At special events in Europe and L.A., Sony announced the pricing for their new 4K cameras, the PMW-F5 and the PMW-F55. They also showed the first sample videos shot with the cameras. The suggested U.S. LIST pricing for the new products, planned to be available in February, are: PMW-F5 CineAlta 4K Camera $19,400 PMW-F55 CineAlta 4K Camera $34,900 The AXR-R5 RAW Recorder, which is required to record 4K with the PMW-F5, or to capture RAW 4K with the PMW-F55 will list at $6,300 Sony has also come out with new PL mount lenses for the cameras that will be available […]
When 3D TVs were the rage, I was convinced it was just a cynical push by the electronics manufacturers to sell TVs and nothing else. To me, 3D was a fad that would be used for a few things, but was unlikely to become mainstream. I’d seen the future before; I saw Jaws 3D when it was first released. So when the manufacturers started talking up 4K cameras, with promises of 4K TV sets, I was convinced that this too was a push to sell new TV sets that wouldn’t amount to much. Sure filmmakers with a big budget will […]
After years of shooting in extreme conditions, National Geographic photographer James Balog finally realized he could no longer ignore the slow disappearance of frozen landscapes he’d come to know and love. In Chasing Ice, director and cinematographer Jeff Orlowski documents Balog’s ambitious plan to install 25 separate time-lapse cameras across the globe in order to record receding glaciers and shifting ice, dire omens of a changing climate with no audience to bear witness. All the while Orlowski follows directly behind, shooting in dog sleds and ice crevasses, capturing the troubles that beset the most impassioned plans and what one man is […]
Jamie Stuart has been Filmmaker‘s videographer for years, but became known to a broader audience in late 2010 when he captured snowbound New York in his short film Idiot with a Tripod. In the wake of Hurricane Sandy, Stuart was out again filming the impact of extreme weather on the city, and has now released the short film Eternal Storm, to which he adds the following notes: I don’t know if it’s right to create art out of this experience, yet. I don’t know what the time limit is. But I have created something that I hope people can appreciate. And art always […]
In this third part of the series about the production of the low-budget indie movie Game Changers, filmmakers Rob Imbs (director) and Benjamin Eckstein (cinematographer) discuss shooting with the Sony PMW-F3, shooting in S-Log, lighting issues, and the lenses used to shoot the movie. Filmmaker: Ben, you already owned the Sony PMW-F3, was the decision simply to use the camera you had? Eckstein: I’ve been fortunate that I own almost all the gear that I use on a day-to-day basis. From the beginning when talking to Rob, it was not really a discussion of “Are you trying to get the […]
Filmmaker and former 25 New Face Phillip Van took his camera out during the New York blackout and came away with a beautiful series of long-exposure shots capturing the city’s architecture and workers without their customary nocturnal illumination. Here’s what he had to say via email: I shot the photos on a regular old Canon 5D. One night I had a tripod. Another I went handheld so I could travel more. The city was pitch black and ominous. Buildings felt like mausoleums. But if you stayed out long enough, your eyes adjusted to candles and shadows behind curtains and you […]
This week saw Sony announce two new cameras, the PMW-F5 and PMW-F55, as well as some details about 4K recording for the NEX-FS700. Unfortunately, they didn’t announce many pricing details, other than the $2,000 price for the interface unit for the NEX-FS700. The cameras are expected in January, and pricing information will probably come sometime in December, but we have been left to depend on whispers from those who say they have been told numbers, even though Sony continues to say that they haven’t told anyone the prices. That said, it appears that the PMW-F5 will be under $20,000 and […]
October 30 has come and gone, and with it Sony’s splashy announcement of two 4K additions to their CineAlta “F” series of Super35 cameras — F3, F35, F65 — namely, the F5 and F55. At a moment when Sony’s FS700 uses a Super35 4K sensor to capture low-cost AVCHD, it should have startled no one that Sony’s October surprise would be all about expanding their 4K line-up. But lost in the social media buildup to the F5/F55 announcement has been the recent introduction of another large-sensor Sony HD camcorder, the NEX-EA50H, a design that tackles, at last, the issue of […]
John has graciously given me a chance to tell people why I do 3D, why I ACTUALLY do 3D, to write something beyond the technical babble that typically highlights any in-depth discussion of 3D or the snark that informs any “3D, ugh” diatribe or the relative silence from my peers in the indie community. I’ll do my best to talk about 3D in a way that I haven’t heard often… less a technical piece (or 3D ugh-fest), more an honest ramble on independent artistic creation. An ode, if you will. It’s a shame to start like this, but to get […]
Game Changers is an indie film currently being shot in Buffalo, New York. In this second part of the interview with filmmakers Rob Imbs (director) and Benjamin Eckstein (cinematographer), they discuss funding a low-budget movie, how the budget effects the production, as well as casting and location scouting. Filmmaker: So you had a script, but then you had to fund the movie. How did you go about doing that? Imbs: Funding was always an Indiegogo thing. Just as I fell in love with Twitter, I also fell in love with the idea of Indiegogo. I really believe in supporting artists, […]