“This year’s program captures how eclectic and varied in genre and style Latin American cinema has become,” says the Film Society of Lincoln Center’s Marcela Goglio, who, along with colleague Richard Pena, programs the films that play at the Walter Reade Theater during the 12th edition of Latin Beat (August 10-24). “In spite of ongoing financial struggle, good commercial films coexist with low-budget and more experimental ones.” Even though it is the oldest of all, Latin Beat has not received its just due in a community that hosts so many mediocre Latin American and Latino film festivals and exhibitions. (Check […]
(Gun Hill Road world premiered in the U.S. Dramatic Competition at the 2011 Sundance Film Festival, which is when the original version of this review was first published at Hammer To Nail. It was picked up for distribution by Motion Film Group and opens theatrically in New York City on Friday, August 5, 2011, and Los Angeles on Friday, August 12th. Visit the film’s Facebook page and official website to learn more.) A late work by the Cuban director Tomas Gutierrez Alea called Strawberry And Chocolate is one of the few films I’ve ever seen to confront the strange relationship […]
I have come across many folks who have allowed the completion of a perfect script to derail their entire production. I have also sat through (I’m including my own films here) more films that I can remember in which the filmmakers hoped improv will create something magical. In microbudget the latter is a necessity, in large indie films, it’s risky, and in Hollywood, no one but a select few can pull it off. I recently started a conversation with an Austin filmmaker in the very thick of making her second feature film, What’s the Use (pictured below), and this battle […]
Memphis-based filmmaker Kentucker Audley (Team Picture, Open Five), selected for Filmmaker’s “25 New Faces” list in 2007, is releasing today online his new film, Holy Land (pictured here, with stars Bunny Lampert and Cole Weintraub), and with it a platform for fellow directors working in the no-budget trenches. The site is called “No Budge Films,” and it is described simply as “a place to watch no-budget films… Post your short film or feature // for a short run or indefinitely.” Why such a simple site? “Because most films don’t get distributed + it’s cool to give away your film for […]
I have been thinking about Kevin Smith quite a bit lately. Beyond the obvious happenings with his film Red State and his decision to follow in my footsteps (wink) by embracing the Topspin platform to go about his business of building a media empire, I’ve been a bit in awe of how this guy from New Jersey, who began his journey with a $27,000 ’90s Sundance hit that many in the artistic film world passed off as garbage, has weathered many a storm, some arguably manufactured, to be quite possibly the last man standing and perhaps most forward thinking in […]
When I listened to Francis Ford Coppola give a master class at last year’s Marrakech Film Festival, some of the most valuable information imparted was about the creative process. So that’s what struck me when I watched this trailer of his latest film, Twixt, premiering at the Toronto International Film Festival this month. Val Kilmer stars as a mass market horror novelist, and there’s clearly some kind of meditation going on about the workings of the imagination. As quoted at First Showing, Coppola says the film “‘was inspired by the eerie writings of Nathaniel Hawthorne and Edgar Allan Poe’ and […]
The Sundance Creative Producing Lab just wrapped, and here, with an account of her days there, is producer Melissa Lee (Dear Lemon Lima, Circumstance). Last week I had the honor of being one of six Fellows at the Sundance Institute Creative Producing Lab. Over the course of five days, the intimate group of Fellows and Advisors – about 15 in all — dissected, scrutinized, and re-energized not only the five projects selected for the Lab, but also each of the Fellows behind them. I’d heard the experience compared to rehab, group therapy, and King Arthur’s Court. It turned out to […]
Koran by Heart, premiering on HBO today, comes out at a time when it couldn’t be more necessary. In the wake of July’s attacks in Norway and the Islamophobic response in Western media outlets, the film offers a composed perspective of life in the Muslim world. Koran by Heart follows three Muslim youths — Nabiollah from Tajikistan, Rifdha from the Maldives, and Djamil from Senegal — as they enter into an annual Koran-reciting competition in Cairo, Egypt. The competition attracts hundreds of Muslims from all over the world, many of whom don’t speak Arabic, but are able to recite the […]
Video sharing site Vimeo announced today Vimeo PRO, a new account aimed at small business — including independent filmmakers and production companies. Offering high-quality hosting at a competitive price (50GB of storage and 250,000 plays for an annual $199 fee), the new service lives separately from the regular Vimeo community. From the press release: “Until now, quality video hosting has been expensive, confusing, and extremely difficult for a small business owner to understand. Small businesses have fallen between the cracks of free video services and massive enterprise video solutions,” said Dae Mellencamp, Vimeo’s General Manager. “Vimeo PRO resolves the contradiction […]
Now up on our VOD calendar are titles available for the month of August. Some of the highlights: Meek’s Cutoff, The Beaver, Jane Eyre and John Landis returns to features after over a decade of directing for TV with his dark comedy Burke and Hare (which hits theaters in September), starring Simon Pegg and Andy Serkis as the legendary 19th century body-snatchers. For titles from previous months go to our VOD Calendar homepage.