Director Interviews
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Co-Director Audrey Ewell on 99% – The Occupy Wall Street Collaborative Film (+ Exclusive Clip)
Downtown Manhattan, September 17, 2011—the first 1,000 protestors of the Occupy movement descend upon Wall Street and its neighboring Zucotti Park, pounding the cobblestones in the face of corporate neglect. Driven by the ever-expanding gulf within the socio-economic bracket, this modern day iteration of class warfare soon sparked a worldwide phenomenon. As fervent opinions batted about and media biases multiplied, documentary filmmakers Audrey Ewell and Aaron Aites sought to craft a holistic, honest portrait of the movement. Their resulting film, 99% – The Occupy Wall Street Collaborative Film, utilizes footage from filmmakers—novice and professional alike—from across the nation, in order […]
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Five Questions with Ain’t Them Bodies Saints Director David Lowery
Texas-based filmmaker David Lowery has been at the center of the indie scene for some time now, and not just because of his excellent 2009 directorial debut St. Nick and that film’s much lauded follow-up, the 2011 short Pioneer. Check out Lowery’s IMDB page and you’ll discover that he has worked extensively on dozens of other projects over the past few years – as editor on Amy Seimetz’s Sun Don’t Shine and Dustin Guy Defa’s Bad Fever, as cinematographer on Frank Ross’ Audrey the Trainwreck, even as sound recordist for Kentucker Audley’s Open Five. With Ain’t Them Bodies Saints, Lowery’s […]
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Five Questions with I Used to be Darker Director Matt Porterfield
Though it only arrived three years ago, Matt Porterfield’s Putty Hill, with its unique blend of fiction and documentary and its crisp, patient filmmaking, has already become quite an influential and well-loved piece of the micro-budget cannon. Now Porterfield has returned with I Used to Be Darker, a more formally scripted work that follows a troubled young woman (Deragh Campbell) who moves in with her aunt (Kim Taylor), uncle (Ned Oldham), and cousin (Hannah Gross) in Maryland. The film premieres today in US Dramatic Competition at the Sundance Film Festival. Filmmaker: Tell me a bit about the development process for […]
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Five Questions with Escape from Tomorrow Director Randy Moore
There’s something the Sundance Film Guide didn’t tell you about Escape from Tomorrow, the first narrative feature from director Randy Moore – the film was shot guerilla style, on location, at Disney World. Seriously. A debut for the ages, Escape from Tomorrow takes viewers on a surreal journey into the mind of family man Jim Walsh on the last day of his vacation at the park. After finding out that he has been unexpectedly laid off from work, Jim’s day derails until he’s bordering on a complete mental break. This is deranged, imaginative, destabilizing filmmaking – a magical film about […]
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Five Questions with It Felt Like Love Director Eliza Hittman
Coming of age tales are a longstanding mainstay of the Sundance Film Festival, but few films tackle the well-tread genre with the unsentimental eye of It Felt Like Love. The debut feature from filmmaker Eliza Hittman, It Felt Like Love stars first-time actress Gina Piersanti as fourteen-year old Lila, a Brooklyn native who spends her summer pursuing a love affair with an older teen. The film premieres today in the Sundance Film Festival’s NEXT section. Filmmaker: Your previous short, Forever’s Gonna Start Tonight, deals with themes similar to It Felt Like Love. How did your experience making that film, and […]
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Five Questions with Concussion Director Stacie Passon
Stacie Passon’s Concussion has a logline that might be misleading. The story of a bored, lesbian housewife who covertly takes a job as a high-scale prostitute for women, the film is so much more than that high-concept, basic-cable-ready premise implies. Equal parts darkly comedic social satire and gut-wrenching character study, Concussion is anchored by a stunning performance by character actress Robin Weigert, and marks the arrival of a strong new filmmaking voice in director Stacie Passon. The film premieres today in US Dramatic Competition at the Sundance Film Festival. Filmmaker: For a film from a first-time director, Concussion is quite […]
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Five Questions with Blue Caprice Director Alexandre Moors
Named for the car from which John Allen Muhammad and Lee Boyd Malvo committed the 2002 Beltway Sniper Attacks, Alexandre Moors’ debut Blue Caprice attempts to move past the chilling anonymity of those attacks to get at the motivations and interior lives of its two culprits. The film is intimate and disturbing, as Moors, a French director who has mostly worked in music videos until this point, focuses on the dysfunctional father / son bond formed between Muhammad and Malvo (played by Isaiah Washington and Tequan Richmond, respectively), and digs into the distinctly American mindset that they committed their crimes […]
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Five Questions with Our School Director/Producer Mona Nicoara
The Roma, more commonly known by the derogatory term “Gypsies,” are Europe’s largest and most oppressed ethic minority. Despite being enslaved in some regions into the 19th century, Western literature, art and culture has long masked the ugly truths with the romanticized notion of the Roma as a free-spirited, nomadic people. Unfortunately these people are subjected to much crueler stereotypes in their day-to-day lives: that they are lazy, dirty, diseased and violent, uninterested in education or holding a job. Far from the truth, the Roma hope for betterment and claw desperately to break free from the cycle of poverty and […]
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Five Questions with Newlyweeds Director Shaka King
The stoner comedy niche is one the Sundance Film Festival too rarely fills, but as if to remedy this lack we now have Shaka King’s debut feature Newlyweeds. Equal parts absurd and emotionally grounded, the film follows Lyle (Amari Cheatom) and Nina (Trae Harris), two young lovers with a shared passion for weed. But just as much as the drug provides a stabilizing force in their relationship, it also proves to be the thing holding them back. Newlyweeds premieres today in Sundance’s NEXT section. Filmmaker: Where did the idea for Newlyweeds come from? Forgive me for asking, but are you […]
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Dave Grohl on Directing Sound City
Dave Grohl has a history of fruitfully redefining himself. After Nirvana self-destructed, he went from being the former drummer for one the most momentous rock bands of the 20th century to being the frontman for one of the biggest acts of the 21st, Foo Fighters. So it shouldn’t seem too surprising to find him making a successful broad jump from musician to documentarian, especially with a project is as close to his heart as Sound City. Opening its doors in 1969, L.A.’s Sound City Studios was low on frills and gloss, but boasted an almost magical live-room ambience and a […]
