The first rule of Film Week is that if you have time to blog during Film Week, you’re probably not doing it right. The second rule of Film Week is that if you attend, the best part is that you will meet all kinds of awesome people making awesome films. This may intimidate you. It’s okay. Be cool. I guess that’s the third rule of Film Week, bro: just be cool. When the good folks at Filmmaker Magazine asked me to blog about Film Week again this year, I knew I wanted to write about some of the awesome people making awesome […]

San Sebastian is celebrating six decades in the film festival business with the insistence that “60 years is nothing.” In their welcome guide this year, the organizers say: “As far as a film festival is concerned, 60 years shouldn’t be concealed with facelifts, but should be flaunted proudly.” There’s little doubt that the ever-increasing leviathan that is the Toronto International Film Festival is having an effect on any festival close to its dates — and San Sebastian follows hot on its heels. But José Luis Rebordinos’s second edition as director shows this Basque country old lady has plenty of life […]

The first rule of Film Week is that if you have time to blog during Film Week, you’re probably not doing it right. The second rule of Film Week is that if you attend, the best part is that you will meet all kinds of awesome people making awesome films. This may intimidate you. It’s okay. Be cool. I guess that’s the third rule of Film Week, bro: just be cool. When the good folks at Filmmaker Magazine asked me to blog about Film Week again this year, I knew I wanted to write about some of the awesome people […]

IFP’s Independent Film Week came to a close on Thursday, I took the train home on Friday, spent Saturday relaxing, and here we are…ready to take a more in-depth look at my time in New York City. I’ve already covered practicing my pitch in the days leading up to Film Week, delivering that pitch at the Emerging Narrative orientation, and experiencing unexpected moments during my one-on-one meetings. But I feel like I’ve barely scratched the surface – on either the nuts-and-bolts level, or that philosophical plane that I’ve become so fond of. To begin with, let me explain a little bit more about what […]

In the late spring of 2000, I found myself across a desk from one Milton Tabbot (currently IFP’s Senior Director of Programming, for the unfamiliar) in an office plastered with movie posters in the West Twenties. I was a few months away from finishing college and, unsure of what exactly to do with myself, had applied on a whim to a position at an organization called the IFP. I wasn’t sure exactly what this shadowy group did, but I knew I’d heard of it; the job was a marketing gig, and involved a big upcoming event called the Independent Feature […]

This is a picture of LA-based producer Jodi Redmond breast-feeding her three-month old daughter, Collette, while she waits for her next meeting at No Borders. Colette has been to three markets around the world already. When I saw Jodi, it really brought into sharp focus how committed indie producers need to be to their projects to get them made. It’s also a perfect metaphor for what’s going on at Independent Film Week. Arriving in New York after a very gentle and lovely time in Halifax felt like a very frontal attack on my senses. It was a classic case of […]

Hi, my name is Ian Harnarine and I’m one of Filmmaker magazine’s “25 New Faces of Independent Film” for 2012. My short film Doubles With Slight Pepper won the award for Best Canadian Short Film at the 2011 Toronto International Film Festival (TIFF) and also won the Genie Award (Canada’s Oscar). I am adapting the short film into a feature and was invited back by the festival to compete in their PITCH THIS! competition. I will compete with five other filmmakers that each have six minutes to pitch their feature film idea to a live audience of over 200 industry […]

Hello, Jesse Epstein here. I’m blogging on behalf of “Team Skeeter” at the IFP Independent Film Week. We’ve been here with our feature documentary, Mosquito, which is currently in production. It’s been quite an intense week so far (and it’s only Tuesday!). We had our screening today, had meetings yesterday and today, and more meetings are lined up for tomorrow and Thursday. We’re learning a lot and feeling very grateful to be here with the project.  But let me back up… The night before Film Week started I found myself unexpectedly extra-motivated for my two morning meetings because I was […]

Yesterday I attended the “How the Critics Saved My Film” Film Week panel, featuring the pre-eminent critic for the New York Times A.O. Scott (I discovered with pleasure yesterday that his friends call him “Tony”), critics David D’Arcy and Miriam Bale, and filmmaker Alex Ross-Perry. One subject that wasn’t addressed in the panel, but that is pertinent to all of this, is the quality of writing in film criticism. Since I am a filmmaker (whose films will need to be saved), the way a review is written feels important to me, and it’s not just because I like good writing. […]

At the risk of sounding like the luckiest, happiest, most ridiculously annoying girl in the world… WANNA KNOW WHAT I LOVE MOST ABOUT INDEPENDENT FILM WEEK?! I could run through a list… but I’ll cut to the chase: What I love most is watching people’s eyes widen as I describe my project in my one-on-one industry meetings. It’s one of those little things that I never anticipated. I mean yes, I’m sitting with people who already had a clue about my project and chose to have a meeting with me because there was something about it that appealed to them. […]