Filmmaking
Filmmaking
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Kevin Pearce and Lucy Walker Talk The Crash Reel
I’ve been to many documentary screenings, and even to some attended by the films’ subjects. But seeing The Crash Reel with its subject, Kevin Pearce, present was one of the most riveting movie screening experiences I’ve ever had. If you haven’t read about or seen the movie, The Crash Reel follows champion snowboarder Kevin Pearce through a debilitating accident, his recovery and then his slow coming to grips with the fact that he can’t go back to competitive snowboarding. On the face of it, this may sound unappealing, but The Crash Reel is no 60 Minutes bedside weepy. Instead, it […]
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Should Independent Films License Products like Hollywood?
While pitching Like Me at the Dogfish Accelerator Demo Day last month, Go Infect Films’ Jessalyn Abbott remarked that a complimentary clothing line would compound its release. I was — immediately and regrettably — skeptical. Of the substantial batch of independent films I seek out each year, not one in recent memory has touted more than a poster and the occasional t-shirt. I filed Go Infect’s marketing strategy away as “unusual” and “ambitious.” A couple days later, when the internet was astir with slack-jawed admiration for Her, I read that Spike Jonze’s longtime “collaborator,” Humberto Leon of Opening Ceremony, had created his […]
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Cinematographer Gordon Willis Explains the Elegance of Simplicity
The simpler the better, or so says Gordon Willis, celebrated cinematographer of The Godfather, Manhattan and Annie Hall. Willis echoes Steve Jobs in his belief that simple outshines complex and stresses sticking only with the necessary in making choices. As he sees it, one natural window light can do much more than six artificial ones, and the bare bones of an idea often do the heavy lifting in communicating the story to an audience. The full Craft Truck interview with Willis can be viewed here.
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The New York Times’ Year in Transmedia
As a tactile person with a Gen Y attention span, my preferred way of ingesting long form news is with a paper in hand. Make no mistake, I am prone to half-hearted cheating attempts: packed in a subway car, I’ll scroll through The New York Times app with one eye trained on the passing station, comprehending every other topic sentence. With the 24-hour news cycle and a tech-friendly public that is increasingly immune to putting up its feet and paging through a periodical front to back, The Times has found a way to fully utilize the electronic format, giving it […]
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What Richard Stanley Learned from the The Good, the Bad and the Ugly
Along with Sidney Lumet’s Making Movies and Andrei Tarkovsky’s Sculpting in Time, a book — an essay comprised of diary excerpts, actually — I recommend to all aspiring directors is Richard Stanley’s “I Wake Up Screaming.” It originally appeared in the 1994 third edition of the film anthology Projections, and it’s now published (with permission, the site claims) at the director’s unofficial website, Between Death and the Devil. “I Wake Up Screaming” documents Stanley’s attempt to make an ambitious Namibia-shot art horror-thriller called Dust Devil years after an earlier production fell apart. The movie Stanley went on to make instead, […]
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The Year in Gear: Goodbye 2013, Here Comes 2014K
It is perhaps indicative of how low-key this year was that when I first scribbled out a list of things that were “big” in 2013 I discovered that half of them were on last year’s list! In many respects 2013 proved to be a year of tentative advances and waiting, rather than one of incredible new tools to play with. Which is not to say that some interesting products weren’t announced and delivered. Sony shipped the F5 & F55, as well as the 4K upgrade for the NEX-FS700, and at the other end of the spectrum Blackmagic shipped its $1,000 […]
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Will Film Production Tax Incentive Section 181 Die?
Tonight at midnight film investors and producers will be faced with a familiar uncertainty. Section 181, the portion of the American Jobs Creation Act of 2004 incentivizing U.S.-based film production, is set to expire, and independent filmmakers will lose a powerful tool in their fundraising arsenal. Section 181 encourages film investment by allowing investors to write off the complete cost of a qualified film in the first year. (Normally, this write-off is amortized, occurring in future years as a film demonstrates that it is money-losing. If and when profits then occur, they are treated as ordinary income by investors.) Scheduled […]
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Thoughts on Roger Ebert, 35mm and Peter Wintonick
Instant remembrances flower online when strangers die. Twitter turns into an instantaneous altar, as if the site where a hero fell. And some writers are very good at devising a rapid remembrance of a long friendship or acquaintance into a succinct, maybe even final summation. After years of aggregating news headlines at Movie City News, linking to keenly observed obituaries daily, my impulse runs the other direction when I knew the deceased. I’m not ready that soon to thread the nuance of all that time into a tidy dispatch; I want to grip the fragments of soon-fading memory. I didn’t […]
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I Went to the Movies in 2013. Thoughts Followed.
In 2013 I began watching over 500 movies and finished about half that number. (Film Critic Tip #1: don’t finish movies you plan not to write about that aren’t any good unless they are sublimely bad). Perhaps I’ve grown surly in my fourth decade or perhaps I always was. I just feel like I don’t have the time anymore. Sometimes I went weeks without watching a film, an unimaginable possibility in my recent past. Was this all driven by a sense that my life (and perhaps yours) will be shorter than we think, that the safeguards we’re building against the […]
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The Ten Best TV Shows of 2013
2013 has been a tough year to sum up for television. If it could be characterized by one trend, it would likely be the sheer glut of content being produced. With more cable channels investing in their own programming, as well as the long-promised rise of online networks such as Netflix and Amazon, it often feels like you can’t go a week without hearing about a new buzzed about, “best series on television.” Add to that the increased presence of international series on American screens (thanks to the likes of Hulu, DirecTV, BBC America, and the Sundance Channel, among others), […]
