In addition to being a novelist (All That Is) and screenwriter (Downhill Racer, The Appointment), James Salter is also a pilot. Over at The New Yorker he, like the rest of the world, is pondering the fate of Flight 370. In particular, he imagines the moment at which sleeping passengers may away during their overseas flight to realize that something is astray…. But the Malaysian airliner was not lost. It was on course on a long, late-night flight to Beijing. I am identifying now with the passengers. An hour after takeoff, some are already asleep. The plane is flying smoothly […]
For the past couple of years, Panasonic has taken a backseat to Sony and Canon in the cinematography and indie movie world. While Sony and Canon raced to produce new large-sensor cameras in different configurations and prices, Panasonic was content to stick with the low-end AG-AF100, which was released at the end of 2010 and has seen few updates. They have also had some success in ultra low-budget production with the GH2 and GH3, which produce good quality video but are primarily stills cameras. This year Panasonic seems intent on making its move. Or, as a product manager said at […]
For a second time, Google is attempting to pitch a compression format as the replacement for an H.26X compressor. They tried to do it three years ago for HD video when they pitched VP8 as a replacement for H.264 and had little success. Now they’re back with a new angle: VP9 is the format for 4K, and they are putting it up against H.265, the new 4K compressor that is also referred to as HEVC (High Efficiency Video Coding). Should you care? Compression codecs can be fascinating, frustrating and their naming confusing. For example, everyone’s heard of H.264 and AVCHD, […]
Filmmaker is seeking a Managing Editor. This full-time, New York-based position oversees the production of Filmmaker‘s print issue and provides administrative and managerial support to the operations of our daily website. Our ideal candidate will have strong writing skills, superior administrative and copyediting abilities as well as a sincere interest in the world of independent film. Nick Dawson, who has been our fantastic Managing Editor for the last two years, is leaving to pursue an exciting new opportunity, which I will let him tell you about shortly. (Congrats, Nick!) If you think you or someone you know would be interested, […]
Here are our most-read posts of January, 2014. 1. Why Your Film Needs a Good Gaffer: How Lighting Changes a Face. This hypnotic video featuring a pretty model whose face morphs from seductive to menacing to funny based on the lights that hit it went viral. It’s a great watch that prompted a lengthy dialogue about the relationship between D.P and gaffer on our Facebook page. 2. The Women of Sundance 2014. There has been a lot written about the underrepresentation of women directors, but I think filmmaker Danielle Lurie knocked it out of the park with this 5,000-word piece […]
We are in the middle of a hardware revolution. Inexpensive processors, memory and sensor technologies are now accessible to the masses. Long gone are the days of expensive fabrication and manufacturing processes. Maker culture and crowdfunding have ushered in a new cottage industry of manufacturing, one that enables entrepreneurs to go direct to consumers. As a result, innovation is pouring out of garages, basements, bedrooms and makerspaces around the world. My favorite hardware innovation of the last year is a latecomer. Just last month, a startup named Kano launched a crowdfunding campaign for a $99 computer aimed at teaching kids […]
In an independent landscape of shaky, handheld cinematography, loose improvisation and bare-bones sets, the precise and punchy dark comedies of Zach Clark stand out. Recalling the days in which low budgets meant inventive art direction, heightened emotions and a rebellion against a default naturalism, Clark’s third movie, White Reindeer modulates the director’s deadpan, quasi-Sirkian camp into something more delicately bittersweet. Anna Margaret Hollyman plays a suburban real estate agent who returns home one holiday season to find her husband murdered. Learning he had a mistress, an African-American stripper, she journeys into a world where kinky fantasy is really just another […]
Originally discovered by E.V. Grieve and reposted by Gothamist, this short video of Iggy Pop touring the East Village in 1993 contains an interesting nugget of script development wisdom. I was watching the video this morning purely nostalgically — checking out my neighborhood 20 years ago — when I came across, at around the 10-minute mark, a short bit about the shooting of Jim Jarmusch’s Coffee and Cigarettes. Pop says his segment with Tom Waits — a one-day, 16-hour shoot — was his best shooting experience ever. When the interviewer asks if the shoot was improvised, Pop says there was […]
This list of 2013 top posts is broken in two — the first contains the top ten posts here at Filmmaker published during this calendar year. The second are the top ten older posts, the ones that keep on bubbling to the top of our Google Analytics. (A true 2013 top ten would be a mixture of these two lists.) So, to close out the year, here is what you read most at our site. 10. 13 Steps to Directing Famous Actors on a Microbudget Film. Director and Slamdance co-founder Dan Mirvish has two articles on this year’s list. In […]
Our top ten posts of 2013 will follow, but, before we get to that, here are Filmmaker‘s top posts of December, 2013. 10. Film vs. Digital: The Canon 5D and 7E. Sarah Salovaara’s post of a video A-B’ing two Canon still cameras as a way of comparing film and digital was next on the list. 9. Christine Vachon in Wroclaw. Another November post is in the #9 slot — a synopsis by Ashley Green of producer Christine Vachon’s talk about the producing business at the American Film Festival in Wroclaw, Poland. 8. How Many Films Does the Average Low-Budget Filmmaker […]