When he was 16 growing up in Montreal, Jeff Skoll saw Gandhi and it changed his world. “Here was a way of talking about an exemplary figure who touched the world and spread a message to millions of people.” Skoll would go on to build eBay, amass a fortune currently estimated at $4.5 billion, then use his wealth to launch Participant Media, a film company whose mission is to change the world through movies. Skoll was the keynote speaker at TIFF’s industry series recently. He was in Toronto, where he studied business as a young man, to open the festival […]
Kyle Patrick Alvarez has carved out an unusual niche for himself within American independent cinema; as he himself comments, “Everyone keeps on joking I have This American Life authors named David cornered now.” Alvarez made his feature debut in 2009 with Easier with Practice, a poignant, heartfelt drama about a young man who begins a phone relationship, initially sexual and then later also romantic, with a woman (or is it?) who randomly calls a motel room he’s staying in. Based on an autobiographical essay, “What Are You Wearing?”, written for GQ by This American Life contributor Davy Rothbart, the film debuted at CineVegas, had a small theatrical […]
I’ve been really eager to hear more about IFP’s newest venture, the Made in NY Media Center by IFP, which is a collaboration with the Mayor’s Office of Media and Entertainment, the NYC Economic Development Corporation and General Assembly (an organization offering immersive classes in web development, media and business management). I was all ears for Thursday’s Filmmaker Conference profile panel where representatives from each of those organizations spoke a little more about the Media Center and what it will offer for NYC-area filmmakers. Opening in two weeks in a beautiful 20,000 square foot ground-floor DUMBO location (22 John Street), the Media Center aims […]
You may not know Edson Williams’ name, but odds are you’ve seen his work. Since the mid-’90s he’s built his career not behind the camera but behind a monitor, creating special effects for well over 100 of the most visually arresting films of the last twenty years, from high-concept films like Titanic, Avatar, Hugo, Prometheus, Harry Potter and the Deathly Hallows Part 2, Iron Man, Skyfall, and J. J. Abrams’ Star Trek reboot to just as many films where the visual effects are much more subtle, including Cruel Intentions, The Princess Diaries 2, The Devil Wears Prada, J. Edgar, and […]
Filmmaker and distributor Ava DuVernay of AFFRM has launched a new podcast series, “The Call-In,” featuring conversations with black filmmakers. If you’ve read her conversation with Ryan Coogler in this issue’s Filmmaker, you know that DuVernay conducts an excellent interview. Here, in this first episode, she talks with Andrew Dosumnu, whose Mother of George is in theaters now and is highly recommended. The conversation also delves into the director’s recent hiring on Focus Features’ planned Fela Kuti biopic.
This morning, Norwegian filmmaker Gunleik Groven wrote me with a link to Sweet…, which he described as “Probably the world’s first short shot on [RED] Dragon.” In it, he creates four distinct worlds, each with a different look, and the results are very striking. For those of you who are tech-inclined and want to dig into the processes behind the short, check out this thread on the RED User message board in which Groven breaks down how he achieved each look.
It’s every independent filmmaker’s dream to have their film have its world premiere at the Sundance Film Festival, but realistically the chances are very slim. The festival gets over 12,000 submissions annually, and only around 200 of those are chosen. However, when the deadline to apply for the 2013 Sundance Film Festival came around this time last year, writer/director Kyle Patrick Alvarez faced a much steeper challenge than most. His sophomore feature, C.O.G., based on an autobiographical essay by David Sedaris about a formative summer spent in Oregon after graduating college, hadn’t even started production. Delayed from its original August […]
The IFP Independent Filmmaker Conference’s “Blitz Wisdom” panels are quick, TED-like talks from filmmakers and folks in the industry discussing their projects and/or offering tips and pointers. During Monday’s “Blitz Wisdom” session with Peter Broderick, President of Paradigm Consulting (helping filmmakers develop distribution and social media strategies), we learned some great tips on how maintaining a relationship with your audience after they’ve left the theater can help you develop a sustainable model of revenue. Here are Broderick’s seven key ways your audience can be utilized to help your independent project: 1. Direct Funding – Once you’ve identified your audience and have their […]
One of the great things about Independent Film Week is getting to meet so many other filmmakers who are sharing in the same experience working in independent film. On any given day of the conference you could be sitting next to a producer, director or distributor who might end up helping you on your next project (or maybe you’ll end up helping them!) You also end up hearing about a lot of great projects and films, which is exactly what happened one session this week when I found myself sitting next to Milo Daemgen, independent producer of various short & […]
One of the more lively discussions I’ve seen so far at the Independent Filmmaker Conference, “When Documentaries Disturb the Power Structure,” included a panel of heavy-hitters from the documentary world including both filmmakers (Eugene Jarecki, the director of The House I Live In; Rachel Grady, the director of Detropia; and Tia Lessin and Carl Deal the directors of Citizen Koch) and representatives from public broadcast (Mette Hoffmann Meyer, the head of documentary and co-productions at DR TV/Danish Broadcasting Television and Claire Aguilar, Executive Content Advisor for ITVS/Independent Television Service), all moderated by Deidre Haj, Executive Director of the Full Frame Documentary Film […]