In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I don’t think there is a secret story. The main plot, and the subplots and the themes […]
by Filmmaker Staff on Jan 22, 2016
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Our core concern in making Resilience was to popularize the dangers of chronic stress on the developing child. […]
by Soheil Rezayazdi on Jan 22, 2016
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? This is a not a film that I planned to make. When I started this film, I […]
by Filmmaker Staff on Jan 22, 2016
Each year Filmmaker asks all the incoming feature directors at Sundance one question. This year, our question regards the secret story behind each film. (To see past years’ questions and responses, click here.) This year’s question: In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story […]
by Filmmaker Staff on Jan 22, 2016
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? After I had spent a long time labouring over a couple of other scripts, I decided to […]
by Filmmaker Staff on Jan 22, 2016
Features premiering at the 2016 Sundance Film Festival tend to receive the most media attention and press coverage, but there are a number of short works making their debut this week that deserve equal or greater consumer attention. Documentary filmmakers trying their hand at narrative work, established producers getting behind the lens for the first time: many of the shorts in this year’s Sundance lineup feature filmmakers stepping outside of their comfort zone to expand their careers and diversify their storytelling output. The short form is an ideal place to try new things, of course, and it’s encouraging to see filmmakers of […]
by Erik Luers on Jan 21, 2016
The health and identity of American independent cinema has always been difficult to gauge and define, but Sundance is our default arbiter and explainer. Of course, indie film exists far beyond the limits of Park City in January, but the festival gives the nebulous American indie sector a test sample — and as any scientist will tell you, that’s the first step in making an accurate hypothesis. So what can the films of Sundance 2015 clarify about the state of American indies, now and in the future? Some trends can be attributed to random cycles and one-time events, but there […]
by Anthony Kaufman on Jan 20, 2016
With just a little more than a month to go until The Sundance Film Festival, the festival has announced additions to the lineup, including the premiere of Douglas McGrath’s documentary Becoming Mike Nichols and three “From the Collection” archival screenings. Becoming Mike Nichols is slated to air on HBO on Feb. 22. Also on the program is a new Special Event featuring Richard Linklater’s Dazed and Confused along with live commentary from the filmmaker and his pal Jason Reitman. The archival screenings include John Sayles’ City of Hope, Kelly Reichardt’s River of Grass and Nicole Holofcener’s Walking and Talking. The festival runs January 21-31, 2016. Below are the […]
by Paula Bernstein on Dec 17, 2015
Following on the previously announced Midnight slate, Sundance has announced the 65 titles comprising its competition and NEXT slates. More films to be announced soon, but the 65 to sort through here are more than enough to investigate in the meantime. Some quickly noted highlights: Actress documentarian Robert Greene graduates to Sundance with his fourth feature Kate Plays Christine, and two films from recent 25 New Faces, Anna Rose Holmer and Bernardo Britto. U.S. DRAMATIC COMPETITION As You Are / U.S.A. (Director: Miles Joris-Peyrafitte, Screenwriters: Miles Joris-Peyrafitte, Madison Harrison) — As You Are is the telling and retelling of a relationship between three teenagers as it traces the […]
by Filmmaker Staff on Dec 2, 2015
The first slate of films to be announced for the 2016 edition of the Sundance Film Festival is from the midnight slate. It’s nine films strong, most notably a new Rob Zombie horror film about (as they so often are) “evil clowns.” Also, a new Kevin Smith film. The forthcoming Sundance will be from January 21 to 31. 31 / U.S.A. (Director and screenwriter: Rob Zombie) — Five friends are kidnapped on the day before Halloween and are held hostage in a terrifying place named Murder World. While trapped, they must play a violent game called 31, in which the […]
by Filmmaker Staff on Nov 23, 2015