On the heels of last week’s feature program announcement, SXSW has just released their selections for Midnighters and Shorts. In addition to several Sundance holdovers — including Jury Prize winners World of Tomorrow and Oh Lucy! — the several shorts programs feature new work from Leah Shore (HALLWAY), ornana (All Your Favorite Shows!), James M. Johnston (Melville), and DANIELS (Interesting Ball), as well as the latter’s very viral music video Turn Down For What. Find the full list of added features and shorts below. FEATURES MIDNIGHTERS Scary, funny, sexy, controversial – provocative after-dark features for night owls and the terminally curious. The Corpse of Anna Fritz (Spain) Director: […]
Any publication on the culture beat has been inundated by emails and pitches tied to anti-50 Shades of Grey campaigns. It’s predictable enough that the easily-alarmed conservatives at, say, Breitbart.com would be on that beat, but once you start delving into the tangled coalition against the Walmart-friendly BDSM adaptation, things get more interesting. There are certainly opponents who merely worry about a surge of libertinism overtaking the land, but they’ve done an uncharacteristically good job of making some unlikely alliances, and they’re just the tip of the fragmented iceberg. Let’s start simple, with organizations whose names aren’t entirely straightforward about the interests they represent. The National […]
David Lowery doesn’t necessarily dole out directing tips in his production diary for the upcoming Disney remake of Pete’s Dragon, but they do seep through in the details. Currently on day 11 of 70 of the New Zealand-based production, many of Lowery’s entries touch upon the fluidity of the filmmaking process. Most recently, he recounts nailing a precisely planned sequence, only to forfeit his original design for another: Today we were back in the woods at Battle Hill, shooting a sequence that I’d planned out very carefully last summer and had no interest in altering. It was two shots, with a very precise cut point, and […]
I fall into that category of independent filmmaker who, as the need exists, writes, produces, directs, shoots, records sound, edits, even grades their own footage. (What we used to call color correction.) Then again, often times I’m “just” the DP. 2014 was my busiest year ever, and at some point I found myself taking on each of these basic roles. As a result, the scope of my “kit” is necessarily broad, encompassing both production and post. (Kit is a Britishism for one’s working collection of gear, a name I intend to lend to a series of brief tech reviews in […]
Bryant Crenshaw, the local Nashville icon who co-starred in Harmony Korine’s Gummo, died Thursday night after being struck by a car. He was crossing Murfreesboro Road in Nashville around 7:00 PM when he was struck by a pick-up truck, local news reported. He was 42. The dwarf actor was best known for his appearance in two of Gummo‘s most indelible scenes — the last two shot for the film on its storied, 19-hour final day of production. In the first, Crenshaw, clad in an “Israel” t-short, arm wrestles and beats skater Mark Gonzalez. In the second, he hugs it out […]
The timing of this is a little too close for comfort. I am of course referring to the late November/early December Sony hacks that exposed staff members’ social security numbers, as well as Amy Pascal and Scott Rudin’s unsavory email exchanges — damning, casually racist back-and-forths, that appeared to be ghostwritten by second graders. I’m not excusing Pascal’s actions, but it is rather disappointing to see several major outlets reporting that Pascal is “stepping down” from co-chairmain to take over a producing post at Sony, working on upcoming ventures such as the female Ghostbusters reboot and the Amazing Spider Man franchise. Whether or not […]
Red Giant has released a new short from Seth Worley called Old/New. Over the past few years Worley has produced a number of imaginative short films on a limited budget that tell a great story and also – somehow – manage to demonstrate the use of Red Giant’s software. Cue the announcement of new software from Red Giant. Red Giant has also released Magic Bullet Suite 12, their collection of color correction and finishing tools. This release brings new features to the applications that make up the suite, as well as a new product: Magic Bullet Film. One of the focuses of this […]
Documentary films often rely extensively on archival film, and dealing with different archive sources and the variety of formats involved can become a significant headache. For The Prime Ministers: Soldiers and Peacemakers, co-producer and editor Nimrod Erez had to deal with hundreds of sources and dozens of video formats. As editor and co-producer, Erez ran the post-production department, overseeing the additional editors brought in to work on the picture and seeing the movie through grading and final picture. The film will be released this year and is the second and final part to follow The Prime Ministers: The Pioneers, which was released in 2013. The […]
Google Cardboard was a hot piece of Sundance sort-of-swag at Sundance this year. (“Can you get me Google Cardboard,” several friends emailed me during the fest.) I happened to check out one of the pieces designed for Cardboard, Chris Milk’s Evolution of Verse, a beautifully disorienting lakeside mountain-scape with an enveloping, 2001-ish finale. But, if you’re like Slamdance co-founder Dan Mirvish, and “the whole virtual reality thing gives you an aneurysm,” you can hack Google Cardboard into a rather arty-in-a-low-fi way 35mm lens. Check it out above.
SXSW announced today the 145 features being show in its upcoming SXSW Film Conference, March 13-21 in Austin, TX. From a record number of 2,385 feature submissions will be shown new work by directors Hannah Fidell, Benjamin Dickinson, Patrick Wang, Ron Nyswaner, Alex Sichel, Ondi Timoner and Alex Garland, among many others. The festival’s Episodics strand continues, with five new web series being shown in this second year. Of the large number of submissions, Festival Director Janet Pierson said, ““When faced with a record 2,400 feature submissions, we had every intention to cut back on the total number in our […]