Production
Filmmaking - Production
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Making HENRi: A Low-Budget Sci-fi Short Film Odyssey
A little over three years ago, I decided I wanted to make a sci-fi short film about a robot trying to become human. My idea was to combine live action with miniatures and rod-puppetry – despite having no previous experience with special effects. Initial reactions from family, friends, and collaborators were of the “Are you insane?” variety – perhaps rightfully so. It was at that point I knew I had to make the film. What followed was an odd combination of luck, coincidence, and disaster – three ingredients that are rarely talked about, yet I’m convinced are completely inseparable from […]
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10 Lessons on Filmmaking from Beasts of the Southern Wild’s Benh Zeitlin
Despite legions of advice to the contrary, there is no quick-fix scheme toward making a feature film. What it really comes down to is creating a universal story and surrounding yourself with people who believe in your vision enough to see it come to life. Benh Zeitlin proves that to make a powerful film today, you don’t need gimmicks, a convoluted strategy, or even connections in the business. All you really need is a story so strong that it’s impossible not to make. The 30-year-old Zeitlin’s journey from short to feature is a true fairytale in the landscape of American indie […]
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Karaoke Girl’s Visra Vichit-Vadakan and Sandi Sissel
Receiving its world premiere in the 2013 Rotterdam Film Festival’s Tiger Awards Competition, San Francisco-based Visra Vichit-Vadakan’s Karaoke Girl is an evocative character study of a Bangkok working girl, a singer in a nighttime karaoke bar for whom memories of her rural past and dreams of romantic fulfillment form a pulsing lifeline away from an emotionally depleting world. A hybrid documentary/fiction film, Karaoke Girl stars newcomer Sa Sittijun as a character largely based on herself. The documentary sections of the film follow her back to her real hometown, and feature interviews with her real family, while the “fiction” sequences are […]
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Sibling Cinema: A Brother-Sister Perspective on Indie Film
Lumière, Cohen, Zucker, Farley, Duplass, and Polish. All siblings in cinema. Are siblings just genetically inclined to be good partners? My sister Eva and myself are not your garden-variety filmmaking partnership. We’re brother and sister, bound by shared nature and nurture. We formally joined professional forces in 2003 and founded Last Ditch Pictures, now a full-service production company spanning the gamut: commercials and industrials and shorts, editing and scoring and visual effects, and — closest to our hearts and common circuitry — features. I sat down with my sister over the weekend, having just completed post production on our fourth […]
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In the Can: Days of Gray
Picking up from where we left off in our last article, we’re happy to announce that Days of Gray is in the can! So much has happened in the last six months, and here’s how we got there. We concluded an incredibly successful Kickstarter campaign in early June with a blow-out party at the Wooly (many thanks to all our backers who came out in droves and danced till the wee hours to the beats of Icelandic DJs!) We also held a very well-attended screening at the Scandinavia House showcasing previous works from Bicephaly Pictures as well as some of Hjaltalín’s music videos to give […]
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Conversations with Blocked Filmmakers
Independent films get made, and we cover them here at Filmmaker. But what about all the films that don’t get made? They have their own stories, and their stories can be as useful to other filmmakers as those of films that do actually hit the screen. After a brief Twitter poll, I’ve decided to invite several filmmakers who have been struggling, so far unsuccessfully, to make their films to discuss those projects here on the site. I’ll be interested in the films, the length of the development process, the avenues tried, and the possible reasons for the projects’ failure to […]
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Interview Show Rambling On Now at Filmmaker
Rambling On, an independent film interview show, is landing at Filmmaker. Produced by filmmakers Russell Costanzo and Melissa B. Miller (The Tested), the show gathers, roundtable style, producers, directors and actors to discuss their working practices. Here’s an excerpt from the duo’s previous episode, a roundtable with producers Sophia Lin (Compliance), Josh Mond (Simon Killer), Riva Marker (What Maisie Knew), Jared Goldman (The Magic of Belle Isle), and Michelle Ann Small (Gun Hill Road). The moderator here is Matt Patches from Hollywood.com, and this clip addresses a skill every producer needs to learn how to master: How — and when […]
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Matt Boyd on A Rubberband is an Unlikely Instrument (+ Exclusive Teaser)
In the quickly gentrifying Brooklyn neighborhood of Greenpoint during the mid-aughts, Walter Baker — a collector of sound, a street musician, a man of many talents and eccentricities — lives with his wife Andrea, a poet, and their adolescent son Sidney. Baker spends his days rummaging through barren lots and decaying Greenpoint docks recording sound, or lurking in the subway, using an extra large rubber band to make unearthly yet remarkably compelling quasi-music. Baker’s skills on the rubber band improve throughout Matt Boyd’s singularly self-possessed, unforgettable doc-narrative hybrid A Rubberband is an Unlikely Instrument, while his home life becomes more […]
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Using a Home Projector for Rear Projection
Rear projection, a technique that involves projecting a background image onto a screen behind your actors, is a technique that was popular in the 40s and 50s, particularly for shooting vehicle interiors. It wasn’t perfect; the image can seem washed out compared to the foreground actors making it easy to spot the technique, and rear projection requires a fairly large studio space. Rear projection has been mostly replaced, first by front projection, and by blue- and green-screen techniques. Even low-budget NLEs now include very good green-screen filters that produce excellent results; though it’s your technique when shooting the footage that […]
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Tempo: A budget VFX lesson from Seth Worley and Red Giant
Red Giant is known for their effects software, including Magic Bullet Looks, Colorista and Trapcode Particular. But they are also developing a name for themselves with a series of short films that are both entertaining and great demos of how-to-do effects on a budget. It probably doesn’t hurt that they also demonstrate how to use their software too! Director Seth Worley and Aharon Rabinowitz, director of Communities at Red Giant, spoke at a recent meeting of the Boston Creative Pro Users Group about the production of their latest short, Tempo. Worley first came to Red Giant’s attention when the company […]
