In late February I attended the Richmond International Film Festival, where I met Tamika Lamison, the extraordinary founder and executive director of the L.A.-based Make A Film Foundation, which lets children with serious or life-threatening medical conditions live out their filmmaking dreams. She was there with the MAFF film The Magic Bracelet, a Diablo Cody-adapted short originally penned by 15-year-old Rina Goldberg, who died of mitochondrial disease in 2010. I decided to find out more post-fest about the idea to pair veteran altruistic filmmakers with young aspiring filmmakers in need. I spoke with Lamison right before the short’s next stop […]
by Lauren Wissot on May 2, 2014For a beach bum cinephile it doesn’t get much better than the Riviera Maya Film Festival. Only in its third year, Riviera Maya mixes the accessibility of AFI Fest – surprisingly, it’s free and open to all – with a bit of the sensational cachet of Cannes. (Right down to a brazenly coordinated, multi-store jewelry heist in Cancun that resulted in the car carrying Peter Sarsgaard and Maggie Gyllenhaal getting stopped en route to the opening night screening of Kelly Reichardt’s Night Moves. Now that’s entertainment!) I didn’t catch Reichardt’s edge-of-your-seat eco-thriller until the last day of the fest, but […]
by Lauren Wissot on Mar 27, 2014This year’s edition of CineKink NYC, now in the final day of its Kickstarter fundraising drive, wastes no time heating up, opening on February 26 with a cinematic bang in the form of Wiktor Ericsson’s The Sarnos: A Life in Dirty Movies, a stellar pic about softcore pornographers with a love story at its heart. (The festival’s gala kickoff party is the day before, February 25.) The titular elderly couple at the center of this doc are the legendary porn director Joe — the “Ingmar Bergman of 42nd Street” — and his longtime wife and support system (and sometime actress) […]
by Lauren Wissot on Feb 22, 2014Reporters Instructed in Saving Colleagues is surely one of the most fitting tributes to a fallen comrade ever dreamed up. Founded by Sebastian Junger in the wake of the combat zone death of his Restrepo co-director Tim Hetherington (I interviewed both back in 2010) RISC, based on a Wilderness Medical Associates course adapted for combat, aims to provide freelancers in all media with the kinds of lifesaving equipment and techniques that may have prevented Hetherington’s shrapnel wounds in Libya from killing him. Indeed, when I first heard about RISC its mission seemed so obviously crucial – to give combat journos […]
by Lauren Wissot on Feb 19, 2014The Festival of (In)appropriation, a celebration of “contemporary short audiovisual works that appropriate film or video footage and repurpose it in “inappropriate and inventive ways” is the brainchild of co-founder and co-curator Jaimie Baron (who, not inappropriately, has a book on found-footage filmmaking coming out soon). Presented by Los Angeles Filmforum (no relation to NYC’s Film Forum – more like the West Coast’s answer to Anthology Film Archives, as for close to four decades it’s been L.A.’s longest-running organization dedicated to experimental film and animation, docs and video art) the annual event is now in its sixth year. For more […]
by Lauren Wissot on Feb 14, 2014Online dating takes an offline twist in FutureMate, the latest transmedia extravaganza to premiere at The Brick Theater in Williamsburg, Brooklyn. Created by Gyda Arber, Brian Fountain, David Gochfeld and Allen Hahn – all veteran artists whose work spans multiple platforms – FutureMate is set in a post-apocalyptic U.S. where fertile mates are at a premium. Fortunately, hosts Matt and Pam are there to guide audience members through the new and improved, meet-your-match system, which consists of phone-based speed dating and a “series of ice breakers.” (And for those not in NYC for the extended three-week, February run – which […]
by Lauren Wissot on Feb 10, 2014I recently met Andrea Calderwood at the Trinidad + Tobago Film Festival where she was in town to support Half of a Yellow Sun, helmed by Nigerian director Biyi Bandele. Originally from Scotland, the London-based Calderwood has long been a formidable presence in the U.K. film world, a BAFTA-award winner for Kevin MacDonald’s The Last King of Scotland, who even made Scottish news herself last year when The Herald named her to its list of the top 50 most influential women in the country. This year she’s busy as always. Our Kind of Traitor, an adaptation of the John le […]
by Lauren Wissot on Jan 28, 2014When I met Canadian director Juliet Lammers during the Hot Springs Documentary Film Festival – where we served together on a sprawling panel – her film Last Woman Standing, which made the Hot Docs 2013 Netflix Audience Award top five, wasn’t even on my radar. But it certainly should have been. Co-directed by Lammers and Lorraine Price, Last Woman Standing is more than a riveting sports flick (though it’s that as well). Unique in approach, the doc focuses just as much on the relationship rift between Ariane Fortin and Mary Spencer, two of the world’s best boxers, as it does […]
by Lauren Wissot on Jan 27, 2014I’ve been hearing the praises of Drunktown’s Finest director Sydney Freeland being sung for some time now. The 2004 Fulbright scholar and Sundance alum – whose long list of awards includes a Sundance Institute Screenwriting Fellowship and a Sundance Institute Directing Fellowship in 2010, and a 2009 Sundance Institute Native American Lab Fellowship – has also long been a fixture on the cozy New Mexico filmmaking scene. (Since I programmed the Santa Fe Independent Film Festival 2012 it’s not surprising the Gallup native and I even share mutual friends.) That said, as a jaded critic it’s second nature for me […]
by Lauren Wissot on Jan 23, 2014A three-time Webby Award winner and a 2009 World Economic Forum “Young Global Leader,” who has exhibited at MoMA and built the world’s largest time capsule with Yahoo!, Jonathan Harris can now add the firestarters IDFA DocLab Award for Digital Storytelling – for his latest interactive project I Love Your Work – to his esteemed CV. In it Harris invites us on an online journey not to the Arctic Ocean with Alaskan Eskimos – as he did in his previous piece, The Whale Hunt – but into the lives of nine women residing in a much hotter climate, that of the […]
by Lauren Wissot on Jan 23, 2014