Filmmaking
Filmmaking
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Vimeo Announces New Slate of Original Series
This morning, Vimeo announced a new slate of “Vimeo Originals,” serialized and short form content available for purchase exclusively on the streaming platform. Now that their first Original, High Maintenance, has moved to HBO, Vimeo is going beyond the web series, and into comedy specials and short films. Bianca del Rio’s Rolodex of Hate Comedy Special will premiere in December, while The Outs and Aidy Bryant’s Darby Forever will follow early next year. As much as Vimeo is pushing the envelope in its embrace of different formats and particular demographics, the selections corroborate comedy as internet king. Via Vimeo, below is a rundown of each of the three Vimeo Originals on the […]
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Chantal Akerman, 1950-2015
The great director and artist Chantal Akerman has died in Paris. Filmmaker will have more on Akerman in the days ahead, but here are several of her short(er) films, with the hope that you will all take to Hulu/Criterion, Fandor or even a video store to seek out her feature length masterpieces, a description that doensn’t begin to cover the work of one of the 21st century’s most significant artists. Her final feature, No Home Movie plays tomorrow and Thursday at the New York Film Festival. Lastly, a word from J. Hoberman on his quest to cover Jeanne Dielman for The Village Voice — it didn’t arrive […]
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IFP Announces Fall and Winter Slate for the Theatrical Screen Forward Series
IFP has announced the complete lineup for the Fall and Winter season of their Screen Forward series. The four films, Field Niggas, Funny Bunny, Cronies and Henry Gamble’s Birthday Party, will each receive a weeklong theatrical run at the Made in New York Media Center by IFP in Dumbo. Read up on the films below. October 16 – October 22 FIELD NIGGAS, directed by Khalik Allah A wise-cracking, probing urban flaneur, Khalik Allah paints an impressionistic portrait of the loiterers and denizens in and around 125th Street and Lexington Avenue in Field Niggas. Beneath the bright lights of a corner convenience store, Allah […]
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NYFF ’15: In The Shadow of Women and No Home Movie
Slotting a festival schedule is one of those tasks that falls subject to a number of outside variables, namely, filmmaker and celebrity availability. One would figure that less thought goes into structuring a press and industry schedule, where 10 AM screenings are decidedly void of glamour, and yet the occasional revelatory double feature presents itself, in which two disparate filmmakers appear in dialogue. Case in point: back-to-back screenings of Philippe Garrel’s In the Shadow of Women and Chantal Akerman’s No Home Movie proved a joint exercise in obstruction, fostering a shifting interplay between objects and protagonists, despite their very different surroundings. Garrel […]
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NYFF Critics’ Notebook: The Sky Trembles and The Earth is Afraid and the Two Eyes are Not Brothers
The Sky Trembles and The Earth Is Afraid and the Two Eyes are Not Brothers (you can memorize the title after reciting it enough times — don’t fret) opens with a small fleet of ’80s Mercedes-Benz coupes, trailed by dune buggies, speeding across a desert. A chase scene entered in media res? The armed-escort arrival of dubious capitalists on the trail of some as-yet-underexploited resource? (Is there any more potent symbol of ostensibly removed colonialism’s lingering presence than the unkillable, diesel-fueled Mercedes that still stalk the globe?) As the sun sets and the caravan moves closer, the camera inches from a far-off, locked-down wide lens perspective to closer […]
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NYFF Critics’ Notebook: De Palma
Noah Baumbach and Jake Paltrow’s De Palma is a fans-only interview session with the director. Straightforward, even staid in its construction, it consists almost entirely of two shots of a seated De Palma — one in medium close-up, the other presumably punched-in in post — and appositely illustrative clips and stills. The film currently only has two credits: the opening all-caps title “DE PALMA” scrolling left to right in lurid red, and a closing copyright credit (hard-working editors will, presumably, be thanked at a later date). Interlocutors Baumbach and Paltrow are never heard; according to this useful interview, they never even considered […]
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Free Animated Icons, After Effects Presets and More for Your Video Project from PremiumBeat (Sponsored Post)
PremiumBeat, a royalty free music library, offers a variety of affordably licensable cues that can be used in your video project. In addition, the company is offering a number of other useful tools for free that can be of use for your video editing projects. Here are five of the most recent packages from their site: 20 free hand-made animated icons that can be dropped into your package. The icons are all pre-rendered footage, meaning they’ll work in any video editing or motion graphic software. The icons were all created in After Effects and you’ll see the project file included […]
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NYFF ’15: Laura Poitras, AJ Schnack and Charlotte Cook Talk Field of Vision
Ahead of the official launch of Field of Vision at 1 pm today, co-creators Laura Poitras, AJ Schnack and Charlotte Cook gave an NYFF free talk last night on the brand new documentary unit of The Intercept. The trio spoke at length about their aims within the realm of episodic and short form nonfiction, and how the filmmaker-driven platform will function at the nexus of journalism and documentary. Below are a few highlights. Poitras was inspired to create Field of Vision after working with both The New York Times and Julian Assange. While working on the feature films that constitute her post-9/11 trilogy, Poitras […]
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“I Went to Art School, Not Film School”: Jennifer Reeder at IFP Film Week
[Editor’s note: this is Jennifer Reeder’s second guest post from IFP Independent Film Week. Her first can be found here.] Coming to you live from the end of Independent Film Week. My script As With Knives and Skin was part of the Emerging Storytellers section of the Project Forum. I not only survived, I thrived! I pitched my a$$ off and had a really successful week – if success is measured in great connections, meaningful conversations, advice received, notes taken and a general mutual love of Indie filmmaking. I went into this week with a script that recently won a Creative […]
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NYFF Critics’ Notebook: Carol and The Assassin
At no point in Todd Haynes’ Carol is the word “lesbian” heard — nor “homosexual,” the now-arcane “homophile” or any other period-appropriate descriptor of the LGBTQ spectrum. This is the love that literally dare not speak its name, a conspicuous absence viewers will automatically fill in (especially after seeing dozens of headlines and articles bluntly/reductively identifing the film as a “lesbian drama”). Depending on your POV, this resistance to labeling is either an accurate depiction of period repression, or oddly up-to-the-minute given increased aversion to categorical sexual labels and regular terminological resets. As in Safe, Far From Heaven and Mildred Pierce, […]
