Last year was a great one for SXSW Film. Two of the year’s best independent films, just reaching theaters now (Krisha and Creative Control), premiered at the festival, and the Film and Interactive conferences offered up their typically dizzying assortment of how-to panels, seminars and forward-thinking keynote talks. As I anticipate this year’s edition from, literally, an altitude of 30,000 feet, Barack Obama has already left the room, folks on Twitter are complaining about the long registration lines, and the gear heads and app-makers are setting up shop in the Austin Convention Center for their mammoth trade show. Me, I’m […]
One of my favorites at True/False, Sergio Oksman’s O Futebol constructs/chronicles the director’s reunion with his long-out-of-touch father. After 20 years based in Madrid, Oksman has returned to São Paulo to spend a month watching all the 2014 World Cup games with his father. Even in a nation as soccer-crazed as Brazil, Oksman senior’s recall is massive: of a potential challenger for his claim to ultimate knowledge, he responds, “Let’s see if he knows who was the referee of the 1954 Fourth Centenary Cup final.” Father and son never do make it to the stadium — dad says he’s too busy, and then […]
It was a very good year for True/False, but I’ll save the taking-fest-temperature overview for our next print issue. In starting to sort through this year’s films, therefore, I need some kind of arbitrary framework that will provide the illusion of meaningfully segueing from one work to another. In this dispatch, I’ll be focusing on the thorny subject of what happens when documentaries do — or antagonistically don’t — try to serve as compassionate ambassadors to the world on behalf of their subjects. Unambiguous Sympathy Christopher LaMarca and Jessica Dimmock’s The Pearl is a nighttime movie, all quiet, warmly illuminated interior spaces populated by a self-supporting […]
The Hot Docs Forum, the annual pitching event that stimulates international co-production financing, has announced this year’s 19 projects, representing 16 different countries. Selected from over 200 submissions, the below projects will present their pitches in front of a round table of leading commissioning editors, film fund representatives, financiers, programming executives and delegates from around the world. One high profile project, Objective: Change the World, otherwise known as “the Bill Nye film,” has already managed to raise $859,000 via Kickstarter, making it the most funded documentary ever on the crowdfunding platform. “We want to congratulate this year’s incredibly diverse projects, which showcase a […]
With Twilight in 2008, Catherine Hardwicke became the first female director to launch a successful blockbuster movie franchise (the film grossed $400 million worldwide). But rather than direct the sequel films in the blockbuster series, Hardwicke opted to take on more daring fare, such as Red Riding Hood, a dark re-telling of the fairy tale. But when that 2011 film was both a critical and financial disappointment, Hardwicke found she was no longer a hot commodity in Hollywood. Unlike male directors who are allowed a flop or two, female filmmakers are held to a higher standard, she quickly found. Instead of vying for the next superhero […]
The first half of Tribeca’s feature film slate was announced last week; now we’ve got the second part. Regular contributor Noah Buschel is in there with his new film The Phenom, although the big marquee title is probably the spectacle of Michael Shannon as Elvis Presley. CENTERPIECE Elvis & Nixon, directed by Liza Johnson, written by Joey Sagal, Hanala Sagal, and Cary Elwes. (USA) – World Premiere, Narrative. In 1970, a few days before Christmas, Elvis Presley showed up on the White House lawn seeking to be deputized into the Bureau of Narcotics and Dangerous Drugs by the President himself. Elvis & Nixon, starring […]
“Tech Up, Make Stories, Get a Tan” was the accurate tagline of this year’s cutting edge FilmGate Interactive Conference (which ironically took place at a ’50s-era throwback, the Deauville Beach Resort Miami this past February 20-28). Now in its third year, the event boasts of being “the first conference in the USA to focus solely on interactive and immersive content.” While this might conjure up images of gear heads discussing the latest drone technology – and there was indeed a Tech Playground for those so inclined – most events were not only free but, refreshingly, open and quite welcoming to […]
After winning the Special Jury Prize in the U.S. Documentary Competition at Sundance, filmmaker Robert Greene and actress Kate Lyn Sheil arrived in Berlin for their international premiere of Kate Plays Christine. Of the 44 titles slated in Berlinale’s Forum, Greene’s documentary is one of only three American films to have been selected to screen. The film is described as a documentary, but the nature of the project has a complicated and multi-layered explanation. On one level, the film follows Kate preparing for a role, but the character she must assume isn’t written in a script. She’s researching to play […]
The Tribeca Film Festival announced today its first wave of selections, including its newly created U.S. and International Narrative Competitions. Encompassing 18 films between them, the sections feature works by several Filmmaker 25 New Faces (Sophia Takal, Ian Olds, Ingrid Jungermann, Cecilia Aldarondo, and Alma Har’el) as well as new work by Demitri Martin and Tracy Droz Dragos, director (with Andrew Droz Tragos) of the Sundance winner Rich Hill. Each section will have an Opening Night film. The U.S. Narrative Competition unspools with Justin Tipping’s San Francisco-set youth crime drama, Kicks. The International Narrative Competition opens with Madly, an anthology […]
After seeing only one Oda Jaune painting in an art catalogue at a bookstore, Kamilla Pfeffer had found her next subject. Born in Bulgaria, Oda Jaune is a German painter currently based in Paris, and has had her work exhibited all over the world. The nature of her paintings and the process of her practice are the primary interests in Pfeffer’s documentary, Who is Oda Jaune?, but how to first engage with the introverted artist is Pfeffer’s requisite challenge. “Oda’s work has a way of speaking to my irrational side,” says German actor Lars Eidinger during his short interview with […]