Festivals & Events
Festivals & Events
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“This Will Be the Final Version If the Authorities Have No Objections”: Qiu Sheng on Suburban Birds, New Chinese Censorship Laws and Filming with Children
While trying to explain a reality that is shifting in front of him, a surveyor looks into the past in Qiu Sheng’s feature debut Suburban Birds. A moody, seductive drama that stubbornly refuses explication, the story takes place in Qiu’s hometown of Hangzhou. Loosely based on a real-life 2009 building collapse, Suburban Birds is also a coming-of-age story about school friends whose lives are disrupted by urban renewal. Filmmaker spoke with Qiu Sheng during this year’s annual New Directors/New Films series. Suburban Birds screened without incident at the 2018 Locarno Film Festival, but when Qiu was faced with new regulations, […]
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“Sex-Positive and Non-Exploitative, with a Big Piece of Questioning who is getting Representation”: Lisa Vandever on Celebrating CineKink NYC’s Sweet Sixteen
For the past 16 years CineKink NYC co-founder and director Lisa Vandever has been on a mission to not only showcase the best in sex-positive films — from narrative to nonfiction, features to shorts, high camp to deep drama — but also support their brave indie creators (who are very rarely straight white males). To that end, the upcoming edition (April 3-7) will see its first CineKink Artist Spotlight award bestowed on feminist pornographer Jennifer Lyon Bell, whose erotic work Vandever has been continuously championing since 2006. Filmmaker was fortunate that Vandever found time for a brief chat in the […]
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International Film Festival Rotterdam 2019: “The Spying Thing”
In his introduction to “The Spying Thing,” a 20-title selection of espionage films that he curated with Gustavo Beck, long-time IFFR programmer Gerwin Tamsma goes back to the deep well of Alfred Hitchcock’s Rear Window (1954) and finds in it a timely new metaphor. Jimmy Stewart’s wheelchair-bound peeping tom is now a 21st-century government or multinational corporation, collecting data from his neighbors without their knowledge or consent, constrained only by the length of his lens (technology) and by the walls of his apartment (the pesky rule of law that governs democracies and capital). Grace Kelly’s wealthy socialite, then, is the […]
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New Directors/New Films 2019 Critic’s Notebook: Monos, Manta Ray, Bait
[A selection of films from the ND/NF program, including Bait, are currently playing online for free on Festival Scope from April 8-April 22.] As it unveiled its 48th edition last week, New Directors/New Films—the annual collaboration between the Film Society of Lincoln Center and the Museum of Modern Art—could justifiably tout itself as a fount of international cinematic discovery. Although most of its programming is cherry-picked from other major festivals, including Venice, Berlin and Sundance, its 12-day spree of screenings ushers a new wave of ascendent film talent into town for a Manhattan debut (or in some cases, an encore) as spring […]
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“No One’s Going to Knock at Your Door and Say ‘I Want to Hire You to Be a Filmmaker'”: Sofia Bohdanowicz and Deragh Campbell on MS Slavic 7
As codirector Sofia Bohdanowicz has delightedly noted, MS Slavic 7 has caused a minor flutter of interest among the Extremely Online Librarian community, amazed that anyone would make a film titled after a call number at Harvard’s Houghton Library. That collection, from the papers of the Nobel-nominated poet Józef Wittlin, includes two dozen-odd letters sent to him by his fellow poet and fellow Polish exile Zofia Bohdanowiczowa, Bohdanowicz’s great-grandmother and namesake. Within the world of MS Slavic 7, though, Bohdanowiczowa is the grandmother of Audrey, the character played by Deragh Campbell. Audrey is a recurring character in what now must […]
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True/False 2019: Anxiety and Research Projects
The sound of ocean waves links the first two images of Dora García’s Segunda Vez: a crowd of people, standing and watching something unseen in interior darkness, then an ocean cliffside—a “reverse shot” of a totally different space. The waves dissolve into room tone as the third shot cuts to a young man and woman silently regarding each other in a waiting room, then an elderly hand firmly gripping a cane and, finally, an enormous wall clock. None of these seem to share a common space or time; I assumed all would be clarified sooner or later and didn’t worry about it […]
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“I Had To Tell a Story About Five Guys Working Behind Computer Screens”: Hans Pool on Bellingcat: Truth in a Post-Truth World
Hans Pool’s Bellingcat: Truth in a Post-Truth World follows the diehard band of brothers (yes, there are no citizen journo sisters featured) behind the online investigative outfit Bellingcat, founded by a shy Brit determined to unmask some of the media’s most notorious blockbuster stories. Whether that be through geo-location mapping, voice analysis, drone imagery, or even fact-checking legacy organizations like the NY Times (one of several outlets to report a staged car bombing as real), the international collective takes tools once the province of law enforcement and other paid “professionals” to separate fact from fiction in a very 21st century way. Filmmaker spoke with the […]
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“I Have an Interest in Women Who Are on a Mission, Who Want to Create Impact”: Marie Skovgaard on Her CPH:DOX Opening Night Film, The Reformist
Marie Skovgaard’s The Reformist follows Sherin Khankan, a feminist revolutionary this American had never heard of, but who is practically a household name in her hometown of Copenhagen. Khankan, Denmark’s first female imam, founded the Mariam Mosque, one of the first in Europe to be led by women. And fortunately, Skovgaard was there to artistically document the mosque’s difficult birth as well as the trials and tribulations (both internally and externally) the uncompromising religious leader faced in its aftermath. Filmmaker spoke with the Danish director prior to the doc’s opening night, CPH:DOX premiere on March 21st. Filmmaker: So how did […]
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SXSW Notebook: E-Scooters, Three Studio Comedies, and the Political Party at the Paramount
Austin may have the highest scooter-to-citizen ratio of all e-scooter inclusive cities in the U.S. While my first impressions of previous editions of SXSW were the abundance of free swag and promotional doodads oozing out of the assorted pop-ups and festival-converted locales, this year it was all the scooters. In a single day, I witnessed a scooter driver get swiped by a car and two others fall clumsily to the pavement. University of Texas baseball star David Hamilton, Kaiser Health News reported, struck a pothole riding an e-scooter and tore his achilles tendon. He’s out for the season. Concerned Austin […]
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“Giving Yourself Time to Sculpt”: Pawel Pawlikowski’s Qumra Masterclass
An initiative of the Doha Film Institute, Qumra is an event that connects Qatari and international directors who are receiving different stages of DFI-funded support with industry delegates from across the spectrum of the film world and master filmmakers who meet with emerging talents and engage in public conversations. The 5th edition took place between March 15th and 20th, 2019. Fresh off the heels of the Oscar campaign for Cold War, Pawel Pawlikowski has been enjoying a sustained stay in the international spotlight since his 2015 film Ida became an award-winning critics’ favourite. While tonally distinct from one another, both […]
