Festivals & Events
Festivals & Events
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SXSW Announces 2013 Lineup
A few weeks ago, the opening night movie at SXSW, The Incredible Burt Wonderstone — plus a handful more choice titles, such as Spring Breakers and the Evil Dead remake — were announced, but today the full line-up was unveiled. As ever, there’s a ton of titles here by directors we know little or nothing about — SXSW is a true discovery festival — but there’s also a fair amount here that grabs the attention straight away. In the narrative competition section, there are new films from Todd Sklar, Chris Eska (August Evening) and former “25 New Faces” alum Destin Daniel […]
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Spurlock Sisters at Biennale College Cinema: Part Two
They say that creative works are never really finished, we just let them go at some point. I guess that’s what deadlines are for. The new versions of step outline, budget and schedule for A Case of the Dismals were due a week after we arrived at San Servolo, at 2:00PM. So of course I finished at 1:55. I had also “finished” a couple of hours earlier when I thought the deadline was noon. With a sigh of relief, Mai and I clicked send and off our little package went to the Biennale. We then had about 15 minutes to […]
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Critic’s Notebook: In Rotterdam, a Strong Crop of American Indies
With its famously catholic tastes and sprawling slate, the International Film Festival Rotterdam is a place to get lost. A week into its 10-day run, a fairly subdued 42nd edition of the International Film Festival Rotterdam has unfurled a smattering of buzz-worthy world premieres and its usual mix of budding talents from unusually farflung spots on the globe, high-art provocations, exhaustive considerations of an emerging national cinema or two and obscure auteur retrospectives. However, I’ve found that it’s always the surprises here that grab you, little films you’d otherwise never see except in this context, that make the trip worthwhile. I […]
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Film Forum’s ‘New Yawk New Wave’ Isn’t Over
New Yawk New Wave has been running at Film Forum since January 11 but still has a couple of precious days of life left. In a way, it’s one of the more ambitious curatorial projects to emerge from the theater’s august archivists. The series isn’t bound to a single era (it encompasses the period from 1953 to 1973), genre (everything from madcap comedy to downcast drama makes an appearance), or even style (there’s New Wave, cinema vérité, post-noir, and whatever you want to call Robert Downey Sr.’s still-photos-plus-voiceovers oddity, Chafed Elbows). Besides New York origins, the main thing this wildly […]
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Spurlock Sisters at Biennale College Cinema: Part One
So I was thinking Don’t Look Now, but my sis had Scooby Doo on her mind as we drifted through the eerie fog on Venice’s Grand Canal. We were headed towards San Zaccaria, where we would catch a boat for the last leg of our journey to San Servolo island. Mai and I met up in Frankfurt — she from L.A. and I from Brooklyn — to fly together into Venice for the Biennale College Cinema, where we would develop and pitch our feature film A Case of the Dismals. The fog thickened as we boarded the waterbus to the […]
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Immersive Storytelling for The Lost Children Pt. 4
Film as Software The final installment of this series is about the actual screening of The Lost Children feature film at Film Society of Lincoln Center. In working out this screening, I am working with a concept called “Film as Software.” What exactly does this mean? To me it means film taking on some of the qualities of software. One of those qualities is the ability to react to user input in real time. That’s my take. But I asked Mike and Hal of Murmur to join in on the discussion. Murmur is the hybrid studio/technology company handling the interactive […]
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Fruitvale and Blood Brother Take Top Sundance Awards
Tonight at a ceremony in Park City, the Sundance Film Festival handed out the awards for this year’s edition. The night’s top awards went to Fruitvale — directed by one of the “25 New Faces” of 2012, Ryan Coogler — in the U.S. Dramatic Competition, and the documentary Blood Brother, directed by Steve Hoover (previous a guest blogger for the Filmmaker site), with both movies taking both the Grand Jury Award and the Audience Award in their respective categories. Fruitvale, based on the true story of the killing of Oscar Grant, was picked up by The Weinstein Company earlier in the week, following a frenzy […]
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Sundance Recommendations: Andrew Sensenig
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Andrew Sensenig, the actor who plays The Sampler in Shane Carruth’s Upstream Color, offers his recommendations.
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Sundance Recommendations: Frances Bodomo
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Frances Bodomo, writer/director of the short Boneshaker, offers her recommendation.
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Sundance Recommendations: Hannah Fidell
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here Hannah Fidell, writer/director of A Teacher, talks about the films she is looking forward to seeing.
