A typically storied showcase, the New York Film Festival embraced the future of film in its 50th edition with the creation of Convergence, a sidebar dedicated to transmedia and interactive storytelling. Last week, the program announced its sophomore slate, which will examine the intersections of technology, content, and audience collaboration across its three categories: Experiences, Panels and Keystone Presentations. Experiences selections The Cosmonaut and Charlie Victor Romeo immerse the viewer alongside Russian cosmonauts in the 1960’s space race and mid-tailspin airline pilots, respectively. “25 New Face” Elaine McMillion will also present her documentary Hollow, which utilizes web-based HTML5 storytelling to […]
The Toronto International Film Festival is overwhelming. Following the more rarefied Telluride and Venice Film Festivals, it’s a large, populist event that mixes red-carpet premieres with new filmmaker discovery and highlights from Cannes and other earlier events. As I usually do, I’ve concentrated on premieres and American independents for this preview, largely omitting films you’ve heard about because they’ve already been praised at other festivals (like, for example, Telluride hits 12 Years a Slave and Prisoners). Here, selected from the feature films, is what I’m hoping to catch at the festival this year. Beneath the Harvest Sky. The documentary team […]
The great American documentary filmmaker Frederick Wiseman (Titicut Follies, La Danse) arrived at this year’s Venice Film Festival along with his latest work, At Berkeley. A monumental, 244-minute exploration of the famous California university, it emerges as a rigorous, deeply insightful institutional study, and a hymn to the power of open communication, particularly in the context of modern-day America. Following the film’s world premiere on September 2nd, Wiseman, looking spry at 83, took to the stage to address the audience. Filmmaker Magazine was on hand to capture the highlights. On motivation “I made the movie because I have been making […]
The author of this guest essay is a filmmaker whose most recent film is Between Us. He is also the co-founder of the Slamdance Film Festival. — Editor Okay, you didn’t get into Toronto and you’re crushed. Guess what? You also didn’t get into Telluride, Venice or the New York Film Festivals either. But I’ve got news for you: You probably didn’t stand a chance with any of those festivals anyway. It’s not you, it’s them. Don’t get me wrong: They’re all perfectly good festivals run by nice – frequently Canadian – people. The problem is the so-called big Four […]
In the year of our Lord, 2013, the chances are that if you stand in any one place for long enough, some or other cultural product bearing traces of the involvement of prolific polymath James Franco will drift into your orbit. This general rule of thumb goes treble for festivals, and this year’s Venice has been no exception. Unfortunately (or fortunately, if my festival flatmates’ vituperative reactions were anything to go by) I missed the Franco-directed, necrophilia-laced Cormac McCarthy adaptation Child of God, and I also spotted his name in the written credits, presumably as a talking head, for the […]
In a saturated festival landscape, SXSW has long distinguished itself through a grounding sense of community and accessibility. The ever-expanding conference put this notion to the test with the implementation of the SXSW PanelPicker, which calls upon the public to curate its panel programming. Originally launched for the Interactive Festival in 2007, before successfully spilling over to the Film and Music arms in 2011, the PanelPicker invites interested parties to upload presentation, conversation, and panel proposals for broad consideration. Weighing the public vote at 30%, alongside 30% for the festival staff and 40% for its advisory board, SXSW will invite […]
While international film festivals, especially those of the calibre and history of Venice (this year celebrating its 70th edition), are most commonly seen as a golden opportunity to catch new cinema from contemporary filmmakers, many offer meaty and mightily tempting repertory programmes loaded with restorations. This year’s Cannes festival, for example, featured restored prints of Vertigo, Hiroshima Mon Amour and Borom Sarret (the first film by a black African: Ousmane Sembene), among sundry others. Venice, as ever, has its own Classics strand, with 29 restorations (and documentaries on cinema), including works by Chantal Akerman, Nagisa Oshima and Satyajit Ray. However, the […]
Independent Film Week is less than a month away, and today IFP announced some highlights of the event Filmmaker Conference, which will take place at Lincoln Center between September 15 and 19. The keynote speakers this year include Leviathan director Lucien Castaing-Taylor and musician and filmmaker DJ Spooky while there will be case studies of Ryan Coogler’s Sundance-winning Fruitvale Station, Penny Lane’s archival doc Our Nixon, Dave Grohl’s Sound City and Elaine McMillion’s web doc Hollow. From the press release, here’s the info that was unveiled today: Each day of the conference guides filmmakers in the art, technology and business of […]
Think you’ve already thought of the next best film idea? Pitch it! Filmmaker magazine is happy to be co-presenting the Pitch Panels at this year’s IFP Independent Film Week and Filmmaker Conference. Five days of panels and presentations meant to educate and energize emerging filmmakers, the Filmmaker Conference is your place for inspiration, action and community, September 15-19, at Lincoln Center in New York City. Impressing your friends and family at the dinner table with your pitch is one thing, but with these exciting sessions, filmmakers of all stripes have the chance to dazzle a panel of industry experts who […]
As the summer draws to a close, another year of Rooftop Films grants is upon us. The New York-based nonprofit, though perhaps best known for its alfresco screenings across the four major boroughs, also functions as a dedicated support system to independent filmmakers in various stages of the production process. Beyond the traditional cash grants, Rooftop offers assistance in the form of equipment, workshops and post-production services. Those who have previously screened at the festival are exclusively eligible for grants through the Rooftop Filmmakers’ Fund, ensuring a continued, symbiotic partnership between exhibitor and artist. As such, this year’s recipients feature […]