Tribeca’s N.O.W sidebar is noteworthy for two reasons: first, in that it aims to put forth the idea of the independent filmmaker as a brand, rather than the purveyor of a specific project, and secondly, because it suggests that the most successful online content is made for a clearly defined audience, or at least contains eye-catching enough packaging that can propel through the glut. “My Life in Sourdough” and “Eat Your Feelings”, for instance, call on the rather deep bullpen of internet foodies by situating a recipe at the center of each episode. The latter is boy meets girl plus 6 AM homemade pasta, and readymade for the […]
Everyone, even The New York Times, is up in arms about the quality disparity in documentary to narrative programming at the Tribeca Film Festival, and it’s with reluctance that I add my voice to the heap. It figures then that the festival’s strongest narrative selection thus far was a work-in-progress screened in far flung Long Island City with negligible publicity fanfare. The “progress” modifier appeared to be fulfilled by a truncated end credit sequence, which director Celia Rowlson-Hall accounted for by reading off a list of names in a squat from the stage to prevent her arms from shaking. When the lights went down in the WV dome […]
Once again, the two-decade-old Bermuda International Film Festival, where I’m on the international advisory board, provided some truly unique networking opportunities. While I didn’t find myself star-struck like at last year’s fest – when I had the once in a lifetime chance to serve on a jury with a spry legend, Kubrick’s producer and brother-in-law Jan Harlan – the 2015 edition hosted several impressive names. Rounding out this year’s Academy Award qualifying shorts jury were producer/writer Hilary Saltzman (daughter of Harry Saltzman, best known as the producer of the first nine Bond films), the inimitable Killer Films co-founder Christine Vachon, […]
One of the unexpected pleasures of the 53rd Ann Arbor Film Festival (AAFF) was, at first, a cringe-inducing annoyance. It began with the first screening on Wednesday morning, a presentation of work by AAFF juror Jesse McLean. The lights dimmed in the Michigan Theater Screening Room, the smaller of two auditoriums used by AAFF in the spectacular Michigan Theater. Just as the audience nestled into their seats and darkness took hold of the room, something interrupted the transfixed environment: a wincing screech from the front of the room. The sound continued for several seconds before halting with a loud thud. Then, […]
With its “bodegas” serving $35 seafood entrees and cobble stone streets lined with Prada, Burberry, and every other Madison Avenue ready boutique a yuppie mom could think up, Aspen may seem like an odd location for the country’s preeminent shorts festival. The grungiest thing about the stunningly well-preserved 19th century Wheeler Opera House — the festival’s screening and conversation locus — are the $4 yellow bullet tall boys tucked behind the bar amid top shelf malts. But despite the slightly stuffy portents, audiences seemed game for whatever co-directors Laura Thielen and George Eldred threw their way: dry comedies, 40-minute docs, atmospheric animations, and gutting dramas […]
The Tribeca Film Festival isn’t going away. The 47 people who care about the lives and deaths of film festivals ask the same question every year: Is this brash upstart turned middle-aged guy relevant? The national news media seems, well, not to care. In the film media, all anyone talked about the day after opening night was the unveiling of the Star Wars trailer and the Cannes lineup. But while Tribeca will never represent the pinnacle of Hollywood commerce or European high art in the way the Star Wars and Cannes brands do, its selections and sensibilities do their best […]
If you’re a fan of Victorian anthropomorphic tableaux then Walter Potter needs no introduction. For those not in the know (and in NYC), head over to this year’s Tribeca Film Festival where Walter Potter: The Man Who Married Kittens screens starting April 18th. This fascinating documentary short is the brainchild of Brooklyn filmmaker (and connoisseur of the strange) Ronni Thomas, who tackles his titular subject – an English taxidermist who died nearly a century ago after founding a museum dedicated to his whimsical and unsettling dioramas – via five modern-day Potter enthusiasts. From taxidermied cats having a tea and croquet […]
Set in the not-too-distant future, Carleton Ranney’s debut feature Jackrabbit observes two young hackers living in City Six, a dystopian urban environment still recovering from The Reset, an event which caused the city to literally go back to square one. Interacting with the outside world via computers and video game systems that go back to user-friendly technology’s infancy (we’re talking pre-Pong), Simon and Max attempt to uncover the secret of a mutual friend’s murder, while fighting to escape City Six and the police/surveillance state they’ve grown accustomed to. An Orwellian fable, Jackrabbit is steeped in political paranoia and a fascination with the impersonal implications of a corporatized America. […]
Story. Storytelling. Experience. Community. Story, story, story! Talk to the heads of the Tribeca Film Festival and its programmers, and you’ll soon pick up on the event’s messaging this year. A festival that, as Robert DeNiro said at yesterday’s press lunch, was originally intended to be a “one-time thing” is now something of a New York institution. But it continues to evolve. At a sit down earlier in the week, Festival Director Geoff Gilmore, Tribeca Enterprises Executive V.P. Paula Weinstein and senior programmer Cara Cusamano spoke of today’s film viewing and festival landscape — how we are in, as Tribeca […]
Below you’ll find the as-of-now lineup for the Cannes Film Festival, which takes this play this year from May 13 to 24. A few notes: there will be more titles added to competition soon (fingers crossed for the new Apichatpong Weerasethakul), and this isn’t the full extent of the festival. Next week will see the announcement of the Directors’ Fortnight and Critics’ Week sections, and there are other less prominent parts of the festival (such as the ACID sidebar) that also have yet to be unveiled. A special shout-out to Roberto Minervini, whose excellent Stop the Pounding Heart debuted at Cannes […]