Philosophical musings on the nature of time, an unlikely friendship between a sexy Cali chick and an elderly woman, a bizarrely fast-forwarded comical look at a very sad life, and an indictment of systemic oppression in China: these are the subjects of the four films from Locarno’s main competition (“Concorso internazionale”) that I’ve caught over the past few days. First on the docket is Peter Mettler’s intriguing but disappointing—relative to his other work, at least—The End of Time, an epic non-narrative film about the multitude of perspectives that render an objective definition of linear time meaningless. At times expressive and […]

A rough road from the existential world to the sickie ward to the movie screen, dodging hungry demons and embracing cinematic gems, while maintaining a clear eye on the tall grass on the horizon.      For several years, my life revolved around attending film festivals and screening movies and writing reviews. Then the bomb dropped. The C-bomb! Now I’m fighting cancer and enduring chemotherapy and struggling as a whacked-out Chemo Head. Unlike Speed Heads and Flop Heads and Crack Heads, whose chem-soaked brains are tightly wrapped around a single heat-seeking obsession and whose emotions are riveted to one Pavlov […]

Solitude: It can come from choice, or by default. An unusual number of movies made across South and Central America over the past year have as a central theme the existential state of loneliness, be it operative or merely a hovering threat. In an umbrella culture that honors celebration, music, and gossip, being shunned, marginalized, or discarded is a declaration of non-being, a metaphoric death sentence. Does the stereotype of Latin Americans as gregarious, affable extroverts hold water? The annual Latinbeat exhibition at the Film Society of Lincoln Center (August 10-23), curated by Marcela Goglio and Richard Pena, measures the […]

Two days is not nearly enough time to cover the Woods Hole Film Festival, which started as a “one day, one hour” event over two decades ago, and now for eight days takes over this tiny idyllic town on the Cape, otherwise known for its world famous Oceanographic Institution, and where the moneyed can catch a ferry to Martha’s Vineyard. Luckily, I used my 48 hours wisely, hopping from venue to quaint venue – including the Lillie Auditorium at the Marine Biological Laboratory, the 120-seat Woods Hole Community Hall, and the 70-seat Old Woods Hole Fire Station – and taking […]

We learnt from Abraham that when it comes to the hierarchy between our children and God, God comes first…but this story, with all its profound meaning, has been lost and denied—for many understandable reasons-by contemporary Israeli culture…a fact that can be seen in two films I recently viewed at the 2012 Jerusalem International Film Festival. Dover Kosashvili’s new feature, Single Plus (above), tracks the story of a woman and her 35-year-old single daughter. The mother is so distraught by the fact that her daughter has not yet reproduced that she comes up with an outrageous ruse. The mother lies to […]

The Locarno Film Festival has carved out a role for itself since Olivier Père took over three years ago, in which it offers the best of all festival worlds. Acting as perhaps the best cross-section of contemporary cinema—or something very close to it—available on the festival circuit, it has often been described as one of the true “cinephilic” fests. Additionally, in order to make this possible, Locarno still needs to be something of a hotspot, and the “glamor” that makes such a reputation possible is also a key component. However, Locarno manages to avoid being an industry-driven media frenzy like […]

“Creative Capital is a cult,” said Phillip Andrew Lewis at the end of his presentation at the art funder’s semi-annual retreat this past weekend at Williams College in Williamstown, MA. “But it’s a good cult.” Lewis’s was both a good line and an appropriate capper to his presentation, which shocked right from the outset. The installation artist began his talk by saying he had been held captive as a child for two years within a radical drug treatment program sponsored by the U.S. government. “I consider my work a form of deprogramming,” he told the stunned audience. For the record, […]

Falling under the umbrella of the Staller Center for the Arts at Stony Brook University, and still run by its original founder Alan Inkles (whose praises I’ll sing a bit later), the Stony Brook Film Festival is a breath of fresh Long Island air in a sea of desperate-to-please fests. Now in its 17th year, the event runs like a well-oiled machine – with screenings starting promptly on time and technical glitches nonexistent – yet feels more like a 10-day family retreat, complete with marina lodgings in nearby Port Jefferson. It’s also one of the warmest, most accommodating festivals I’ve […]

NewFest, New York’s LGBT film festival, returns this year with bicoastal fortification, its programming taken over by the folks at L.A.’s Outfest, whose motive for the merge is to foster a national queer arts entity. But is the alliance holy? With Outfest having just wrapped its 30th anniversary, an 11-day event that boasted nearly 150 titles (including Ira Sachs’s Keep the Lights On, Jonathan Lisecki’s Gayby, and David France’s riveting ACT UP doc, How to Survive a Plague), NewFest has the not-so-faint whiff of an afterthought, its 18-feature lineup looking more like the subpar cache of a scavenger than a […]

The Los Angeles Film Festival is something of an oddity, not least because of its relative obscurity: for a 11-day-long cinematic event a stone’s throw away from the heart of the American film industry, it hardly registers on the local radar. As a reasonably cinema-savvy Angeleno, I don’t personally know anyone who gets more excited for it than they do for AFI Fest – my usual screening buddies either skipped LAFF entirely or only showed up for a handful of films this time around – though perhaps the comparison isn’t entirely valid. Where this is a “traditional” fest, with programming […]