Columns
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Back to One: Margaret and Nancy Star J. Smith-Cameron on Stage, Screen and Her “Inner Actor”
The brilliant J. Smith-Cameron blew us away in Margaret (written and directed by her husband, Kenneth Lonergan) and in the acclaimed series Rectify. Currently she’s starring in the new play Peace For Mary Frances (with Lois Smith), and the praiseworthy film Nancy (written and directed by Christina Choe and co-staring Andrea Riseborough and Steve Buscemi), which opens Friday June 8th. We talk extensively about her work in the latest two pieces and how her desire for rehearsal is sometimes satisfied in a roundabout way on a TV shoot. She also shares what she does right before she steps on the […]
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DP Larkin Seiple Breaks Down Every Shot from Childish Gambino’s “This Is America “
Since its May 5th launch, Childish Gambino’s “This Is America” video has been viewed more than 215 million times on YouTube, a testament to the power of the internet as mass medium. According to Variety, the average ticket price for the first quarter of 2018 is $9.16; using that math, a music video shot in two days with nine rolls of film has been viewed by as many people as Avengers: Infinity War. “I was a bit shocked at the scale and speed of the reaction. It was released on a Saturday evening and on Sunday morning I woke up to […]
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Back to One, Episode Seven: Blue Bloods and Candy Jar Star Sami Gayle on Getting to Know her Characters and Navigating an Early Career
Sami Gayle has played Nicky Reagan on the hit CBS drama Blue Bloods for eight seasons, performed on Broadway a few times, acted opposite Adrien Brody in her first film, and she’s only 22. She now stars in Candy Jar, a fun and smart new Netflix film set in the world of high school debate, which was written by her brother Chad. We talk about the unique way the work deepens when you have played a character over a period of time, and why “quality over quantity” is the approach she’s taking with her career. This episode can be listened […]
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“Sprinkling a Little ‘Stacey’ On It”: Director Stacey K. Black on How to Excel at Directing Episodic Television
Directing episodic television can be one of the most challenging forms of filmmaking. A tricky balancing act is required by having to simultaneously meet the expectations of the audience, the demands of the network and showrunner, and the desires and opinions of actors and crew, who have been on the show for years — and all while providing a distinctive enough point of view so as to make one’s self essential to the process (and thus get asked back to direct more episodes). Few directors have managed to navigate the intersection between personal expression and mass entertainment as well as […]
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Back to One, Episode Six: Lee Grant on Strasberg vs. Meisner, Being Directed by Mike Nichols and More
I finished Lee Grant’s incredible autobiography I Said Yes To Everything right before sitting down with her and that was a huge mistake, only because it was frustrating to have such a limited time with the legendary actress after reading her extraordinary story. Consider this episode a tiny drop in the ocean of this astounding life. She was nominated for an Oscar for her first screen role in William Wyler’s Detective Story and then was blacklisted by HUAC for 12 long, painful years. She rebuilt her career with roles in Peyton Place, In The Heat Of The Night, and Shampoo […]
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Back to One, Episode Five: Harry Lennix on Classic Foundations of Acting, His Own Production Company and More
At the moment, Harry Lennix is perhaps best known for his portrayal of FBI agent Harold Cooper on NBC’s The Blacklist. The breadth and depth of his work on the stage and screen go well beyond that hit show, however, with film roles spanning from Robert Townsend’s The Five Heartbeats and Julie Taymor’s Titus, to General Swanwick in both Man of Steel and Batman vs. Superman, and on Broadway in August Wilson’s final play Radio Golf, and Cymbeline at The Royal Shakespeare Company. In 2014 Lennix created Exponent Media Group and began producing his own content, such as H4, a […]
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Back to One, Episode Four: Sheila Vand Talks Knowing a Character, Dark and Light Roles, and Operating in Tandem with One’s Spiritual Journey
In this hour, Sheila Vand gifts us with a glimpse into the inner life of an incredibly talented young actor who, role after role, is harnessing her art and reaching new heights. She first captured our attention in Ana Lily Amirpour’s noir vampire western A Girl Walks Home Alone at Night, and in the small but pivotal role of Sahar, the Iranian housekeeper, in Argo. Co-starring stints on NBC’s State of Affairs and FOX’s 24 Legacy followed, and by the end of this episode she’ll make you anxious to see two of her upcoming projects, Jeremiah Zagar’s festival hit We […]
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Back to One, Episode Three: Joshua Leonard Talks Acting in Improvised Films, Acting in iPhone Films and Too Many Bad Guys
Joshua Leonard first came onto the scene with the lo-fi sensation The Blair Witch Project, then went on to receive rave reviews for his performance in Lynn Shelton’s Independent Spirit Award-winning Humpday. His narrative feature debut as director, The Lie, premiered at Sundance in 2011 and he just wrapped production on his sophomore feature Behold My Heart which stars Marisa Tomei. Currently he co-stars in Steven Soderbergh’s thriller Unsane, which was famously shot on an iPhone. Leonard talks about how freeing that was and how he’s dismayed, now that he’s a dad, at all the bad guy parts he’s being […]
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Back to One, Episode Two: Emily Mortimer talks Her Breakout Film, Being Right and Wrong for the Part, and Aaron Sorkin
Emily Mortimer is perhaps best known for her role as MacKenzie McHale in Aaron Sorkin’s beloved HBO series The Newsroom. Some of her other memorable performances are in Woody Allen’s Match Point, Martin Scorsese’s Shutter Island and Hugo and, as Phoebe, Jack Donaghy’s love interest, on the NBC series 30 Rock. In this hour she talks extensively about one particular, powerful scene in her breakout film, Nicole Holofcener’s Lovely & Amazing (which earned her an Independent Spirit Award for Best Supporting Actress), and about what it was like to play a character named “Emily Mortimer” in her HBO series Doll […]
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“We Don’t Have a Script, But We’re Working on It”: Michael Pressman on Doctor Detroit and Transitioning from Film to TV
One of the most interesting filmmakers to emerge from Roger Corman’s New World Pictures in the 1970s – a period in which great directors like Jonathan Demme, Allan Arkush, and Joe Dante were making their first movies for the company – was Michael Pressman, whose 1976 action-comedy The Great Texas Dynamite Chase remains one of the smartest, funniest, and most energetic exploitation pictures of its era. Throughout the late ’70s and early ’80s, Pressman directed one distinctive film after another, exhibiting astonishing range – the only thing his movies of the era have in common is that they have nothing […]
