies I met with were unfamiliar to me. Immediately after receiving my meeting schedule, I spent half a day researching who was who, what they did, and what films they worked on. Most of this information was available through simple Google searches. I wrote down […]
by Nanfu Wang on Sep 18, 2016