Filmmaker: Why did you first get into being an AD? Did you ever want to direct? Do you now? Wegenka: I started working as an AD after college. As a filmmaker I love production, the process of making films. As an AD I’m right in the thick of it, helping to create the director’s vision. I’ve been able to work with many directors I admire: Bernardo Bertolucci, David Lynch, David Mamet, John Waters, Robert M. Young, Wayne Wang, Martha Coolidge, Neema Barnett and many others. I’ve learned from all of them. Working with Lynn has been a joy, it has brought me […]
by Danielle Lurie on Jan 23, 2014Filmmaker: Why this movie? Why did you decide to do it? Kroot: I was compelled to do it! I have always been a big fan of the original Star Trek, which I loved for its mix of campy aesthetics and also its thinly veiled exploration of the serious social and political issues of the 1960’s. George Takei’s sexual orientation never occurred to me but I was very impressed when he “came out” at age 68 in 2005 to become a voice for LGBT civil rights and then marry his long time partner, Brad Altman. I noticed how George’s philosophy was […]
by Danielle Lurie on Jan 23, 2014Filmmaker: Why this movie? Why did you decide to do it? Vitkova: I’d been working on a project as a 1st AD. At the end of the last shooting day, after almost 10 years of hard work as a 1st and 2nd AD, I promised myself I’d never do this thankless job again. The same evening I sat down and wrote an 18-page treatment, a story that had never really crossed my mind. Viktoria’s plot came easily, made me laugh while putting it into words, and then cry at the end. Viktoria has been very obsessive ever since, didn’t leave me until I completed […]
by Danielle Lurie on Jan 23, 2014Filmmaker: Why this movie? Why did you decide to do it? Smirnoff: Puzzle was a story about a woman. So after that, I was really interested in making a film about a man, putting [myself] in his skin. I know a lot of people, maybe me included, with emotional obstacles. And I think writing is a marvelous possibility to habit different human beings. All these things are related to the story of Lock Charmer. Exploring Sebastian, the main character from the film, was a wonderful exercise; I learned more about life. Always not judging but living with him. When you manage […]
by Danielle Lurie on Jan 22, 2014Filmmaker: Why this movie? Why did you decide to do it? Iskander: Edet Belzberg’s film Children Underground was one of my favorite docs. When I went to meet her for the first time to talk about potentially working on her new film, I was simply excited to meet her and hear about her experiences as a documentary filmmaker. So I was thrilled to be have the opportunity to work with her on Watchers of the Sky. The prospect of traveling to Chad and working closely with Edet was very exciting. Filmmaker: Why do you think you were the right choice to D.P. each film? Iskander: […]
by Danielle Lurie on Jan 22, 2014Filmmaker: Why this movie? Why did you decide to do it? Medalia: As boundaries between reality and the virtual become increasingly blurred, we are beginning to see how reality is compromised and people are losing their footing. When Shosh [Shlam, the other director of Web Junkie] told me about this story of China’s attempt to stem internet addiction among its youth, I was immediately captivated and felt that this it expressed a current and increasingly global dilemma. I began to wonder if I myself was an addict? Had I become overly dependent on technology? And would these techniques to break the addiction among […]
by Danielle Lurie on Jan 22, 2014Filmmaker: Why this movie? Why did you decide to do it? Seigel: I guess I first started thinking about writing this movie after a year of attending a bunch of wedding and baby showers and just feeling really confused by them, like, “Are people actually enjoying this?” Filmmaker: Do you think a male director might have handled the making of this film differently? How did being a female filmmaker effect how this film got made do you think? Seigel: I think it would depend on the person. But I do know it was a little tougher on Lynn, being a female filmmaker directing […]
by Danielle Lurie on Jan 22, 2014Filmmaker: Why this movie? Shlam: Internet addiction is both a personal and social phenomenon. It is a universal issue that is becoming progressively all encompassing as the boundaries between the real and the virtual become increasingly blurred. Through this process, we could not help but feel that something is lost in the physical, “real,” everyday lives of those living in the western world. This phenomenon, these feelings are what inspired us to take this journey. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Shlam: We were four women: two directors, one producer and one editor. Hiring […]
by Danielle Lurie on Jan 22, 2014Filmmaker: Why this movie? Why did you decide to do it? Zwebner-Zaibert: Now more than ever, we need films that investigate and expose the side-effects of our relationship with technology. Internet overuse is a social issue around the globe that has only emerged in the past few years; we have no idea what effects it may have on us or what we will know about the phenomenon in the future. As such, we need to exercise caution when creating policies around it. Also, as a young mother, I spend a lot of time thinking about my daughter’s future and how the Internet will impact her […]
by Danielle Lurie on Jan 22, 2014Katie Stern is that inexplicable combination of inviting, accessible, and tough as nails. When I went to photograph her at the color correction of the film she produced, Listen Up Philip, she was wearing all black, despite my suggesting filmmakers wear a splash of color. “It’s just what I’m used to wearing,” she says, a true New Yorker. “But I did wear lipstick – and that’s not normal for me.” In the color correction suite, Stern was the only woman in a small sea of men, including the film’s director, Alex Ross Perry. The film was on the big screen, […]
by Danielle Lurie on Jan 22, 2014