It often feels as though a solid 75% of film industry members that I meet in New York have filtered through the IFP at some point; as a long ago employee, intern, or volunteer, or as a patron of the film market, which has gone by various aliases over the years. These days it falls under the umbrella of Independent Film Week, which I had the opportunity to attend this year as my film Remote Area Medical—which my partner Jeff and I are deep in the process of editing—was accepted into the Spotlight on Documentaries section. As I proudly told […]
A few years ago, I made a feature documentary about rock posters, Died Young Stayed Pretty, which premiered at SXSW Film Festival. Cartoonist Ward Sutton did a great 12-panel comic strip review of the film in the Village Voice, and Filmmaker Magazine did an awesome interview. My new film, Dead Zoo, is finally off the ground, after six years of sweaty script development and countless hours with amazing collaborators like Oscar-nominated character developer Julianna Kolakis (District 9), 2D animator Philip Piaget and musician Com Truise. Dead Zoo is inspired by recent conversations revolving around the merging of the body with machines — a prosthetic love story about what it means to be human, and what […]
J. Maureen Henderson at Forbes asks a question for these times: “Are Creative Careers Now Exclusively Reserved for the Privileged?” She primarily refers to writing and publishing jobs, but her question applies to the film world too. Henderson’s piece quotes from another by writer Alexandra Kimball, who writes at Hazlitt about breaking into publishing… when you can’t afford to be an intern. From Kimball: To be a writer in this market requires not only money, but a concept of “work” that is most easily gained from privilege. It requires a sense of entitlement, the ability to network and self-promote without […]
As a filmmaker, I find myself more and more impressed with the indie game-making community. They’re supportive of their own at a level I wish we filmmakers were and they’re constantly innovating new ways of distribution. Because of this, it’s become a little quest of mine to learn more about indie game-making and how it overlaps with indie filmmaking. How are they similar, how are they different, and what can each hopefully learn from the other? One place where the filmmaking and game-making ley lines intersect is Fantastic Fest. It’s one of the biggest genre film festivals in the US and […]
I’m a little perplexed by the mini-controversy that has erupted over the Screen Actors Guild determination that the actors in Benh Zeitlin’s Beasts of the Southern Wild are ineligible to receive Screen Actors Guild Awards because the film was not made under a SAG contract. (In other words, the film did not employ professional actors.) From Scott Feinberg in the Hollywood Reporter: Director Benh Zeitlin, out of financial necessity (he had a budget of just $1.3 million) and a desire for the greatest possible sense of authenticity (his film revolves around eccentric characters who populate a remote part of America’s […]
The Independent Filmmaker Project (IFP) announced today that Matt Damon, David O. Russell and Jeff Skoll will be presented with career tributes at the 22nd Annual Gotham Independent Film Awards™ on Monday, November 26th at Cipriani Wall Street, in New York City. These honorees also represent some of the most highly anticipated films of 2012 including: Promised Land from Focus Features (co-starring and co-written by Matt Damon and John Krasinski and directed by Gus Van Sant, produced by Participant Media); and the upcoming Weinstein Co. release Silver Linings Playbook (directed by David O. Russell and featuring Bradley Cooper and Jennifer Lawrence). “It is with pride and […]
One of the most intriguing things about transmedia when compared to traditional film, particularly documentary, is that through its multiple entry points and interactive experiences it has the potential to more fully engage viewers in causes. It doesn’t just inspire people to action, in other words; at its best, it gives them the tools and initial opportunities to take action then and there. Such is the case with Half the Sky, a four-hour film and transmedia property that airs in two parts tonight and tomorrow on PBS. In fact, it may be possible that Half the Sky is the most […]
As the San Sebastian Film Festival drew to a close, there was — as there should be with festivals that want to thrive — a sense of honoring the past and looking to the future. The week had been studded with Hollywood star appearances, from Ewan McGregor becoming the youngest ever actor to win a Donostia Lifetime Achievement Award to 75-year-old Dustin Hoffman tearfully collecting his Donostia on Saturday. Thanking the festival for honoring the art form of cinema, he told the packed Kursaal auditorium: “The feeling that you gave me is as important as the award.” But there was […]
Ted Kotcheff’s Wake in Fright was a hit at the Cannes Film Festival in 1971, but as the film made its way across the Atlantic, its stateside distributor decided to do a bit of rebranding. Against Kotcheff’s will, his intense fish-out-of-water tale was released in New York the following winter as Outback, a perfectly bland title for a movie that’s anything but. If the new name threw some film-goers off the trail, United Artists’ failure, as Kotcheff recalls it, to “spend 25 cents on publicity” made certain that the rest of its potential audience never heard about it in the […]
Most mobile and wireline users rely on a commercial Internet Service Provider (ISP) to access the web. Such ISPs include big dogs like AT&T and Verizon, Time Warner and Comcast, as well as small fries like Earthlink and Juno. However, there is a second class of ISP that is little discussed: nonprofit ISP. Nonprofit ISPs involve two different types of providers – municipal or community networks and nonprofit corporations. In 2001, there were only 16 government-run networks in nine states. Today, there are an estimated 150 communities around the country with their own publicly-owned broadband networks. In the face of […]