Laura Poitras’s long-anticipated third film in her trilogy dealing with post-9/11 foreign policies and the security state, CITIZENFOUR, will world premiere in the Main Selection of the 2014 New York Film Festival, the Film Society of Lincoln Center has announced. Poitras had been working on the film following her Oscar-nominated The Oath when she was contacted by a mysterious whistleblower, who later revealed himself to be Edward Snowden. That encounter changed the course of her film, to say nothing of our national dialogue concerning the limits of our freedom in the internet age. From the Film Society of Lincoln Center: […]
After sitting through the majority of the New Narratives presentations on day one of the Filmmaker Conference at IFP Film Week, my brain is almost too awash with content to compile anything but a listicle. From conversations with cinematographers like Reed Morano and producers like Mynette Louie to an Obvious Child case study and Kevin B. Lee’s mini-keynote, here is a handful of the major takeaways I gleaned from yesterday’s Conference. 1. For co-productions, don’t assume hiring local crew is the cheapest option. Arriving to the Icelandic set of Land Ho!, producers Mynette Louie and Sara Murphy realized they were sharing ground with a slightly larger production: Christopher Nolan’s Interstellar. […]
The 41st annual Telluride Film Festival kicked off with a packed screening of Francis Ford Coppola’s Apocalypse Now featuring Coppola, screenwriter John Milius (still recovering from his debilitating stroke but in great spirits), cinematographer Vittorio Storaro, producer Fred Roos, and editor and sound designer Walter Murch in attendance for a post-film Q&A. It was the kind of event that represents what Telluride does best as a kind of summer camp for movie lovers: presenting a great film impeccably projected before an appreciative crowd in a casual, conversational atmosphere. There’s something about the environment of Telluride — both the gorgeous Colorado […]
Affiliation bias aside, it’s a bit tricky to offer a succinct preview of IFP’s Filmmaker Conference during the upcoming Film Week, as all five days of programming are chock-full of essentials. The annual event runs at Lincoln Center from September 14 – 18, with panels, keynotes, pitches, case studies and roundtables from every corner of the industry. Find more than a few highlights below, and be sure to view the full schedule of offerings here. September 14: New Narratives As a filmmaker, it’s almost impossible not to take a festival rejection letter personally, but programmers weigh more than just preference, they also […]
Not five months after the mammoth festival wraps, SXSW opens up their PanelPicker site, an online forum which aggregates all industry and filmmaker programming pitches for their next conference. Last year, I went through the offerings and highlighted 15 that piqued my interest; this year, the stakes are higher, and I’m down to 12 from the 183 listed. You have till September 5 to vote on your favorites. How “High Maintenance” Is Redefining Storytelling I fondly recall the day former Managing Editor Nick Dawson sent me a link to an episode of High Maintenance some 18 months back. Since then, Ben Sinclair and […]
On August 13 the disruptive Australian company Blackmagic Design took over the Grand Ballroom at the historic New Yorker Hotel at 8th & 34th to showcase their growing stable of switchers, signal converters, encoders, routers, and test equipment along with their latest unorthodox production products: cameras, monitors, disk recorders, and grading/NLE software. Plus a new scanner for film transfer. Call it a make-up day for Northeast media makers who missed out on Blackmagic’s crowded NAB booth this year. Since few companies boast the range of products Blackmagic now produces, no less their erosive pricing, it made good marketing sense to also […]
You may have read over the weekend about the Chinese government shutting down the Beijing Independent Film Festival. This isn’t the first time something like this has happened: the Associated Press’ Didi Tang has a solid overview of this year’s events and past context here. As writer/critic/curator Shelley Kraicer pointed out on Twitter, the shutdown also included a raid on the Li Xianting Film Fund, the festival host which “has (had?) likely the most comprehensive collection of independent Chinese films.” A statement co-signed by the heads of the Rotterdam International Film Festival and heads of other major fests including the […]
The New York Film Festival took some haranguing after announcing the inclusion of only one documentary in their Main Slate a week ago. Rectifying matters is their Spotlight on Documentary lineup, which features new works from Albert Maysles, Les Blank, Frederick Wiseman, Martin Scorsese and assorted filmmaking giants. I will, of course, also be looking forward to the New York premiere of Joshua Oppenheimer’s The Act of Killing follow-up, The Look of Silence, which is said to be an exemplary companion piece, and Arthur Jafa’s Dreams Are Colder Than Death, which is perhaps more topical than ever. Check out the full list of films […]
[Paul Dallas’ first report can be read here.] Time wasted and time well spent — a ratio every festivalgoer has to work out when gambling on what to see and miss. At Locarno this year, one had to decide whether or not to devote five hours and forty minutes to a single competition film, the equivalent of four Italian classics from the wonderful Titanus retrospective. It wasn’t easy when the former was Lav Diaz’s From What Is Before, an early frontrunner and eventual winner of the Golden Leopard, and the latter all screened on 35mm — an increasingly powerful incentive […]
It’s not every day a director comes on stage in Buddhist monk’s garb and slippers, but such was Patrick Lung Kong’s refreshingly idiosyncratic appearance Saturday night at Queens’ Museum of the Moving Image, two days into a two weekend retro of his work. To his right was Tsui Hark, who himself reshaped the Hong Kong film industry multiple times: with 1986’s Peking Opera Blues, a breakthrough moment for international recognition of HK martial arts fare, 1992’s Once Upon a Time in China, and as producer on John Woo’s 1986 A Better Tomorrow, among many other instances. 1967’s The Story of […]