There’s so much buzz about Virtual Reality technology, but to really catch on with a broad audience VR needs compelling original content to drive the new medium. “It’s kind of a chicken and egg thing,” filmmaker Gary Hustwit (Helvetica) told Filmmaker. “You’ve got to have enough players out there and headsets out there for people to be able to watch VR and for people to understand what it is. At the same time, you’ve got to have content that gets them to try it and also hooks them.” With the launch of Scenic, a new Virtual Reality content studio focusing on […]
Director Steve McQueen hasn’t made another feature since winning an Academy Award for Best Picture for Twelve Years a Slave in 2014. He had been plugging away on the new HBO series Codes of Conduct, which the pay cable network described as Six Degrees of Separation meets Shame. But despite a cast including Paul Dano, Helena Bonham Carter and Rebecca Hall, HBO scrapped the project after initially giving it a six-episode order. But McQueen has kept busy with short film projects including All Day, a 9-minute video installation featuring Kanye West. Of course, he’s no stranger to the short film format, having made some 20 short films since he was an […]
The penultimate episode of Louis CK’s independent television series Horace and Pete, self-released via the comedian’s website over the past ten weeks, ends with a quote from the late Garry Shandling: “The world is too noisy and distracted to probably ultimately survive. Everyone needs to shut the fuck up. The answers are in the silence. Monks set themselves on fire to protest and to make this point. Just consider it.” Watching the episode upon its release, this quote gave me chills. And not just because it was a haunting encapsulation of CK’s narrative ambitions with Horace and Pete — a […]
Late last week, we published a video essay from Kevin B. Lee, chief video essayist at Fandor, about the spaces in Chantal Akerman’s final documentary, No Home Movie. Lee estimated that about 70% of the film took place within the walls of the filmmaker’s dying mother Natalia’s apartment. To re-orient himself in Natalia’s apartment, Lee reorganized the footage by room. Initially, he edited the video to music, using Schubert’s Impromptu D. 899 Op. 90 No. 3, not coincidentally the same music used in Michael Haneke’s Amour, which also follows an elderly woman’s demise. But after receiving some complaints, including from the distributors of the film, Lee reassessed […]
Now in its third year, Oregon Doc Camp, presented by Women in Film Portland, invites experienced documentary filmmakers to gather in an intimate, informal setting and work on career development. The event will run from May 12-15, 2016 at Silver Falls Lodge and Conference center in Sublimity, Oregon. This year’s programming will be centered around the themes of narrative storytelling and independent distribution, with a three-day program consisting of workshops, lectures, case studies, screenings and a master class, as well as the opportunity to screen works-in-progress. Director Jennifer Grausman, who most recently directed and produced the feature documentary Art & Craft and previously directed and produced […]
With Josh Maczinski’s tribute to Jeff Cronenweth popping up around the interwebs, here’s a good time to post, alongside it, Jamie Stuart’s 2014 interview with the cinematographer. Maczinski’s supercut surveys favorite scenes from films like Gone Girl, The Social Network, Hitchcock and One-Hour Photo. Stuart’s interview gets deep into it regarding digital technology, lens choices and a lot more. Here is Cronenweth on Fincher’s use of digital tools: But it’s part of David’s tenacity in making sure that every image supports the story and nothing ever unsettles an audience member unintentionally. In other words, you see everything you’re supposed to […]
Movie theaters in airports have become a bona fide trend, with the Portland International Airport the latest airport to jump onboard. Passengers at many airports throughout Asia can already watch movies before their flights. But until recently, U.S. airports were slow to try the idea. In 2014, the Minneapolis-Saint Paul International Airport in Minnesota introduced a movie theater that shows art films with programming courtesy of The Film Society of Mpls–St. Paul. And last year, travelers at Miami International Airport were treated to silent film comedy classics as part of a Pop-Up Cinema program. Most recently, the non-profit Hollywood Theatre in Portland announced it would open a new airport […]
Bad news first: Happy Hour is pretty much a must-see. Given the option of watching 5+ hours on a weekend afternoon, I suspect most of us would rather not, but there are things it’s worth blowing your day up for. Ryûsuke Hamaguchi’s 317-minute drama is a mysterious movie that begins as one kind of straightforward film before mutating into something much stranger — discussing it thoroughly without spoiling it is tough. I’ll try. Happy Hour initially presents itself as something like a shomin-geki, a term Wikipedia snippily notes is a “pseudo-Japanese word invented by Western film scholars”; Donald Richie defined it as “the drama about common people […]
The following statement by Tribeca Film Festival co-founder Robert De Niro was provided to Filmmaker by the festival in response to the controversy that has arisen around the screening of Andrew Wakefield’s documentary, Vaxxed, discussed here in Penny Lane’s open letter. From Robert De Niro: Grace and I have a child with autism and we believe it is critical that all of the issues surrounding the causes of autism be openly discussed and examined. In the 15 years since the Tribeca Film Festival was founded, I have never asked for a film to be screened or gotten involved in the […]
Nuri Bilge Ceylan’s 2014 effort Winter Sleep won what is arguably cinema’s most coveted prize, Cannes’ Palme d’Or. Since then, he has been remarkably quiet. So it was with some anticipation that the 57-year-old Turkish director delivered a master class at Qumra, an industry event taking place in Doha at which filmmakers funded by the Doha Film Institute present their projects to the great and good of the film industry. During the master class, Ceylan revealed that he had discarded a script that he had spent a year slaving over after his Cannes victory. That was just one of many tidbits that Ceylan […]