Factory 25 will distribute Alexandre Rockwell’s Little Feet on a double bill with 25 New Face Frances Bodomo’s Boneshaker. The films will open at the IFC Center on December 12 and will be available for streaming on Fandor and Vimeo the same day. Little Feet was previously part of a Vimeo on Demand TIFF deal in which Vimeo gave the filmmakers $10,000 in exchange for 30-day exclusive distribution rights. Rockwell won the Sundance Grand Jury Prize in 1992 with In The Soup, and Little Feet harkens back to the film’s 16mm black and white camerawork. Said Factory 25’s Matt Grady of the paired acquisition, “Both films are very […]
There’s a lot of talk in the independent film community about building new audiences through internet technologies but far fewer actual attempts at doing so. One person who has thought deeply about today’s challenges and developed a tool in response is filmmaker Artel Great, whose Project Catalyst attempts to combat “the Hollywood-ification of our thinking” by connecting multicultural audiences to the music and films most relevant to their lives and communities. It is, he writes, “the first application software to distinctively showcase narrative short films, documentaries, and music videos all made by talented indie artists from Black, Latino/a, and Asian […]
The notion of VOD as a stigmatized, modern update on the straight to video release has gradually and dramatically disbanded in the past handful of years. Day-and-date pioneers like Magnolia and IFC capitalized on the platform’s ability to cater to a wider, cross-country audience, demonstrating its economic viability, if occasionally at the cost of art houses. Though their sister label Radius-TWC has proven exceedingly adroit at the multi-platform rollout, The Weinstein Company has tended towards more multiplex fare, which makes their recent, free pre-theatrical release of One Chance on Yahoo! Screen even more bizarre than it sounds on paper. Originally intended for a 10 day “pre-release,” TWC […]
Jamie Wilkinson, CEO of the direct-to-fan online video platform VHX, had some words to filmmakers on Peter Katz’s Hollywood 2.0 podcast. Specifically: amp up your social media game. In the conversation, which also discusses some of the platform’s early successes, the role of filters and gatekeepers, and VHX’s partnerships with distributors, he preaches the virtues of building an audience online. “How do we get people promoting each other’s works?” he asks. “You may have made the most amazing film in the world, but you have zero followers on Twitter. How are you going to get the word out? In the […]
Scott previously wrote about and interviewed Bond/360’s CEO Marc Schiller on his decision to bundle and sell their movies via a pay-what-you-wish “Radiohead-esque” model. What began with the “Creativity Bundle,” the packaging of four titles that all dealt with making and creation, now looks to be a recurring initiative, with the company’s introduction of Cinepacks. Through October 23, you can purchase the Sports Docs pack, which allows you to own Medora, Desert Runners, Stephanie in the Water and Doubletime for no less than $1. While this may be a financial gamble, Schiller is certainly capitalizing on the notion of fan engagement, with each collection catering to a specific interest […]
As CEO of the Los Angeles-based creative studio and postproduction house Cinelicious, Paul Korver had the unsettling feeling that too many deals were passing him by. The preferred film scanning and restoration vendor for Criterion and Alamo Drafthouse, Cinelicious was also making a name for itself as a digital intermediate supervisor. Touring the festival circuit with the likes of Boyhood and Prince Avalanche, Korver found himself in conversation with various rights holders who were looking to restore films but without the funds to do so. What if, he thought, Cinelicious had a distribution arm to monetize that restoration investment? Thus […]
At the Sundance Artist Services Day at the IFP Filmmaker Conference, I witnessed — and wrote about — the confusion and sometimes anger that erupted during the panel discussion on BitTorrent Bundles. BitTorrent Bundles use the peer-to-peer file sharing protocol of BitTorrent to package, give away and/or sell digital goods. Some vocal members of the audience challenged the panelists to justify why filmmakers should lie down with a site many associate with piracy. Replied BitTorrent’s Director of Brand Marketing, Straith Schreder, “It is a separate website and has nothing to do with the pirate ecosystem. As for monetization, one way […]
Back in July, Fandor announced the implementation of two new initiatives, FIX and the Fandor|Festival Alliance. The former aggregates the work of over a hundred participating filmmakers, fostering audience interaction, while the latter assists festivals with technological services and highlights their programming. When I spoke to Fandor CEO Ted Hope last week, in what I deemed a belated inquiry, he appropriately countered that there is no such thing in the digital era. “Nothing is grounded as this is how it is, it’s constantly being iterated. What we launched with is not where our goal is,” he said of FIX. In our […]
With Netflix in the midst of filming Orange Is the New Black‘s third season and putting $3 million into new content this year, the paradigm seems to have permanently shifted from the service being seen primarily as a content distributor to an established content creator. In other words, its continual production of scripted programming is no longer novel, which is why its push into the exclusive acquisition of nonfiction material is no less remarkable. Following the success of films like Jehane Noujaim’s The Square (a 2013 Oscar contender), Greg Whiteley’s Mitt, and the Holocaust-themed short The Lady in Number 6: Music Saved My Life earlier […]
Lyle is the “sharp and moody” story of Leah (Gaby Hoffmann), whose grief over the death of her toddler turns to paranoia when she begins to suspect her eccentric neighbors are involved in a satanic pact. It is an updated, lesbian take on Rosemary’s Baby and is available for FREE at LYLEmovie.com. Two years ago, Stewart decided to stop making films. She had just spent the last six years of her life obsessively trying to make her first feature — a mother-daughter real-estate thriller — and it all fell apart in a month. We were excited about the script that […]