Throughout the month of September, Filmmaker is partnering with the online short film competition Filminute, hosting five of its nominated titles and running interviews with the director’s of these one-minute movies. Tell us who you are (where you’re from, background, previous credits as a filmmaker) My names is Ant Blades. I’m a director at Bird Box Studio in London. Here I have made many short films, all around a minute long and aimed at a YouTube audience (25 million views so far). I’ve worked previously as an animator for various studios, a digital creative for YouTube at Google, and a […]
Part of the No Borders orientation the first day is getting up in front of all the other participants in the program and pitching your project. I am very glad they made us do this–it prepared us for a week of meetings and pitching–but this was something Kat [Candler] and I were not exactly prepared for. To our credit, this fact was buried in a rather lengthy email (way to keep us on our toes, IFP). You could feel the collective nervousness from the group, but regardless, it was no big deal and it went great, no one fell off […]
Sarah Megan Thomas recently returned to her hometown of Haverford, Pennsylvania, with a script and a camera crew in tow, to shoot her screenwriting debut Backwards, which she also produced and stars in. Thomas plays competitive rower Abi Brooks who, after she fails to win a seat on the US Olympic boat, must steer her life in a new direction, ultimately landing a coaching job for the rowing team at her old high school. Just as in rowing, Abi has to look backwards — to old places and ex-boyfriends — in order to move forward, with her sport and her […]
Is there such a thing as an opportunity of a lifetime? During the first two days of IFP’s Independent Film Week, it became clear that the answer is yes and no. Yes, a conversation, a short film, a meeting, a festival acceptance, can be the opportunity that changes everything, but a career isn’t just a year or one film – it’s a lifetime of dedication to craft. In his impressively extemporaneous speech, J.C. Chandor (above) recalled not the glories of having his first feature, Margin Call, nominated for an Academy Award for Best Screenplay, but the 15 years he spent trying to […]
No one can say actor/musician Ryan O’Nan didn’t pull his weight in his directorial debut, Brooklyn Brothers Beat The Best, which makes its theatrical debut on September 21 via Oscilloscope Laboratories. Besides directing, writing, and starring in the film, O’Nan wrote and sang most of the songs on the soundtrack (album out 9/18 on ATCO Records). A 2011 IFP Narrative Labs project that premiered at Toronto last year, Brooklyn Brothers is the story of two ne’er-do-well musicians who make an unlikely alliance, embarking on the kind of quixotic journey that’s tailor-made for a buddy movie. But O’Nan’s film finds itself […]
If independent film is going to prosper well into the 21st century, many would agree that there must be some sort of interdependence between filmmakers, a collective effort that will help everyone to communicate and share resources. Thankfully, there is already a driven group of Americans who are doing exactly that, providing a template that indie film can examine and emulate. It’s the Occupy movement. No matter how you feel about their politics, Occupy has utilized new technology and social media better than many organizations and affinity groups in the United States. And if you look closely at how they […]
I haven’t taken many classes on pitching. Wait. I’ve never taken any classes on pitching. Pitching is meant to be a precise, pressurized maneuver that either takes your project to the next stage or closes another door in its face. It is the subject of much study, stress and numerous overpriced workshops. Naturally, one always feels some amount of pressure before a pitch–similar to what I experienced as a dancer prior to going on stage each evening. Regardless of how many past meetings were nailed or how many accolades were received, one rarely goes into these “performances of passion” without […]
A year ago, I met, fell for and married another filmmaker in three months. We spent the year getting lost in our own world of odd hours, late nights, and bursts of travel–it turns out we are part of a loose tribe of shooters and lovers of the documentary film world. Nowhere has this tribe been more pronounced than at the IFP Labs, where six of the films produced this year involve similar pairs. Some people may cringe at the idea of spending 24/7 with their partner for weeks on end. But to members of our tribe, whose passions often […]
I first found out about Kathy Leichter’s documentary, Here One Day (above), via an email announcing the film’s Kickstarter campaign. Like many independent filmmakers, I receive many such emails. But what set this one apart from the others was the sender, filmmaker/editor (and friend) Pola Rapaport, whose work I greatly admire – and the film’s subject. Here One Day (screening at IFP’s Independent Film Week, Spotlight on Documentaries) is about Kathy’s mother’s bipolar disorder and suicide. It’s a story about what a person with mental illness does to a family — a story many of us can relate to — and […]
“You’re young, you haven’t done anything, and no one wants to work with you,” our first agent said to us after we graduated film school. He was absolutely right. We were trying to write what we thought were mainstream Hollywood comedies but to our shock, it was hard to get the second screenplay we’d ever written to the biggest comedy stars on the planet. That’s when we decided to write something smaller for two local New York comedians who we thought were hilarious and, more importantly, we thought we could get. Six months later, we had a screenplay about two […]