On the first day of the 2016 Sundance Film Festival, before the Opening Night films — a seemingly lukewarm cancer movie and the newest from the ever-prolific Rachel Grady and Heidi Ewing — Robert Redford couldn’t help himself. Although the 79-year-old actor offered boosterism for almost every aspect of the global brand that is Sundance, he was less rosy when discussing the business and culture of independent film itself, which his visionary endeavor has helped popularize for four decades. In 2007, when the specialty divisions of big studios had yet to collapse, or be folded into the larger corporate apparatus […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I had never heard of X Japan. When I came on board, there was a brief treatment […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? For me Goat is a narrative investigation of masculinity. This isn’t a secret, but it certainly is an […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? My “hidden” motivation. You could say that I’ve tried to make a political film, hidden within a […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I don’t think there is a secret story. The main plot, and the subplots and the themes […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Our core concern in making Resilience was to popularize the dangers of chronic stress on the developing child. […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? This is a not a film that I planned to make. When I started this film, I […]
Each year Filmmaker asks all the incoming feature directors at Sundance one question. This year, our question regards the secret story behind each film. (To see past years’ questions and responses, click here.) This year’s question: In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? After I had spent a long time labouring over a couple of other scripts, I decided to […]
As always, Sundance is chock full of anticipated films, many by friends, colleagues and filmmakers we track here at the magazine. Below are 12 films I’m really hoping to see while I’m in Park City. Swiss Army Man. Consider The Daniels’s (Daniel Kwan and Daniel Schweine) arresting and surreal string of music videos and short films their very long tease for a debut feature that promises to be one of the Dramatic Competition’s most anarchic entries. The film stars Daniel Radcliffe and Paul Dano and, explaining the title, Schweine told Filmmaker last summer, when The Daniels made our 25 New […]