Over the years, Filmmaker has run several “Sundance Survival Guide” pieces. (One from 2012 we continue to recommend is Alicia Van Couvering’s “Mistakes Were Made.” ) Here, fresh for 2015, is new one from Mynette Louie, President of Gamechanger Films and producer of Land Ho! (Sundance 2014), California Solo (Sundance 2012), and Children of Invention (Sundance 2009). Check back tomorrow for a grab-bag of advice — including several tips we’ve never run before in any form — from several recent Sundance veterans. 1. Empower your crew to promote the film, and show them your thanks. Sundance is not just about […]
Nearly a year after its SXSW premiere, ornana’s Confusion Through Sand will have its PBS premiere tonight, ahead of Dan Krauss’ The Kill Team. The animated short will be available for free on Vimeo tomorrow, but for the time being, you can watch a behind the scenes video of the collective’s creative process. Filmmaker spoke to director Danny Madden and producers Jim Cummings and Ben Wiessner about the trajectory of their latest film, from a joint Kickstarter campaign, through division of labor, and securing distribution. Filmmaker: You packaged your Kickstarter campaign as a sort of two for one deal, raising post funds for euphonia and production funds for Confusion Through Sand. […]
Independent producer Ted Hope, who recently left his position as CEO of Fandor, has been announced as the new Head of Production for Amazon Original Movies. As announced by Amazon today, the division, part of Amazon Studios, will produce and acquire up to 12 films a year for theatrical release and then early window play on Prime Instant Video four to eight weeks later. With producing credits such as The Ice Storm, 21 Grams, Super and Hope, of course, is well known to Filmmaker readers and, encouragingly, he has been tapped to bring “unique stories, voices, and characters from top […]
On a chilly night earlier this week at Toronto’s TIFF Bell Lightbox, Ted Hope addressed a capacity audience of filmmakers to wax about the future of film. For 90 minutes, the former CEO of Fandor and producer of indie classics 21 Grams, Happiness and In The Bedroom held a Socratic, existential discussion that (unsurprisingly) dismissed Hollywood’s traditional blockbuster-based mentality. “We’re stuck in a rut of legacy practices,” he declared. Hope urged new distribution and marketing models, yet failed to offer a framework in its place. Instead, Hope and SampoMedia’s Michael Gubbins engaged in an abstract dialogue that inspired many filmmakers in […]
You’re ruining my birthday! You’re ruining my twenties! Let’s break up! Fine! The storm before the calm hits well into this film about a young Brooklyn woman in and (presumably) out of love. No spoiler this: In the first five minutes we learn that lovers Shirin (writer/director Desiree Akhavan), seen hastily packing, and Maxine (Rebecca Henderson) are going their separate ways. Desiree is going in the literal sense, to a less inviting apartment with two odd roommates attached in Bushwick; Maxine will remain in the love nest in tonier Park Slope that was already hers before they hooked […]
Last year, I posited that Boyhood‘s use of 35mm seemed to be a kind of special effect as much as anything: committing to film ensured an internally continuous look over 12 years of production whose uniqueness would survive despite a digital intermediate and no prints being struck for American release. This type of use of 35mm, separate from its ongoing viability as an exhibition format, was one common reason cited for its use in 39 2014 US releases originating in whole or substantial part from it. That’s a list that’s probably not complete: collating the release calendar against the technical specifications primarily quickly […]
If you noticed that Steven Soderbergh watched Stanley Kubrick’s 2001 three times in 2014, here’s the reason why: he was working on his own recut. Just as he did with Raiders of the Lost Ark, Soderbergh has worked over Kubrick’s masterpiece and he’s posted his version over at his Extension 765 website. He sets the bar high for his adaptation: i’ve been watching 2001: A SPACE ODYSSEY regularly for four decades, but it wasn’t until a few years ago i started thinking about touching it, and then over the holidays i decided to make my move. why now? I don’t […]
Desiree Akhavan, a Filmmaker 25 New Face whose debut feature, Appropriate Behavior opens Friday, is the guest on the latest episode of Death, Sex and Money. I will be honest — as someone who interviews a lot of directors for a living, I often won’t listen to film directors interviewed elsewhere. But I make an exception when Anna Sale is the interviewer. She is expert at gently drawing out honest revelations from her interviewees about areas that most other interviewers (including me) won’t venture into. Here’s an exchange in which Akhavan talks with Sale about the pressure she feels as […]
BitTorrent has been flirting with creators for a little while now, releasing Thom Yorke’s Tomorrow’s Modern Boxes to the tune of $20 million in sales, as well as a free supplement to The Act of Killing, which was downloaded by 3.5 million in a month alone. Leave it to iconoclastic comedian David Cross then to push the envelope and digitally release his debut Hits for a pay what you wish pricetag. The film will also be available on iTunes, likely for the $14.99+ standard, but Cross is putting his stock in the erasure of the middleman, encouraging audiences to “decide how much tickets cost and…pay […]
Episode One of She Does podcast features the talented Katja Blichfeld. Katja, along with her husband Ben Sinclair, writes, directs and produces High Maintenance, which recently became Vimeo’s first original series. We talked with Katja about her Danish roots, growing up in Southern California, aimlessly wandering through community college, finding a mentor, working with Tina Fey on 30 Rock as a casting director balancing work and life with her husband, and the pressure of being a first-time director. Below we have provided five takeaways from Katja. Trust your childhood instincts “I have a very distinct memory of 6th grade, producing […]