Columns
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Leviathan is a Nonfiction Game-Changer
(Distributed by Cinema Guild, Leviathan opens at the IFC Center in New York City on Friday, March 1, 2013. Visit the film’s official website to learn more.) A staggering thrill-ride of an experience, built on moments of astonishing cinematic immediacy, Leviathan marks a major leap forward in nonfiction filmmaking. It’s certainly not a film all viewers will respond to, but as someone who makes documentaries, I see Leviathan as the future. The progeny of direct cinema, experimental film and ethnography, Leviathan uses new cameras and an inventive technique to create something bracingly distinctive. Directed by Lucien Castaing-Taylor and Véréna Paravel, Leviathan […]
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Music Video: David Bowie’s The Stars Are Out Tonight, Directed by Floria Sigismondi
David Bowie and Tilda Swinton star as a retiring couple assaulted — literally — by vampiric celebrity culture in the latest from David Bowie. It’s directed by Floria Sigismondi, who is in fine form with this electrifyingly creepy clip. With the new Bowie album due out in a few weeks, you may have seen its wildposting campaign, in which its title, “The Next Day” is superimposed over a variety of advertising images. On its blog, CPH:DOX, which has paid homage to Bowie by naming an entire section after one of his songs (“Sound and Vision”), notes their own use of the same […]
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Genre at the 2013 Oscars: Live Action Short Death of a Shadow
The Oscars are not generally considered a crucial event for genre lovers; the inclusion of such films is often limited, and often ghettoized, relegated to technical awards only. This year there are several films in requisite categories like Makeup and Hairstyling, and Visual Effects (whose nominees include The Hobbit: An Unexpected Journey, The Avengers, Snow White and the Huntsman, and Prometheus). Another good category where one can snoop out genre fare is in Best Animated Film, and 2013 doesn’t disappoint, with the lovingly crafted and decidedly Gothic take on suburbia in ParaNorman and Tim Burton’s tale of a boy and […]
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Bestiaire – A Hammer to Nail Review
(Bestiaire had its World Premiere at the 2012 Sundance Film Festival. It is being distributed theatrically in America by KimStim and screens in L.A. at the Cinefamily, Feb. 21 – 27, 2013. ) The first animals we see in Bestiaire are humans, observing something with great attention. The scene resolves in a funny anti-climax: it’s revealed that they’re sketching in an art class, and all that intense focus is directed at a small, taxidermied deer. By starting his film looking at the viewer, director Denis Côté suggests that what we’re about to experience will be as much about ourselves and […]
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RED Sues Sony and Other News
In case you are living in a cave and missed it, the big news of last week was that RED is suing Sony. RED claims that Sony’s F65, F55 and F5 infringe on patents RED holds, specifically relating to REDCODE RAW. It appears that the issue may turn on the compression of a RAW video stream in the camera. Jim Jannard posted on the REDuser Forum: We are heavily invested in concepts, inventions, designs, development and manufacturing of RED cameras, REDRAY and the RED Projector. Each is unique and has motivated the industry to get better, for the benefit of […]
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Antiviral: The Spawn of the Spawn of David Cronenberg
Imagining a future in which celebrity worship has become the new world order hardly strains the brain, but first-time filmmaker Brandon Cronenberg’s Antiviral creates this scenario with such casual logic and vivid detail that very little imagination is required to make the leap from current reality to future absurdity. In this world, we no longer want to hear, as a society, that stars are just like us, we want them to be other, god-like. There is also a yearning to be close to them; the ritualistic collection of autographs or buying Kim Kardashian’s used hair dryer on eBay has morphed […]
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Porfirio — A Hammer To Nail Review
(Porfirio world premiered at the 2011 Director’s Fortnight at the Cannes Film Festival. It opens theatrically in New York City at MoMA on Friday, February 8, 2013. Visit the film’s official website to learn more.) Though his stylistic vision might superficially call to mind filmmakers like Carlos Reygadas, Lucrecia Martel, and Yorgos Lanthimos, with Porfirio, Alejandro Landes carves a unique path all his own. Based on a too-strange-to-be-true story concerning a Colombian man named Porfirio Ramírez that made headlines back in 2005, Porfirio stars none other than the real Porfirio Ramírez himself. From the very first second that you see […]
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House of Cards, the Netflix Algorithms and Me
As I learned from a piece by Andrew Leonard at Salon, at 12:22 AM last night a Netflix event was created in my household when I switched off Episode Four of the streaming video giant’s new series, House of Cards, and went to bed. Leonard’s event was caused when he stopped midway into the show’s first episode, but I watched the first two back to back before a digital datapoint was created. That event was triggered by me pausing the show to make dinner, a moment presumably reduced in significance by my subsequent reengagement with the series. If I do […]
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My Bloody Valentine Crashes the Internet with New Album
Keeping true to founder Kevin Shields’ word a couple of days ago, the new, 22-years-in-the-making My Bloody Valentine album has dropped. Well, at least I think it has. After posting word on their Facebook page, the band’s website has gone dark, delivering a “403 — Forbidden: Access Denied” warning. We know the name of the album (MBV), the tracklist (below), and the price ($16 in multiple digital formats, including MP3 and .WAV.) Vinyl and CD versions will soon be available. Spoof reviews are already up on the Facebook page, with some posters claiming to be bewildered by the Christian rock, […]
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Eat Your Brains Out, Twilight: Reviewing Warm Bodies
As the writer of a genre column, I spend an inordinate amount of time contemplating the balance between “classic” and “updated” when it comes to monster movie tropes in vampire, werewolf, and zombie fare. How much can a new offering stick to the proscribed strictures of, say, werewolf lore without feeling stale or, at best, adequate? How far can a new film stray from those details without sacrificing the pleasing familiarity we all love, a dependence on immutable truths like zombies are slow, and vampires go poof in the daylight? Every film should have the opportunity to make its own […]
