Festivals & Events
Festivals & Events
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Rooftop Films Announces 2015 Opening Weekend and Features Lineup
Rooftop Films, New York’s pre-eminent eventized screening series, has announced the first films from their 2015 Summer Series program. Set to open with a slew of shorts on May 29, including the excellent All Your Favorite Shows! and Actor Seeks Role from 25 New Faces Danny Madden and Michael Tyburski (respectively), the lineup includes festival favorites like The Wolfpack and Krisha, and some more relatively unseen titles like Bloomin’ Mud Shuffle, Spartacus & Cassandra, and Divine Location. Check out the films below and head to Rooftop’s Kickstarter to support the series in exchange for memberships. Friday, May 29, 2015 This is What We Mean by Short Films […]
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Anagram Creators May Abdalla and Amy Rose on Door into the Dark
The best work I saw at this year’s Tribeca Film Festival wasn’t a film at all. It was, instead, a lovely piece of conceptual counterprogramming in Tribeca’s Storyscapes section, Door into the Dark. An immersive theater piece by May Abdalla and Amy Rose of the U.K.-based company Anagram, Door into the Dark wasn’t positioned by curator Ingrid Kopp against the films in the festival. Rather, by including Door into the Dark within a program largely dominated by Oculus Rift VR work, Kopp used Door in the Dark‘s simply generated yet expansive mindscapes as a way of setting a high bar […]
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Screen Slate Founder Jon Dieringer on the Overhaul of NYC’s Repertory Film Listing Service
If you’re an avid repertory filmgoer in New York City, chances are Screen Slate is your lifeline. A daily collation of the five boroughs’ rep, independent, arthouse and gallery screenings dispatched straight to your inbox, Screen Slate has sent over a million emails since its inception in mid-2010. Founder Jon Dieringer is now looking to take things to the next level with a Kickstarter campaign that would allow for several site advancements, including customized alerts; sorting by filmmaker, venue, format and series; calendar functions and much more. Filmmaker spoke with Dieringer about his own curatorial process and plans for the site’s relaunch. Be sure to […]
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In Los Angeles, “Pitch to W.I.N.” — By Way of Virginia Woolf
In her 1929 essay A Room of One’s Own, Virginia Woolf imagines a woman named “Judith.” She writes of an ordinary early 17th century woman, but supposes one unordinary detail. Supposing Judith had been the sister of Shakespeare with the same talent and ambition for writing, Woolf presents the realistic story, and it doesn’t end well for phantom Judith Shakespeare. Artistic ambitions for Elizabethan women were not just impractical; they were impossible. A few centuries and a bit of social progress later, the obstacles for Woolf and her contemporaries improved, but were far from perfect. Another century brings us to […]
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The 2015 Tribeca Film Festival Awards
Below are the winners of this year’s Tribeca Film Festival. Note that the narrative awards were split evenly between Virgin Mountain and Bridgend, with three apiece. WORLD NARRATIVE COMPETITION CATEGORIES: The jurors for the 2015 World Narrative Competition sponsored by AKA, were Paul Attanasio, Sophie Barthes, Whoopi Goldberg, Dylan McDermott, and Burr Steers. ● The Founders Award for Best Narrative Feature – Virgin Mountain, written and directed by Dagur Kári [Iceland, Denmark]. Winner receives $25,000, sponsored by AT&T, and the art award “Ash Eroded Film Reel” by Daniel Arsham. The award was given by Robert De Niro and Jane Rosenthal […]
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Tribeca 2015 Critic’s Notebook: When I Live My Life Over Again, Dirty Weekend, Applesauce and Bad Hurt
It’s awards day at Tribeca and judging by the informal polling taking place at parties with free booze and in line at the Shake Shack next to the Regal Battery Park, the cinerati thinks this was a lukewarm edition. The fest’s first weekend provided more than its fair share of dreary viewing, with no films like last year’s still-unreleased Noah Buschel stunner Glass Chin or Angus MacLachlan’s unfairly overlooked Goodbye to All That to salve my hunger for top-shelf small movies that ought to matter. The festival surely has some strong surprises I haven’t uncovered, but time is running out; around mid-fest, everyone’s […]
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Guess Who’s Watching: Tribeca’s New Online Work
Tribeca’s N.O.W sidebar is noteworthy for two reasons: first, in that it aims to put forth the idea of the independent filmmaker as a brand, rather than the purveyor of a specific project, and secondly, because it suggests that the most successful online content is made for a clearly defined audience, or at least contains eye-catching enough packaging that can propel through the glut. “My Life in Sourdough” and “Eat Your Feelings”, for instance, call on the rather deep bullpen of internet foodies by situating a recipe at the center of each episode. The latter is boy meets girl plus 6 AM homemade pasta, and readymade for the […]
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Tribeca 2015: MA and Uncertain
Everyone, even The New York Times, is up in arms about the quality disparity in documentary to narrative programming at the Tribeca Film Festival, and it’s with reluctance that I add my voice to the heap. It figures then that the festival’s strongest narrative selection thus far was a work-in-progress screened in far flung Long Island City with negligible publicity fanfare. The “progress” modifier appeared to be fulfilled by a truncated end credit sequence, which director Celia Rowlson-Hall accounted for by reading off a list of names in a squat from the stage to prevent her arms from shaking. When the lights went down in the WV dome […]
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“Your Obstacles are Basically Everything”: Writer/Actress/Producer Naomi McDougall Jones Talks Grassroots Female Filmmaking
Once again, the two-decade-old Bermuda International Film Festival, where I’m on the international advisory board, provided some truly unique networking opportunities. While I didn’t find myself star-struck like at last year’s fest – when I had the once in a lifetime chance to serve on a jury with a spry legend, Kubrick’s producer and brother-in-law Jan Harlan – the 2015 edition hosted several impressive names. Rounding out this year’s Academy Award qualifying shorts jury were producer/writer Hilary Saltzman (daughter of Harry Saltzman, best known as the producer of the first nine Bond films), the inimitable Killer Films co-founder Christine Vachon, […]
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Tracking Changes: The 53rd Ann Arbor Film Festival
One of the unexpected pleasures of the 53rd Ann Arbor Film Festival (AAFF) was, at first, a cringe-inducing annoyance. It began with the first screening on Wednesday morning, a presentation of work by AAFF juror Jesse McLean. The lights dimmed in the Michigan Theater Screening Room, the smaller of two auditoriums used by AAFF in the spectacular Michigan Theater. Just as the audience nestled into their seats and darkness took hold of the room, something interrupted the transfixed environment: a wincing screech from the front of the room. The sound continued for several seconds before halting with a loud thud. Then, […]
