Filmmaking - Transmedia


It’s Really About You and Your Friends: Alex Henning on Creating Social Virtual Reality and Coco VR

With the release of Coco last year Pixar created yet another film that won over critics and audiences with rich visuals and a compelling story; it’s earned over $200 million so far and just took home the Best Animated Feature Oscar. Pixar wanted to…  Read more

By Mar 5, 2018

Building a Monster in Two Months: On Frankenstein AI: a monster made by many‘s Race to Sundance

Frankenstein AI

The lobby is packed. Within minutes of opening, a line has formed for Frankenstein AI: a monster made by many, and we’re completely booked for the day. Festival-goers curious about emergent forms of storytelling weave their way through the New…  Read more

By Jan 29, 2018

Sex Crimes and Virtual Reality: Best VR Storytelling of 2017, Gina Kim’s Bloodless


Nabbing Best VR Story at Venice, Bloodless is veteran filmmaker Gina Kim’s (perhaps best known for 2007’s Vera Farmiga-starring Never Forever) 12-minute immersive stunner. The US-South Korea coproduction was also selected as part of this year’s IDFA DocLab Digital Storytelling…  Read more

By Dec 22, 2017

Interactive Video in a Gallery Experience: Lisa Truitt on National Geographic Encounter: Ocean Odyssey

The 3D Bait Ball room at National Geographic Encounter: Ocean Odyssey

For years the space at 226 West 44th Street in Manhattan was known as Discovery Times Square; it served as a tourist-oriented gallery space that housed temporary exhibits that alternated between artifacts like the Dead Sea Scrolls or Chinese terracotta…  Read more

By Dec 18, 2017

© 2018 Filmmaker Magazine
All Rights Reserved
A Publication of IPF