Columns
-
Back to One, Episode 73: Michaela Watkins
A Groundlings and Saturday Night Live alum who has evolved beyond her improvisational prowess, Michaela Watkins continues to surprise us. The Unicorn, Search Party, Transparent and Casual are some of her television highlights. And I loved her in movies like Afternoon Delight, Person to Person, and the important and inspirational Brittany Runs A Marathon. We talk about the vital role she plays in that film, and what, if anything, has changed in regards to meaty roles for woman. Plus she talks about being Jill Soloway’s muse, and the importance of embodying a whole person. Back To One can be found […]
-
“We Decided Early On That There was Never Going to Be A Single Lock-off Shot”: DP Erik Wilson on The Dark Crystal: Age of Resistance
The original Dark Crystal was released on December 17th, 1982 , four days before my fifth birthday. I don’t remember exactly when my mom took me to see it. I can only tell you that when she did, the movie–and its lizard-like villains, the Skeksis—scared the crap out of me. There is a generation of kids who were similarly terrified and enthralled by the film, which was much darker than unsuspecting parents anticipated from Jim Henson, the man behind The Muppets and Sesame Street. Erik Wilson—the cinematographer of Netflix’s new 10-episode prequel The Dark Crystal: Age of Resistance—was not among […]
-
“Imagine Making a Movie Without Tape”: DP Brett Jutkiewicz on Ready or Not
In Ready or Not, a bride spends her wedding night playing a deadly game of hide and seek with her new in-laws, a clan of board game magnates beholden to a curse that requires them to dispose of the newlywed before dawn. The film unfolds almost entirely at the wealthy family’s estate, an opulent expanse shot mainly at the historic Parkwood Estate near Toronto. Ready or Not’s $6 million budget and 26-day shooting schedule are modest for a wide theatrical release, but for cinematographer Brett Jutkiewicz the scale is downright gluttonous compared to past efforts like Benny and Josh Safdie’s […]
-
Back to One, Episode 72: Lee Pace
Lee Pace has one of those dream acting careers where he gets to be painted blue or dons elf ears to play Ronan (Guardians of the Galaxy) or Thranduil (The Hobbit films), sparking the imagination of countless fans around the world, and then he hits the Broadway stage and knocks ‘em dead as Joe Pitt in Angels in America. I ask him if he takes stock of that aspect of his career, and we talk about a curious note Barry Sonnenfeld gave him while making Pushing Daisies that he still uses to this day. Plus why he’s not bothered by […]
-
Back to One, Episode 71: Jake Lacy
I first took note of Jake Lacy’s exquisite comedic delivery in The Office and How to Be Single, and was pleased to see him shine while going deep and dark, like in this year’s Diane, and last year’s I’m Dying Up Here. He even stands out playing opposite heavyweights like Rooney Mara in Carol, and Michelle Williams in Fosse/Verdon. I gathered from past interviews that he spoke with an authenticity that was going to work very well on Back To One, but I was not prepared for the level of comfort and delicacy with which he opened up to me […]
-
Back to One, Episode 70: Greg Kinnear
He started out as a TV host in the ’90s, but Greg Kinnear quickly made the transition to leading man thanks to legendary directors like Sydney Pollack and James L. Brooks investing in his acting talent. An Oscar nomination for As Good As It Gets followed, and he’s been making movies ever since, Little Miss Sunshine, Auto Focus, Little Men, to name just a few. This Summer he has three movies out — Brian Banks, The Red Sea Diving Resort (Netflix), and Phil, which he also directed. In this episode, we discuss the importance of tone, his penchant for playing […]
-
Back To One Ep. 69: Ruben Santiago-Hudson
Actor/writer/director Ruben Santiago-Hudson is the kind of artist whose awe-inspiring dedication to the work can almost be overwhelming. He won a Tony Award for his performance in August Wilson’s Seven Guitars. His autobiographical play Lackawanna Blues was a sensation at the Public Theater and went on to be an award-winning HBO film. He started directing plays (particularly Wilson’s) and is now one of the most sought-after directors working in theater. His production of Jitney on Broadway won the Tony award for Best Revival of a Play. As an actor, he can currently be seen on Showtime’s Billions and recently on […]
-
Jennifer Kent on Shooting The Nightingale One-Camera, Contractually Obligated Aspect Ratios and Directing from A Handheld Monitor
Australian filmmaker Jennifer Kent’s first two movies present different parental nightmares. In The Babadook, a mother’s fear that she doesn’t love her son manifests itself in the form of the titular monster. In her latest, The Nightingale, a young woman explores the extremes she’s willing to go to in order to punish someone who’s harmed her child. Set in the early 1800s, The Nightingale stars Aisling Franciosi as Clare, an Irish prisoner finishing out the final days of her sentence in servitude to brutal British soldier Hawkins (Sam Claflin). When Hawkins rapes her and attacks her family, Clare sets out […]
-
“There Is No Video Village”: DP Robert Richardson on Shooting Once Upon a Time…in Hollywood in 35mm
During lunch break on a Western TV series, fading star Rick Dalton (Leonardo DiCaprio) settles into a director’s chair next to his nine-year-old co-star. The young actress is armed with a Walt Disney biography, Dalton a pulpy Western novel. The girl asks Dalton about the story in his book and he recounts the tale of an over-the-hill bronco buster that eerily mirrors his own circumstances. Once Upon a Time…in Hollywood is a loving valentine to an era of studio filmmaking that was coming to an end in 1969, but it’s also a rumination on the inevitability of aging and mortality […]
-
Back to One, Episode 68: Damon Herriman
It’s rare for one actor to be cast as the same real-life character in two different productions almost simultaneously. When that real life character is Charles Manson, that makes some news. Australian actor Damon Herriman has taken on this challenging role in both Quentin Tarantino’s Once Upon A Time… In Hollywood and the second season of David Fincher’s Netflix series Mindhunter. Herriman is perhaps best know for playing Dewey Crowe in the series Justified and currently plays Paul Allen Brown in Perpetual Grace LTD. We talk about the character of Manson, how good writing makes for good acting, and why […]
