Filmmaking
Filmmaking
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The Wrong Box: Zach Clark’s Little Sister, MoMA’s Sally Bergerless Doc Fortnight
“I needed structure!” says former goth Colleen Lunsford (Addison Timlin, star-to-be) in a revelatory moment in Little Sister, the latest feature by Brooklyn-based Zach Clark (White Reindeer, Vacation). It is one of two unaffected masterpieces (the other is Ira Sachs’s Little Men, which I’ll review when the increasingly daring Magnolia Pictures releases it) screening at BAMcinemafest (Jun 15-26) that I was fortunate enough to catch early — two for two! Colleen is exasperated trying to explain to her estranged, self-absorbed mom, Joani (Ally Sheedy, better than ever), why she left home to seek out spiritual redemption in a cloistered New […]
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Five Days in Dumbo: Week One of the IFP Lab 2016
After living with a story in your head for 20 years and finally getting it onto a page and into a lens, any validation you can get of having made the right decision is welcome. Having produced a handful of micro budget features, and co-directing one of them, I’ve definitely needed some wind in the sails after months of living with films that are in the can, and Cold November is no exception. Getting to the finish line with the available resources, which admittedly are not many on this budget level, is a delicate dance, teeming with unknowns and varied […]
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Pressing Pause: Elaine Sheldon and Sarah Ginsburg Take a She Does Podcast Break
One of the best podcasts to launch last year was She Does, a series of audio portraits of women creators across film, music, new media, journalism and more. It was created by two filmmakers, Elaine McMillion Sheldon and Sarah Ginsburg, who previously collaborated on Sheldon’s award-winning interactive documentary Hollow. Using data visualization and web storytelling techniques to examine the economic and social history of one rural West Virginia town, Hollow landed Sheldon on Filmmaker‘s 25 New Faces list and announced her as a documentarian committed to exploring all the new forms non-fiction storytelling can take in a digital world. Hence, […]
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How The Northwest Film Forum is Re-Defining the Role of the Regional Film Center
At a time when both traditional theatrical film exhibition and nonprofit operations are confronting new obstacles, Seattle’s Northwest Film Forum is re-defining the role of the regional independent film center. The recent promotion of 27-year-old Courtney Sheehan, from Artistic Director to Executive Director marks a new direction for the 20-year-old film center. Since Sheehan joined the organization as program director in 2013, The Northwest Film Forum has increased box office and ramped up audience engagement, donated hundreds of hours of venue rental space and staff time to community groups, and created new partnerships. Recent program partnerships include KEXP, Civilization, Fandor, Brick Lane Records, the University of Washington, the […]
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Watch: The Art of Slow Motion in Film
In the latest episode in “The Discarded Image” video essay series (above), filmmaker and video essayist Julian Palmer tackles the art of slow-motion. “The world moves at a rapid pace. Our lives slip through our fingers. We have no control of time – except, of course, if you’re a filmmaker,” intones Palmer, who adds that “filmmakers intuitively manipulate the speed of the image.” The video highlights various examples of how slow-motion is used to heighten emotion in tense or violent situations, focus in on details viewers might otherwise miss, and also how it can help “to get inside the head […]
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Watch: Coen Brothers Documentary on VICE Guide to Film
George Clooney, Jeff Bridges, John Turturro, and composer Carter Burwell are among the talking heads who analyze the filmmaking brothers’ oeuvre in VICE Guide to Film‘s recent episode on the Coen Brothers (above). The segment, which amounts to an extended video essay, breaks down scenes from some of their most memorable films and delves into their collaboration process. Discussing the directing duo, Turturro says, “It’s like a two-headed monster.” Previous episodes of the show have focused on the work of Kelly Reichardt, Gus Van Sant, John Carpenter, Todd Haynes, and other directors.
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Watch: Bill Plympton’s Hitler’s Folly for Free
Academy Award-nominated animator Bill Plympton has released his latest feature film, Hitler’s Folly, for free on the Internet. Running 67 minutes, the controversial mockumentary, which mixes live-action with bits of animation, re-imagines Adolf Hitler as a successful animator and artist. “This is a very very provocative and kind of wacky look at the movie industry and also Hitler’s career if he became a cartoonist,” explains Plympton in the introduction to the film (which you can watch above). Plympton wrote, directed, designed and animated the film, which stars Nate Steinwachs (Goddess of Time) and Dana Ashbrook (Twin Peaks). Reviewers have not been kind to the film, with […]
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R.I.P. Muhammad Ali, 1942 – 2016
Indeed, the Greatest. Remembering Muhammad Ali with this trailer from also one of the greatest sports documentaries of all times, Leon Gast’s When We Were Kings. From Edward Guthmann’s review in the San Francisco Chronicle: At the height of his stardom, Muhammad Ali was possibly the most famous man on earth. Cocky, dynamic, a tremendous athlete and a wizard at homespun, extemporaneous verbal gymnastics, Ali had the world on a string…. On a deeper level — and this is where When We Were Kings exceeds its expectations and becomes a great film — Gast examines African American pride. He records […]
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Five Questions with Namour Director Heidi Saman
Two years ago, Filmmaker featured Heidi Saman on our annual list of “25 New Faces of Independent Film.” The filmmaker and associate producer at NPR Radio’s Fresh Air had just concluded a successful Kickstarter campaign for her debut feature Namour and was beginning to prep for production. What a difference two years makes. Namour will have its world premiere in the LA Muse section of this year’s Los Angeles Film Festival, where it debuts on June 5. The story of Steven, a young Arab-American valet at a slick L.A. restaurant, caught between his dead-end job and the demands of his immigrant family, Namour references such disparate films as The Graduate and Taxi […]
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Five Questions with The Witness Director James Solomon
More than 50 years ago, the murder of Kitty Genovese stunned the nation when 38 witnesses in nearby apartments witnessed her brutal stabbing and did nothing. The incident came to represent urban apathy and spawned the “bystander effect” theory. But The Witness, a gripping new documentary about Genovese’s murder, challenges our long-held beliefs about the case. The directorial debut of screenwriter James Solomon, The Witness had its world premiere at the 2015 New York Film Festival and will open theatrically at New York’s IFC Center on June 3, with a national rollout to follow. The multi-layered documentary investigates what actually happened on that fateful […]
