[Jennifer Reeder files a guest post from IFP Independent Film Week; above, a still from her short film A Million Miles Away.] Coming to you live from the morning of day 3 of the Project Forum. I spent all day yesterday in meetings with my feature length narrative project called As With Knives and Skin, a feminist teen noir set in rural Kentucky. Sunday, which was day one, was relatively light. All the projects had a pitch rehearsal in the morning, which was really helpful, and l loved getting a sense of all the other invited projects. The wide range is inspiring […]
Ahead of his conversation at tomorrow’s Screen Forward conference, Mike S. Ryan fielded five questions about his career and recent Filmmaker piece “TV is Not the New Film.” A producer on such films as Meek’s Cutoff, The Comedy and Palindromes, Ryan explains how transmedia represents an loss of faith in the filmic medium, why True Detective is an exception to the rule of the TV writer as auteur, and what he looks for in a script. Filmmaker: In your “TV is Not the New Film” piece, you mention that the move to transmedia shows a “[loss] of faith in the medium,” while many others seem to argue that transmedia is […]
During the second day of IFP’s Screen Forward conference, Indiewire’s Eric Kohn moderated a discussion between Animal Kingdom producers Joshua Astrachan and David Kaplan, and former Radius-TWC CEO Tom Quinn on the breakout success of David Robert Mitchell’s It Follows. An indie juggernaut, It Follows grossed 15 times its $1.3 million budget at the box office, in large part due to Radius’s last minute decision to stall VOD and expand to a wide release two weeks after its limited theatrical opening on March 13, riding the wave of word of mouth rather than costly P&A. Below are four major takeaways on the film’s unusual […]
[Editor’s note: this is the first of two guest posts from Reinaldo Marcus Green about his experiences at this year’s IFP Independent Film Week. Green was one of our 25 New Faces of Film this year; click here to read that profile.] IFP’s Independent Film Week is an exciting time in New York City, where both aspiring and established filmmakers — writers, directors and producers — come together to share their stories. For one week, NYC becomes the world’s premier destination for independent film, television, and web-series development. It’s a time when nomadic filmmakers feel like they have a home. […]
The on-stage pitch has become a staple of documentary film forums, like IDFA and CPH:DOX, and pitch panels long ago snuck into events like IFP’s Screen Forward Conference (previously the Filmmaker Conference). But the on-stage pitching of web series is something relatively new at these more film-oriented events. Befitting the IFP’s conference name change, three filmmakers storytellers took the stage Sunday at noon at the Bruno Walter Auditorium to impress a panel of web content professionals with their ideas of episodic tales to be streamed online. But given the Wild West nature of web series, where buyers, monetization strategies and […]
There’s a sense of disappointment in the air. At the parties, people have been whispering, maybe this year’s just not a good year. Maybe next year will be better, they forecast in hushed tones. It’s true, many of the much-hyped films were somewhat of a letdown, but the best part of a film festival is when you walk out into a theater with zero expectations and you walk out enamored by what you just saw. There have still been moments like that for me at TIFF this year. A highlight of the fest for me has been Romanian director Corneliu […]
I wonder what some time-traveling filmmaker would think of IFP’s Independent Film Week, which commences tomorrow up at the Bruno Walter Auditorium at the New York Performing Arts Library. The non-profit IFP — formerly “Independent Feature Project” and now “Independent Filmmaker Project” — has done some version of its Film Week for nearly the entirety of its 35-year history. For much of that time it wasn’t called “Film Week,” but, nonetheless, events occurred annually over a few days in the Fall, and these events served to advance the interests of independent filmmakers by, initially, providing them with a market for […]
Keith Richards swept into Toronto late this week to inject fresh excitement into TIFF just as the parties were waning, filmgoers were yawning and industry heavvies were flying back to the States. Sporting a snakeskin jacket, a Jamaican-coloured headband and impenetrable mirrored glasses, the 71-year-old rhythm guitarist for The Rolling Stones was here to promote Morgan Neville’s documentary, Keith Richards: Under The Influence. It enjoyed its world premiere here last night before playing today on Netflix. The consensus in Toronto holds that Under The Influence is really a commercial for Richards’ latest album, Crosseyed Heart, also released today. No surprise that […]
Growing up, no two things did more to define Canadianness than Tim Horton’s commercials, with their warm and fuzzy scenes of dads bringing hot chocolate to the hockey rink, and Heritage Minutes, vignettes reenacting “proud” moments ranging from Native Americans teaching early settlers how to make maple syrup to the moment Marshall McLuhan came up with the phrase “the medium is the message.” Too often Canadian film seems aimed at riling up the same hollowed-out brand of patriotism. The cause of this is at least partly due to the fact that its funding is frequently tied up in a government-sponsored […]
[This is the first of two guest blog posts from Michael Curtis Johnson, who will be participating in Independent Film Week with his feature Hunky Dory.] Los Angeles. Sunrise. Goodbye kisses. This will be the longest I’ve been away from my wife and two daughters since they were born. I’m catching a flight to New York for the second phase of IFP’s Narrative Filmmaker Labs and Independent Film Week with my first feature film Hunky Dory, a drama about a glam rock dilettante and his eleven-year-old son. IFP’s Filmmaker Labs are a year-long mentorship program that helps first-time directors and their teams […]