For the past 16 years CineKink NYC co-founder and director Lisa Vandever has been on a mission to not only showcase the best in sex-positive films — from narrative to nonfiction, features to shorts, high camp to deep drama —… Read more
On the heels of Sundance and its New Frontier section every year comes transmediale, the Berlin-based festival more singularly focused on interactive film, video art, transmedia, virtual reality, and other forms of new media. Founded in 199, transmediale also excels… Read more
DOC NYC has announced its 2016 Short List, which has a track record of successfully predicting other awards, including the Oscars. All of the DOC NYC Short List titles will screen during the festival with the director or other special guests present… Read more
An ethnographic and sociological nonfiction horror film, Theo Anthony’s Rat Film is a free-form experience with topical relevance. Long burdened by a documented history of residential segregation, Baltimore, Maryland — Anthony’s current place of residence — has served as a recent political… Read more
What to do when your film doesn’t get accepted to any film festivals? Why, start your own film festival! Of course, it’s helpful if you’re the founding editor of a successful web site such as The Rumpus. That’s the case with Stephen Elliott, who was frustrated when his latest film, After Adderall, didn’t get accepted to any film festivals. Elliott wrote an in-depth report investigating a “rigged” system of film festival programming which makes it nearly impossible for paid submissions to be programmed. Titled “The Great Film Festival Swindle”, the article, published recently on The Rumpus, analyzed the odds of getting into various film festivals […]
Stephen Elliott is an author, filmmaker, and founding editor of the respected literary web site, The Rumpus. He co-wrote and directed the James Franco-starring About Cherry, which premiered at The Berlin International Film Festival in 2012 before screening at other festivals. And the film The Adderall Diaries, based on his memoir of the same name, premiered at Tribeca in 2015. With these credentials, he (rightly?) assumed that his own second feature, Happy Baby, based on his novel of the same name, had a reasonable chance of getting accepted into one of the more than 15 film festivals he submitted to. But, it […]
How to find the right festival for you and your film? Film Fest Finder, a new free web site, aims to help filmmakers and filmgoers find the right festival to serve their needs. Through a rating and reviewing system, filmmakers and filmgoers can search over 7,000 festivals by name, city, country, or review. PC Thompson, creator and co-founder, along with Donna Pizzi, told Filmmaker Magazine that “there is such a proliferation of festivals out there — 10,000 in all — that navigating those waters is extraordinarily time-consuming, costly and mind-boggling.” To make things easier for filmmakers, Thompson and Pizzi wanted to create […]
“Are you the new festival director?” asks a woman after briefly interrupting our interview. She approached us to ask for directions to a screening room in de Doelen, the central hub of Rotterdam International Film Festival (IFFR). In his native Dutch, Bero Beyer provides what seems to be an elaborate route, but the woman is satisfied. “It’s a great one,” he tells her in English after learning the title she’s off to watch. All at once, the woman realizes who she’s talking to but asks for confirmation anyway. “It’s so nice to meet you, sir,” she blushes, rushing off to […]
This weekend (November 12 – 14) the SNOB [Somewhat North of Boston] Film Festival takes place in Concord New Hampshire. Earlier this week we talked to Jay Doherty, Executive Director of the festival about its history, what sets it apart from other festivals, and some of the films being shown. Filmmaker: How did the SNOB Film Festival start? Doherty: This is the 14th annual festival. It started with a group of people who were interested in bringing independent film to central New Hampshire. They started the Somewhat North of Boston film festival as kind of a joke that a lot […]
Between fighting for real estate and fighting for an audience, it can be hard pulling off a successful film series in New York. Independent programmers can’t be blamed for relying on the lure of unconventional spaces to draw distracted filmgoers. While it’s fun to see a film on a rooftop or a pier, these spaces often serve as exciting backdrops for otherwise conventional content. Few film series actively exploit the connections between site and content to say something meaningful about the spaces around us. That’s what makes On Location different. This ambitious month-long series of “queer interventions” (the schedule can […]