Earlier this month — and just in time for Halloween — the production company Dark Corner, known for its genre films and virtual reality projects, launched a new app that aims to become the go-to platform for horror, science-fiction and other genre VR. The app itself, named after the studio, is available for iOS and Android devices as well as Oculus Rift, Google Daydream and Samsung GearVR. It’s free to download, and offers individual titles as both free content and in-app purchases, generally for around a dollar each. The initially available projects include two past works from Dark Corner founder […]

From the folks at Eko Studio, director J.M. Logan (The Disunited States of America) and writer Molly Hagan comes a new interactive film for the web, The Garage Sale. It’s about three couples who descend on a suburban garage sale with different aspirations and behaviorsl the film, viewable through a web browser, allows viewers to live-switch through their different stories. “The viewer is able to navigate between stories to get a different perspective, learn new information, and follow which of the couples they are most curious about,” says the press release. “While their choices will not impact the final outcome […]

In the three years since its founding in 2014, San Francisco-based Kaleidoscope has made itself a major player in the virtual reality landscape. The company began by hosting exhibition events for new VR pieces—like Joost Jordens’ and Mike von Rotz’s Transition (pictured above)—which they’ve done now more than 40 times across the world. Now, with major film festivals like Sundance and Tribeca increasingly filling that need, Kaleidoscope has turned its attention to production. Late last month the company announced the launch of a funding platform to connect independent VR creators with the financing sources that could fund their work and potentially […]

One of my favorite virtual reality pieces at last year’s Tribeca Film Festival was the animated Invasion! from San Francisco-based Baobab Studios. The short film, directed by Baobab co-founder Eric Darnell, was reportedly downloaded over one million times (including in my household, where my kids loved its Google Cardboard version), making it the most-downloaded virtual reality piece yet, and in September a feature film adaptation was announced. Baobab thus had a high bar for their next project, so they launched two: Asteroids!, which premiered at Sundance in January, and now Rainbow Crow, which premiered this year at Tribeca. Following in the kid-friendly tradition of Darnell’s […]

Alongside the Tribeca Film Festival’s film screenings and live events, the Tribeca Immersive exhibit at 50 Varick Street has been regularly packed full of attendees, with the enthusiasm of everyone from industry veterans to neophytes who have never seen a VR project before filling the space with energy. The event’s organizers, led by Ingrid Kopp, have done a stellar job in curating an excellent and diverse group of virtual reality and interactive projects from around the world, making Tribeca a leading global venue for new VR on par with Sundance or any other festival that includes virtual reality. I was gratified to see […]

I saw Water Warriors in February, just a month after Donald Trump’s inauguration, during its world premiere at Big Sky Documentary Film Festival in Missoula, Montana. The short film and multimedia photo exhibition provided an element of much-needed hope at a time when the environment is increasingly imperiled by big business interests. But rather than focusing on dire statistics and predictions about climate change, Water Warriors highlights a rare success story of ordinary citizens — including members of the Mi’kmaq Elsipogtog First Nation, French-speaking Acadians and white, English-speaking families in New Brunswick, Canada — who fight to protect their water from the oil […]

I first met Ram Devineni, creator of India’s first augmented reality comic book, Priya’s Shakti, at the FilmGate Interactive Media Festival in February, where he was presenting the graphic novel’s follow-up, Priya’s Mirror. (This work ended up taking the FilmGate Special Jury Award). With the series Devineni and his co-creators have revolutionized the comic book form, and not just technologically but also culturally. A survivor of gang rape in the first installment, Priya joins forces with acid attack survivors in the second, rendering the titular super-heroine tougher than your average Western badass chick. Devineni is participating in the Art, Technology […]

The 2017 FilmGate Interactive Media Festival, which took place February 3-5, was a bit different from prior editions I’ve attended. For one thing, the fest was now headquartered in the heart of Hurricanes-land — over Super Bowl weekend no less — at the University of Miami School of Communication (rather than in trendy South Beach). For another, accommodations this time included a lovely historic house rented in Coconut Grove, where I found myself one of four born-and-bred Americans, along with three other artists originally hailing from India, Serbia and Turkey. Very Real World meets virtual reality. But perhaps the biggest […]

When MGM undertook to produce a film adaptation of the book The Wonderful Wizard of Oz in 1938 they wanted to use all the newest technological tools — think Technicolor — and special effects wizardry that they possibly could to bring the fantastic story to life. Equally, when the Builders Association decided to make the film the subject of their latest play last year — Elements of Oz ran Off-Broadway throughout December — they did the exact same thing. But for an innovative theater company in 2016 that meant integrating live video production, online clips, and a multitasking phone app into the onstage proceedings. New media […]

Throughout December, perhaps the best film showing in New York wasn’t in a theater at all but in a Civil War-era equine drill hall. Julian Rosefeldt’s Manifesto, a multiscreen installation starring Cate Blanchett in twelve different roles, closed its stay at the Park Avenue Armory last week. A single-screen linear version will reach a broader audience at Sundance next week, prompting me to reflect on the (presumed) differences between the two versions and what video artists and filmmakers of all stripes can learn from Rosefeldt’s latest work. First, a description. Manifesto takes its title and its text from the written manifestos of artists […]