The New York Film Festival’s most exciting offerings are often those deemed “undistributable” and unlikely to make a return visit soon, with Tsai Ming-liang’s Stray Dogs this year’s standard-bearer. By 2009’s Face, Tsai seemed in an increasingly droll mood, embracing slow-burn physical comedy for its own sake; Stray Dogs — his first feature since — strips out nearly all levity under digital’s harsh glare. An early daylight shot of an isolated rural area is representatively demanding/rewarding, initially nearly swallowed by a dense cluster of skinny trees, whose semi-open circle hedges in a cave-like darkness lit by floating motes slowly identifiable […]
Now in its seventh year, the Trinidad + Tobago Film Festival is both a celebration of Caribbean cinema and of the young country itself, which only gained independence from its British rulers, after a long series of turnovers through the hands of Spain, France, The Netherlands and Courland a little over 50 years ago. (Though I’ve covered many film festivals both in the U.S. and abroad over the past few years, this was the first time I was required to stand for the singing of a national anthem on opening night.) And while many international festivals struggle for a taste […]
“Love & Anarchy” may have been the motto of the 26th Helsinki International Film Festival, which took over the Finnish capital the last ten days of September, but hospitality and order ruled the three-day Finnish Film Affair. The industry event, which takes place during the fest and is now in its second year, was created in 2012 to highlight Finnish films and connect international professionals (mostly sales agents, distributors, and programmers) with the Nordic country’s surprisingly robust film scene. To that end, works in progress were presented alongside prestigious festival hits. And an abundance of networking opportunities at nightly parties […]
The Film, TV & Digital Session at the recent Hacking Arts event focused on film distribution, with panelists Richard Matson from Gathr Films, Adam Mosam from Pivotshare and Albert Reinhardt from Fandor. The panel was moderated by Elle Schneider of Digital Bolex. All three firms are involved with distribution. Pivotshare offers tools to help the filmmaker sell their videos online. Fandor is an online subscription platform that pays its filmmakers a share of its subscription fees. Gathr Films provides an on-demand theatrical experience; a screening of a film can be requested at a local theater, and if enough people buy […]
Christened Megunticook (“great swells of the sea”) by the long eradicated Penobscot Abenaki native American tribe that first lived in the region before it took turns being in the hands of the French and British during colonial times, the town of Camden, Maine is these days primarily a summering community for the northeast’s wealthy; its tiny population of just over 4,000 triples in size between Memorial and Labor Days. No wonder — the natural beauty of the place is quite stunning. It’s rolling hills and mountains, those great swells of the sea the PA’s were referring to, are covered in […]
IFP today announced that its third honoree at this year’s Gotham Independent Film Awards will be Oscar-winning actor Forest Whitaker. (The previously announced tributes were of Mayor’s Office Media & Entertainment Commissioner Katherine Oliver and writer/director Richard Linklater.) The tribute caps a highly successful year for Whitaker, who won great acclaim for his lead performance in Lee Daniels’ The Butler and produced Ryan Coogler’s Sundance-winning Fruitvale Station. He also appears in the forthcoming 2013 releases Black Nativity and Out of the Furnace. Announcing the tribute, IFP’s Executive Director Joana Vicente commented, “We are thrilled to pay honor to a man whose work […]
The mumblecore mumblecorp is growing up, a reality certain to impact American independent film for years to come. And we, their generation, are aging with them. Some of us are their peers, some their audience, some their collaborators. Others, like me, have a more indirect tether. If “fan” is not the correct word then we are those who, because of our interest in and pursuit of film over the last decade, have come of age in their shadow. The mumblecorp — that tenacious group of filmmakers who, by blurring narrative and autobiography, cinema and home video, pioneered ultra-low-budget filmmaking — […]
In anticipation of tonight “25 New Faces” screening at the IFC Center in Manhattan, I thought I’d share a handful of images from the first festivities of the season for the 2013 alums, the superb week of “25 New Faces” events at The Grand Cinema in Tacoma, Washington. 2o of this year’s 25 were in Tacoma this year, in an event that I refer to as “summer camp for filmmakers.” Here’s a flavor of who was there and what went on…
Tonight Filmmaker is holding its special “25 New Faces” screening (sponsored by Sony Creative Software and ARRI) at IFC Center in Manhattan, and there are two tickets up for grabs for tonight’s event. The following short films will play, followed by a Q&A with the filmmakers plus previous alums, including Blue Caprice‘s Alexandre Moors: RPG OKC (Emily Carmichael, 2013, 9 mins) Old Man (Leah Shore, 2013, 5 mins) High Maintenance: “Dinah” (Katja Blichfeld & Ben Sinclair, 2013, 12 mins) Social Butterfly (Lauren Wolkstein, 2013, 15 mins) Between Colors of I (Iva Radivojevic, 2013, 9 mins) Palimpsest (Michael Tyburski, 2013, 17 mins) To win, […]
Eclecticism governs the second half of the 51st NYFF just as it did the first. According to the Times, several common threads run through the week two batch, but these are little more than on-deadline segues. We could perhaps agree that all the films run at 24 frames per second. Below are recommendations I hope will sate the discerning ticket buyer. These are accomplished movies by directors who are not very well known in this country. Other films will sell out based on name recognition no matter the critical response, so, whether good, bad, or in-between, they will not be […]