One of the more anticipated films of a very strong Wavelengths section, Ben Rivers and Ben Russell’s A Spell to Ward Off the Darkness unspooled Saturday night to a packed house at the Art Gallery of Ontario’s Jackman Hall. A true collaborative effort by two major filmmakers, the feature follows a black guitar player, Robert A.A. Lowe, from a northern Finland commune through a solitary journey across a lake into an isolated wilderness to the climactic scene on a stage in Estonia, where he performs with a black metal band. The film is less of a character study than it is the […]
This year marks the 25th anniversary of NewFest (September 6-11), kissin’ cousin of LA’s OutFest. Before the acronym LGBT became a more inclusive umbrella for groups stigmatized on account of sexual and gender preference, an earlier incarnation of a queer film event, The New York Gay Film Festival (1979-1987), was the only game in town. Founded by Peter Lowy, it took place at the Thalia cinema, then a film-buff paradise on the Upper West Side, and filled a huge gap for many of us. Distributors were fearful of gay-themed films. Of the selection, recurring topics included coming out and of […]
The Future of Storytelling has announced the date of its second annual summit — October 3, in New York City. In the interview below, the National Film Board of Canada’s Tom Perlmutter expounds on his belief that new forms of storytelling will change the world. For more, read the press release below and visit the Future of Storytelling website. The Future of StoryTelling (FoST) will host its second annual summit in New York City on Thursday, October 3rd. FoST gathers a community of storytellers across all disciplines—including film, TV, publishing, music, gaming, journalism, adverting, and more—to explore how technology is […]
TIFF isn’t the only festival opening in Toronto this week. For the last six years, the high-profile screenings along King Street West have been accompanied by a cadre of short silent videos screening on monitors in the city’s underground subway stations. The Toronto Urban Film Festival (TUFF, a nice titular contrast with TIFF) draws submissions from all over the world and — due to its restricted format as much as in spite of it — elicits some of the most innovative filmmaking on show in the city. It’s also seen by thousands more viewers than its above-ground counterpart. This year’s […]
A typically storied showcase, the New York Film Festival embraced the future of film in its 50th edition with the creation of Convergence, a sidebar dedicated to transmedia and interactive storytelling. Last week, the program announced its sophomore slate, which will examine the intersections of technology, content, and audience collaboration across its three categories: Experiences, Panels and Keystone Presentations. Experiences selections The Cosmonaut and Charlie Victor Romeo immerse the viewer alongside Russian cosmonauts in the 1960’s space race and mid-tailspin airline pilots, respectively. “25 New Face” Elaine McMillion will also present her documentary Hollow, which utilizes web-based HTML5 storytelling to […]
The Toronto International Film Festival is overwhelming. Following the more rarefied Telluride and Venice Film Festivals, it’s a large, populist event that mixes red-carpet premieres with new filmmaker discovery and highlights from Cannes and other earlier events. As I usually do, I’ve concentrated on premieres and American independents for this preview, largely omitting films you’ve heard about because they’ve already been praised at other festivals (like, for example, Telluride hits 12 Years a Slave and Prisoners). Here, selected from the feature films, is what I’m hoping to catch at the festival this year. Beneath the Harvest Sky. The documentary team […]
The great American documentary filmmaker Frederick Wiseman (Titicut Follies, La Danse) arrived at this year’s Venice Film Festival along with his latest work, At Berkeley. A monumental, 244-minute exploration of the famous California university, it emerges as a rigorous, deeply insightful institutional study, and a hymn to the power of open communication, particularly in the context of modern-day America. Following the film’s world premiere on September 2nd, Wiseman, looking spry at 83, took to the stage to address the audience. Filmmaker Magazine was on hand to capture the highlights. On motivation “I made the movie because I have been making […]
The author of this guest essay is a filmmaker whose most recent film is Between Us. He is also the co-founder of the Slamdance Film Festival. — Editor Okay, you didn’t get into Toronto and you’re crushed. Guess what? You also didn’t get into Telluride, Venice or the New York Film Festivals either. But I’ve got news for you: You probably didn’t stand a chance with any of those festivals anyway. It’s not you, it’s them. Don’t get me wrong: They’re all perfectly good festivals run by nice – frequently Canadian – people. The problem is the so-called big Four […]
In the year of our Lord, 2013, the chances are that if you stand in any one place for long enough, some or other cultural product bearing traces of the involvement of prolific polymath James Franco will drift into your orbit. This general rule of thumb goes treble for festivals, and this year’s Venice has been no exception. Unfortunately (or fortunately, if my festival flatmates’ vituperative reactions were anything to go by) I missed the Franco-directed, necrophilia-laced Cormac McCarthy adaptation Child of God, and I also spotted his name in the written credits, presumably as a talking head, for the […]
In a saturated festival landscape, SXSW has long distinguished itself through a grounding sense of community and accessibility. The ever-expanding conference put this notion to the test with the implementation of the SXSW PanelPicker, which calls upon the public to curate its panel programming. Originally launched for the Interactive Festival in 2007, before successfully spilling over to the Film and Music arms in 2011, the PanelPicker invites interested parties to upload presentation, conversation, and panel proposals for broad consideration. Weighing the public vote at 30%, alongside 30% for the festival staff and 40% for its advisory board, SXSW will invite […]